RE-ENTER PARADISEâą
wallacepolsom

blake kathryn
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shark vs the universe
trying on a metaphor
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đ
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Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
Mike Driver
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
d e v o n

â
occasionally subtle

Kaledo Art
we're not kids anymore.

Andulka
Not today Justin

seen from United Kingdom

seen from South Africa
seen from Brazil
seen from Malaysia
seen from Mauritius
seen from Malaysia

seen from Malaysia
seen from Brazil

seen from TĂŒrkiye
seen from United States
seen from United Arab Emirates

seen from TĂŒrkiye
seen from Uzbekistan
seen from Lebanon
seen from United Kingdom
seen from Bulgaria
seen from Lithuania
seen from Brazil

seen from Malaysia

seen from Kazakhstan
@eliotjones
RE-ENTER PARADISEâą
@facebookcull - 2012
A twitter handle which retweets twitter users tweets about culling their âfacebook friendsâ, illustrates the ubiquity of the âfacebook cullâ in modern language. Not only this but the type of language used signifies its status as a modern pastime or key activity in a healthy lifestyle, a necessary activity for the 21st century human.
other social networks are available : the cull
Define: Facebook Cull (v)
To remove inferior and useless friends from oneâs Facebook friends list. Typically fake friends, or those who one doesnât want stalking them are removed.
Define: Facebook Friend (n)
Individuals who have mutually agreed to be âFacebook friendsâ, allowing you to view information on their profile, follow each otherâs postings, post on each otherâs wall, etc. Either party can request to be a friend, but the other party must accept the request.
The phenomenon of the facebook cull, is now part of a modern lexicon of language, a product of the way in which online social networks preserve relationships that would have otherwise unconsciously disappeared because of distance or neglect. The online social network presents us with brand new choices, the choice to befriend, to preserve, or to unfriend. It is this element of new choice that is the root of a new social etiquette; the âfacebook friendshipâ
âthe cullâ by artists Eliot Jones and Samuel Dillon presents several visualisations of online social space generated entirely by data obtained from the online platform, Facebook. Using Dillonâs social network as a data set; compiling and categorising information that was publicly shared by his âfacebook friendsâ, this series of works explore the changing physicality of a social network through the categorisation and documentation of an online action; a facebook cull.
Culled - GiclĂ©e on canvas 129 x 200 cm, 129 x 200 cm (2012)Â
Comprised of two visualisations of Dillonâs facebook network, before and after completing his own âfacebook cullâ. The images exist as an abstraction of information shared online. Created using an algorithm to generate a patchwork of colour gradients, where each individual gradient represents a âfacebook friendâ from Dillonâs Facebook network, itâs visual attributes defined by the information they share and do not share online. It is an portrait of digital space and the peculiar online existence of its âdwellersâ.
*altOrgy0.1*Â
WWW.ALTORGY.CO.UK
New Olympus, 2014 -
Polystyrene, Mattress, Feather and down duvet, Egyptian cotton duvet cover, âFrostbite Blackâ mini refrigerator, âTonino Lamborghiniâ energy drink 24x 250ml alluminium cans, âVIP V5/CE5 Photon Express Starter Kitâ, âMango Shishaâ E-Liquid 10ml, âMad Cowâ E-Liquid 10ml, âV MAGAZINE â ISSUE 91 â THE REBEL ISSUE â MILEY CYRUSâ magazine, âStar Bible: star life guidance for fansâ by Lin, Jinzhu book, âFame by Lady Gagaâ Eau De Parfum Spray â 50ml/1.7oz, âLady Gaga Beats by Dr. Dre â Heartbeatsâ in-ear headphones, Holographic laser star projector x2, Kilo â white metal coffee table, Laptop, âWankcoinâ graphics interchange format
Self-Help, 2014 -
POS leaflet carousel, postcards
âNo Picture Matters More Than BeyoncĂ© And Jay Z Posing In Front Of The Mona Lisa It might very well be the best picture of our generation. Or any generation.â  BuzzFeed 12/10/2014, at 12:24 a.m., 2014 -
Framed archival photographic print, engraved brass plaque
altOrgy0.1 (Teaser trailer) A provocative and mind-bending new collaboration by Peter Humphrey (music producer) and Eliot Jones (artist) altOrgy0.1 delves into some of the paradoxes of contemporary culture; a culture that draws power from forbidden experiences whilst declaring nothing forbidden, that uses the most advanced technology to exploit our most primitive desires and that plays the message of liberation on endless repeat. A combination of sound, video art and âproduct placementâ sculpture.
Come and experience the 'real' thing at Hotel Elephant Gallery, London on 28-29th November www.altorgy.co.uk
This CD draws together two cover songs from recordings made by Yakka Harris. Both covers seem to capture a unique moment, beyond the music being played, that we felt linked them together.
Body Party (Karaoke Remix)- Â Ciara ft. Roger Troutman II
Music by Qaphqa https://soundcloud.com/kahf-kah
Video by @ubiquitousjones
http://www.youblewitup.com
Notes on totality. The memory of a delicious thing now made of substitutes
the reification of the rematerialised art object the deification of the dematerialised art object
OPEC #1 // BASRA LIGHT
'BEATS BY THE BARREL'
Will Petro Dollar$ find that Basra Light?
https://soundcloud.com/youblewitup/sets/opec-basra-light http://instagram.com/dollarpetro https://twitter.com/DollarPetro https://soundcloud.com/kahf-kah http://youtu.be/VkWD0AS90wg
**************AltOrgy0.1**************
'Take It' by QaphqaÂ
YOUBLEWITUP
@youblewitup: cover art for double release from producer QAPHQA - 'Name Of The Father' featuring tracks 'Libro De Bruxt' and 'Memory (Side B)'Â Listen and FREE Download HERE
First promo for the 'Night of Vice' mixtape.
A series of videos 'Filmed on Location' in the open world game GTA: Vice City
Music by QAPHQA
Video by @_petrocc and @ubiquitousjones
YOUBLEWITUP