Last year, I led a small digitial “retreat/study” on Joan of Arc via my Kofi- while my Kofi is no longer running (difficult to keep on top of because of other work obligations), I thought that in honour of her feast day I would make it publicly available. All of the text and resources used are under the cut- you can do this at your own pace, with one topic per week, or any other way you like. It’s to generate personal reflection on gender and one’s relationship to God, and is designed to be completely non-denomination, meaning that while it does use Bible readings, even if you are not a Catholic or a Christian, it should be able to stimulate some thought and reflection without having a definite religious slant.
The topics covered are:
Joan the Warrior
Joan the Androgyne
Joan the Prophet and Mystic
Joan the Disciple
Below the cut you’ll find all of the readings and bonus content for each topic, and at the end are “notes,” a short informal essay consolidating what I’m hoping to share through this study. But I highly encourage you to do your own reflection, be it through journalling, prayer, mediation, or whatever form of self-reflection suits you best, and try to decide what the readings- and Joan herself- says to you.
Ultimately, I hope what you’ll discover through this “retreat” is that our gender identity makes us warriors, prophets, mystics, and disciples- that existing between the binaries imposed on us by patriarchy allows us to draw closer to the strange and wonderful place where God exists.
So you can avoid them stealing things from you, the artist/writer, etc.
Pro GenAI websites/Programs:
Facebook
Instagram
X/Twitter (Remember, Grok gives people cancer)
Threads
Pro Writing Aid
Grammarly
Duolingo
Google Docs
Microsoft Word/all Microsoft products Takes from and will feed their machine.
Youtube (taking advantage of people who are hearing impaired. ==;;)
Adobe Products. All of them. If you HAVE to use them (Some businesses require it), save offline because there is a film of at least some privacy protections there, so if you have to sue, you can say it violates US privacy law. Remember, contracts do not circumvent US law.
Corel won't feed the machines, but still uses AI stolen from other artists. Which sucks since Corel Draw is the second best overall for vector programs. (Plus I love Painter, but I bought the offline version to avoid AI). (Canadian company)
Canva Takes and feeds their machine.
Deviant Art Not only supports AI, but put a tool in and said they are going to steal your work if you like it or not for their machine.
Sketchup went Pro-GenAI. The thing is that you can do the same thing in Blender these days with precise measurements.
Autodesk has stated they are Pro-Gen AI here. It is not clear if they will use your models to feed their machine. But be on guard. They make Maya and 3Dmax. You can replace it with Blender.
Neutral ground:
Tumblr (there is a way to opt out [Link] and they don't have an active AI machine.) https://www.tumblr.com/dookins/743519550598987776/heres-how-to-disable-third-parties-like-ai
Etsy allows GenAI, but still has some (minor) restrictions. I'd still be cautious. (Also be cautious of drop shippers). Complaints about too much AI and AI images+patterns made by Ai still exist on the website. They lean slightly more pro-AI, but still won't let it run completely amok, say like Facebook. They won't feed your work into a machine, but also don't ban it through robots.txt.
Bluesky They don't use an AI algorithm except for in the "Discover" section of their website, but while they are anti-GenAI strongly, they don't seem to block the Gen AI bots from entry, so you'd still have to use Nightshade or Glaze (links below). There is no opt-out because they don't need an opt out. (Leaning towards strong position on AI, but I wish they would block GenAI bots).
Searxng- If you super want to screw over Google, in general, and have some tech savvy, you can set up your own search engine through searxng. It's easier on Windows and Linux than it is on a Mac. (Mac you need Docker), but if you're determined on privacy, Searxng adds a layer of privacy. Some of it sometimes uses bits of AI, but most of it doesn't and you can fuss with the settings so it doesn't spit out AI results. At sheer minimum Google will stop spitting out weird videos on Youtube at you because in your private browsing, you searched for the origin of ball bearings while not logged in for a book and Google likes to break privacy laws.
