In honour of the last GP of 2024, here’s the 2024 F1 teams as produce stickers
I'd rather be in outer space 🛸

Discoholic 🪩
Misplaced Lens Cap

if i look back, i am lost
Keni
noise dept.
TVSTRANGERTHINGS
Claire Keane

⁂

★

ellievsbear
One Nice Bug Per Day
YOU ARE THE REASON

titsay

pixel skylines
tumblr dot com

izzy's playlists!
h

blake kathryn

oozey mess
seen from United States

seen from United States

seen from Malaysia
seen from Norway
seen from Malaysia

seen from United Kingdom

seen from T1

seen from Malaysia
seen from United States
seen from Malaysia
seen from France
seen from United States

seen from United States
seen from Germany
seen from United States
seen from United States
seen from United States

seen from South Africa
seen from United States
seen from Germany
@elliegoulds
In honour of the last GP of 2024, here’s the 2024 F1 teams as produce stickers
elliegoulding: Fun with @ronanpark
"The earth is not dying. It is being killed. And those who are killing it have names and addresses." -Utah Phillips (1935-2008) folk singer, labor organizer, trainhopper, poet, and ardent anarchist. ID in alt text.
OLIVIA RODRIGO The 2022 Met Gala | May 02, 2022
Inspired by the Gilded Age’s reflection of opulence, the column dress is crafted entirely from hand-embroidered metal crystal mesh in a spring lavender tone. The design features a cowl neckline and an intricate rear corset with crystalized boning against nude tulle, emphasizing the era’s attention to enhancing the female form. Draped shoulder detailing and a leg slit complete the look.
✧ SYDNEY SWEENEY Madame Figaro (April 07, 2022)
EMMA 2020, dir. Autumn de Wilde
fanfiction was such a good idea. like put those guys in situations
Emily Dickinson's Herbarium
The Great Gatsby (2013)
EMMA (2020) dir. Autumn de Wilde
― Emily Dickinson
moodboard
ALEXA DEMIE as MADDY PEREZ EUPHORIA | S02E08 “All My Life, My Heart Has Yearned for a Thing I Cannot Name”
Mean Girls (2004) dir. Mark Waters
ZENDAYA for Valentino’s Rendez-Vous spring 2022 campaign.
ELLE FANNING by Gareth Cattermole,
2018