/ jusqu'ici tout va bien /

bundle of atoms just tryna make my way thru life // they/them 

[firstfullmoon]

aria aber, “my father drives me to düsseldorf airport” / hedgie choi, “salvage”

[cosmonautroger]

Hayden Clay

[pangur-and-grim]

she never looks relaxed

[huffylemon]

[lagraisselesbienne]

Buttons from the Lesbian Herstory Archives

[butterflypeaflowertea]

feeling this old mitski tweet so hard lately

[miamaimania]

Discover Armand Pierre Fernandez’s surreal and vibrant take on long-term parking in the 1980s, a playful commentary on consumer culture and urban life.

[weltenwellen]

Goatsong Leila Chatti

[persianmom-deactivated20260602]

we must try to find some small joy in this life because it is actually all we have

[persianmom-deactivated20260602]

[canadiandogteeth-deactivated202]

Ice Storm ~ Montreal, Quebec, Canada 1998

[art-feed]

Louise Bourgeois

[sharpenededgess]

[shantiheartsvampires]

Armand Core

[miamaimania]

Unveiling the Next Chapter: A Symphony of Contemporary Art and Architecture in New Yonder Journal

[1five1two]

'Gothic Church over Treetops in the Moonlight'. Carl Gustav Carus. c. 1840.

[firstfullmoon]

INTERVIEWER: When I consider what a risk it must have been to write about homosexuality when you did…

BALDWIN: You’re talking about Giovanni’s Room. Yeah, that was rough. But I had to do it to clarify something for myself.

INTERVIEWER: What was that?

BALDWIN: Where I was in the world. I mean, what I’m made of. Anyway, Giovanni’s Room is not really about homosexuality. It’s the vehicle through which the book moves. Go Tell It on the Mountain, for example, is not about a church and Giovanni is not really about homosexuality. It’s about what happens to you if you’re afraid to love anybody. Which is more interesting than the question of homosexuality.

— James Baldwin, from an interview with The Village Voice

[swordoftheberserkgutsrage]

Friday night

I'm thinking that we just might

Fly away to someplace

They don't know

Who we are

[accordionlover]

cross stitch, words from Jenny Holzer's Livings, 1980-1982