Strong positions against AI:
Scrivener (Creator vowed against AI) Writing program. There is an active forum, and versions for Mac, Linux and PC. It is paid, but at ~60 USD, it's cheaper than most programs. There is usually a holiday sale around Christmas. It has a learning curve, but with an active forum with the programmer of it there to ask obscure questions it's not a dead zone. They often take suggestions and implement them over time. (Especially if you rank the importance, applications, etc) US company.
LibreOffice Open source and free Spreadsheet and Word processor program that can replace Microsoft Word. Some people might have seen older versions where it was called Neo Office (now extinct) and Open Office. LibreOffice is still populated, plus the forums are super helpful if you get stuck. The UX is pretty intuitive if you've used Microsoft Word. Scrivener, BTW, supports exporting to odt (the native file) as well as .doc, and this can open both. The slight thing is that sometimes it doesn't export to .doc smoothly. And I DO wish more magazines, and agent (big clue here) supported .odt files since it is free. Part of the reason .odt isn't as supported is because Microsoft and Adobe have a deal with the devil with each other, so Adobe's Book formatting program InDesign doesn't support ODT. (BTW, if you have a good open source replacement for InDesign that supports ODT, let me know.)
Dabble (as suggested by SF stories, see reblog) is a writing program. Similar to Scrivener. Has vowed against AI and to resist it. 108 dollars a year for Basic. It is almost twice the price of Scrivener who lets you update for fairly cheap. 29 dollars a month, v. 59 dollars for the whole program (Scrivener) for the same features of Premium. You choose.
yWriter is a free Writing program and like Scrivener, and has vowed against AI Last I looked it had some UX issues, but some people swear by it. The learning curve is higher than Scrivener which is saying something.
Ellipsus is an online writing program and vowed against AI. The main feature I like (which Scrivener doesn't have) is the ability to change spellcheck based on region/language. It is a requested feature of Scrivener, but lower priority. So if you have a Brit, you can get the spelling for the character. They are a British-based company.
Cara.app (The creator of the website sued GenAI there is no chance they'll convert) is an artist website. Cara is trying to institute an auto Glaze/Nightshade into the website if given enough funds. People see it as a soft replacement for deviant art. (which went fully AI) If you believe in human art, please donate if you can. Zhang Jingna, the Creator,is Chinese-Singporean. She lives in Singapore.
Clip Studio Paint added AI, but saw the light and decided to protect artists instead because of protest and removed it. There are tutorials and a good forum if you get super stuck. Based in Japan, so the UI and UX is really clean.
Davinci Resolve Pro is a film editing software that's super good. There is a free version and a paid version. The forums are responsive. The programmers aren't always present. There is a healthy group of tutorials. US company. Clean UX. It does take a little bit of time to remember the shortcuts.
Tahoma2D is anti-AI and open source animation program. Takes a little getting used to, but is good for animations and doesn't crash as often as Animate. Programmers are in the forums and some bugs are fixed within hours. The forums are super responsive and helpful.
Krita open source and free, no AI. I'd rank it secondary to Clip Studio Paint (which is paid) I haven't tried the forums, but it's pretty intuitive and can stand for a lower level replacement for Painter, and do a lot of the basics of Photoshop. It's usually ranked higher than the equally open source Gimp.
Writer P AKA Writer+ (app for when you're on the go) is a simple word processor app for your phone that doesn't use AI. The original programmer stopped updating, so Writer+ person took over and isn't out to make a profit since it's free in the spirit of the original app. It has subfolders you can use. Since it was programmed before GenAI it doesn't have AI. Intuitive, easy to use. Fairly easy to upload the files through three dots->share. The files can save to your card or phone with some settings fussing. Simple word processor.
