he wasn't even looking at me and he found me
Cosmic Funnies
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TVSTRANGERTHINGS
@theartofmadeline
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ellievsbear
KIROKAZE
tannertan36
祝日 / Permanent Vacation
titsay
Origami Around
Peter Solarz
Game of Thrones Daily
d e v o n
oozey mess
PUT YOUR BEARD IN MY MOUTH
art blog(derogatory)
trying on a metaphor
Claire Keane
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@elainfrancois
2017.2018 — Type design
Strijp Ample is a typeface inspired by the architectural and cultural environment of the Strijp district, in Eindhoven city.
○ 179 glyphs
Bostryche Petit Texte is a typeface designed in the aim to be laser cutted at a low scale. This font is named after the Bostryche Typographe (Ips Typographus), a small sized beetle.
○ 192 glyphs
06.2018 — Type & poster design
Laser cutted specimen of the Bostryche PT font.
○ 176 × 250 mm.
Set in Century Old Style & Bostryche PT.
06.2018 — Book design
Common specimen for the two main type design projects of the 2017-2018 period, Bostryche PT & Strijp Ample.
○ 148 pages. ○ 176 × 250 mm.
Set in Century Old Style & Univers LT 55.
06.2018 — Type & poster design
The Gallica Text is a semi-serif text character, drawn as part of the DSAA second-year diploma project. This project consisted in a graphic and typographical questioning of Gallica's offer of digital books on readers, continuing the questioning of digital reading initiated by the thesis.
Work in progress.
05.2018 — Book design
Abstract from DSAA's second year research thesis, written between September 2017 and January 2018.
The full text of the thesis is available for reading at → http://e162.eu/memoires/lectures
○ 58 pages. ○ 110 × 150 mm.
Composed in Founders Grotesk 14 & 28 pts.
03.2018 — Poster design
Series of posters inspired by a three month stay in the city of Eindhoven, especially by the industrial district of Strijp, in wich I did my internship.
○ 841 × 1189 mm.
Set in Strijp Ample.
02.2018 — Book design
French-Russian edition of The Aims Of Astronautics, by the Russian pioneer of the astronautic theory, Konstantin Tsiolkovsky, illustrations from his Album of Cosmic Journeys.
○ 118 pages. ○ 110 × 170 mm.
Set in Georgia & Aktiv Grotesk.
02.2017 — Poster design
Solar system representation, composed & printed with metal typefaces elements at Imprimerie Nationale.
○ 500 × 700 mm.
Set in metal typefaces Univers Cyrillic and Imprimerie Nationale’s Grandjean Italic.
10.2017 — Book design
Report of the three-month internship, carried out from 27 March to 22 June 2017 in the RAW COLOR graphic design studio, located at Beeldbuisring 30, 5651 HA Eindhoven, Netherlands, as part of the first year of the DSAA typographic design course.
○ 48 pages. ○ 148 × 210 mm.
Composed in Suisse Works 24pt & Suisse Int'l 11pt.
11.2017 — Stone cutting
Stone cutting workshop with Franck Jalleau, in partnership with CN D (National Dance Center). The quote comes from Henri Verneuil's film "Les lions sont lâchés", with dialogues written by Michel Audiard. It is pronounced by Lino Ventura, in its full version "La danse, c'est du pelotage: tout ce qu'on fait avec les pieds est parfaitement secondaire. Tout le monde s'en fout." (Dance is smooching: everything you do with your feet is secondary. Nobody cares).
02.2017 — Poster design
Proposed poster for the eighth edition of the Printemps de la Typographie (Spring of typography), a two-day cycle of conferences and exchanges about the different statuses of typography, organized each year on the premises of the Institut national du Patrimoine (INP).
○ 500 × 700 mm.
Set in Univers 55 & 67.