Inkscape is a free vector program and no AI. It is harder to use than illustrator and has less features. But if you're doing smaller vectors for one-offs with less complexity, it'll do you after some learning curve. Best of the lot. I hate Affinity Designer which is the same thing, only paid. (Neither Affinity program was worth the money paid)
Affinity (Designer, etc) swore to be AI-free and does Vector and Photos. The UX is messy, I dislike the program and regret paying for it. Inkscape and Krita are better UX and do the same thing. The forums aren't as friendly since there has been an onslaught of people seeing it's supposed to be a replacement for Photoshop and Illustrator, but the programmers aren't present. The people on the forums are often on edge about this assertion. And the capabilities of the program don't outshine basically Krita or Inkscape capabilities (both free). What is usually intuitive is not. UK company. If you're going to pay for a program, go for Clip Studio Paint which rivals Corel Painter.
Blender is a 3D art program and does not use GenAI. It can do 2D animation, but Tahoma is easier to use in this regard. It's open source and free. Plus there are plenty of tutorials. The forums can be touch and go sometimes, but there are plenty of sub Blender communities that might be responsive. It can also do animation.
Handmade vowed against AI and promised to never sell itself for stock prices to prevent AI (as a replacement for Etsy.)
Discover a world of creativity and craftsmanship through Handmade, an innovative platform connecting passionate artisans with discerning buy
Proton (to replace Google Suite) as suggested by SF Stories (see reblog) Vowed against AI. They are missing a spreadsheet, but have online and offline capabilities, plus a built-in VPN.
But you need a pro website...
Look up robots.txt and AI bots: https://www.cyberciti.biz/web-developer/block-openai-bard-bing-ai-crawler-bots-using-robots-txt-file/
Use cloudflare:
Use Nightshade:
https://nightshade.cs.uchicago.edu/whatis.html
which will poison the algorithm
Use Glaze:
Take Away:
The thing is you think you doing it alone will do nothing, but the more AI feeds on itself, AI images, the worse they become, and the less detailed so, denying it the images, adding poison or not being able to read the human text is eventually going to lead to an AI collapse.
Analysis shows that indiscriminately training generative artificial intelligence on real and generated content, usually done by scrapi
And why not help that along?
I don't want to give cancer to poor people [Link] or make the planet burn faster [Link]. So GenAI collapse is everything I dream of. GenAI apocalypse is not.
College friendship is sending one of your friends who's graduating soon a giant list of monster theory and gothic horror academic reading recs so they can download as many PDFs as possible before they lose their university database access
Got a request for some of the recs here, so here's a short-ish list of some of the reading recs -- I've made an effort to link open source and/or at least slightly more accessible databases like JSTOR wherever possible, but some of these are, admittedly behind various paywalls that I wish everyone luck with circumventing in whatever manner you deem fit
Monster Theory - Really great anthology to start with, especially the first reading, Jeffrey Jerome Cohen's famous "Monster Culture (Seven Theses)" which is a personal favorite
The Journal of the Fantastic in the Arts - A general SF/F journal, but there are definitely a lot of great monster theory and gothic horror readings sprinkled throughout. Consider taking a look at Veronica Hollinger's "The Vampire and/as Alien," the special issue on Dracula, and Faye J. Ringel's "Genetic Experimentation: Mad Scientists and the Beast," among others
Werewolf Histories edited by Willem Blécourt - Phenomenal anthology on werewolf scholarship, especially if you're interested in the connections between werewolves and witchcraft and/or witch trials in Early Modern Europe
Skin Shows: Gothic Horror and the Technology of Monsters by Jack Halberstam - Of interest to those who are interested in the connection between the gothic and gender (among other topics). Halberstam has written extensively on both
The Journal of Dracula Studies - Exactly what it sounds like.
Preternature: Critical and Historical Studies on the Preternatural - Another journal, which focuses on the connections between witchcraft and occultism, monsters, demonology, and the like.
Susan Stryker's "My Words to Victor Frankenstein Above the Village of Chamounix" - An absolutely landmark piece of writing on Frankenstein and the transgender (and in particular the transfeminine) experience; one of my favorite pieces of academic writing of all time.
Speaking of Monsters: A Teratological Anthology - Another solid monster theory anthology
Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene - A really, really good anthology about the ecological gothic that I cannot recommend enough. As a known werewolf guy I especially like the piece "Wolf, or Homo homini lupus" by Carla Freccero
The Vampire Lectures by Lawrence Rickels - So many vampires
Monster Culture in the 21st Century: A Reader - Another anthology, I in particular recommend Rosalind Sibielski's "Gendering the Monster Within: Biological Essentialism, Sexual Difference, and Changing Symbolic Functions of the Monster in Popular Werewolf Texts" in this one.
"The Trans Legacy of Frankenstein" by Jolene Zigarovich - Definitely a good read if you enjoyed the Stryker piece earlier; it's a more general survey of the idea but might give you some ideas for further reading
TransGothic in Literature and Culture - A whole anthology of works on transgender identity and the gothic!
Twenty-First Century Gothic: An Edinburgh Companion - Not to be confused with the other similarly named anthology earlier, this one is on various modern perspectives on the gothic.
"Christians and Jews in the Twelfth Century Werewolf Renaissance" by David A. Shyovitz - Stand-alone article but really really interesting
Wonders and the Order of Nature: 1150-1750 by Lorraine Daston & Katherine Park - Incredible volume that gets into several different subjects surrounding the fantastical in the medieval and early modern eras, monsters among them. The same authors have written some other fantastic work, such as "Unnatural Conceptions: The Study of Monsters in Sixteenth- and Seventeenth-Century France and England" and I honestly would recommend any of their work.
Monster Anthropology: Ethnographic Explorations of Transforming Social Worlds Through Monsters - A more anthropology focused volume, I particularly like Rozanna Lilley's "Drawing in the Margins: My Son's Arsenal of Monsters—(Autistic) Imagination and the Cultural Capital of Childhood"
Marvels, Monsters, and Miracles: Studies in the Medieval and Early Modern Imaginations - Another anthology, this time with a historical perspective
This isn't even everything I've dug into on the subject, but I hope it's enough to get folks started on some reading!
Quick addition of MONSTER/THE UNHUMAN from the Posthuman Glossary (section by Nikita Mazurov) - Just a couple pages, but really interesting examination of how the categorization of the monstrous functions. Highly highly recommend the whole book though too, it's really great and discusses a on of related and interconnected concepts :]
adding some of my own “gothic, weird, eerie, monster theory” to-read list
Edinburgh Companions to the Gothic series
The Vampire
Irish Gothic (OPEN ACCESS)
Italian Gothic
Comic Gothic
Twentieth-Century Gothic
Queer Gothic
Gothic Film
Twenty-First-Century Gothic
The Gothic and Theory
Scottish Gothic
American Gothic Culture
Women and the Gothic
Romantic Gothic
The Victorian Gothic
Gothic Studies: Free/Open Access issues
Volume 25, Issue 1, March, 2023
Volume 17, Issue 2, November 2015: The Gothic in an Age of Terror(ism)
Volume 10, Issue 1, May 2008: Material Gothic
Other
Gothic incest: Gender, sexuality and transgression (OPEN ACCESS)
Horror In Architecture by Joshua Comaroff & Ong Ker-Shing
The Trauma Question by Roger Luckhurst
Haunted Ice, Fearful Sounds, and the Arctic Sublime: Exploring Nineteenth-Century Polar Gothic Space by Katherine Bowers (institutional repository copy available)
i hope everyone reblogging this list and saying/thinking/feeling this sentiment knows that when this list dropped most of my friends even the hardcore cinephiles who watch thousands of movies were experiencing new movies they’d literally never heard of, so please don’t feel bad for seeing a list of admittedly underdiscussed previously hard to find films and think that you’re not cultured! by engaging with this list at all, you are. okay. love you guys bye
Hello, this tutorial is for the wonderful @djoharrington and those of you wondering how I colored this set. I’m going to be talking about how to color the first gif only to keep this tutorial from getting too long. The other two used the same coloring method with only minor adjustments made to keep them looking similar.
Yes, this scene really is that dark before coloring.
Quick notes on what I’m using:
mpv player for screencapping — not mentioned in tutorial
Photoshop 2021 for editing
I mention mpv player because I’m giffing 4k, and it’s one of the few players I’ve come across that take continuous caps that don’t end up looking washed out. It makes for easier coloring.
hiiiii you’re one of my favorite fic writers ever and i admire you so much. i wondered if you had any advice for other writers of how to improve? especially for someone who has been writing for years but feels like they’ve hit a point of stagnation/knows they’re “good” at writing but feels like they’re just not hitting their full potential. also, if you had any advice for the differences in working on shorter pieces vs longfics, any guidance or methods that worked for you would be so appreciated!! your work has been very genuinely inspirational to me and i hope you have a great day <3
thank you for your kind words! <3
mileage varies more with regards to writing advice than maybe anything else, so it's possible none of this will work for you.
a common framework in education theory/neurobiology/psychology/etc is that there's a goldilocks zone between comfort and frustration wherein most learning happens. games studies has a similar idea, that a game has to be mentally engaging enough to keep the player invested without making it so punishingly hard that they quit.
writing is pretty much free. unlike most other creative mediums, the scope of a project has no relationship to the value of the materials or tools needed to produce it. you're only limited by your own energy, time, and effort--which can be formidable restrictions, to be fair, but it's not like being a filmmaker, where good-quality equipment and collaborators simply take more resources to afford. writers should take advantage of this. we're really lucky in this way.
the best thing you can do to improve your writing is to attempt projects that feel a little too big for you, or that you're not confident you can pull off. it doesn't have to be "big" in terms of length; a short piece could qualify if the style, tone, structure, subject matter, etc is outside of your comfort zone, but in my experience this has often looked like longer and more complex projects. then again, i love writing long stuff, so take it with a grain of salt--some people just don't, but you mention wanting to try your hand at longfic, so i assume it's relevant. the point is that in order to grow your skills, you have to stretch them.
past fic projects that stick out in my mind for having pushed me to grow as a writer:
story with 4 POV characters, alternating POVs at a regular cadence, where goings-on in each section would affect the other chapters
story with a real-world historical setting that required research wrt material culture as well as timeline/"who was where when"
story that blended a codified and formulaic genre template (het romance novel) with seemingly incongruous story elements (protag being a passively suicidal closeted trans woman and ex-evil mastermind)
the common denominator is having a very specific story i wanted to tell about these specific characters, and digging my teeth into how to do that in a way that felt specific and not just a recycling of common fanficisms… though in all cases, there were at least one or two other fics i looked at for inspiration, if only in a distant way. (those fics, in turn, are often what i'd consider examples of "fanfic that is also just good, ambitious writing," whether or not they would stand alone as original fiction--but that's a different post that's already been made by others.) (they are also full of tropes and are very fanficcy in their own ways!) i had to put a lot of thought into how to approach them in a way that was most true to what they wanted to be in my heart, and usually had one or two specific touchpoints of non-fanfic media that i used to get my bearings, which is a good habit to get into whether or not you're interested in branching out into original fiction writing.
with regards to the transition into longfic writing… writing processes are idiosyncratic and whatever advice i give you has a good chance of being totally useless. it'll probably involve a lot of trial and error, unfortunately. some tidbits:
the worst thing a story can be is boring and this is doubly true for long stuff. i would always rather an author turn the dial a little too far than not far enough to be impactful
can't overstate the utility of a good beta reader as well as a good cheerleader or two to whom you can dump your 2am story thoughts and troubleshoot your plot issues
start the story at the latest possible point in time; many a longfic idea dies on the vine because the author thinks they have to do way more setup than is actually required. this doesn't mean you have to open in medias res with an action sequence, but if you're opening on something more quiet or "expositiony," you should know *why* you're starting there, and should be able to draw up that scene vividly and characterfully
putting a little bit of effort into fleshing out your setting and side characters can help you a ton if you write yourself into a corner. if you're stuck, it's hard to come up with a story element from nothing when your story revolves around two floating heads in featureless rooms
the period between being 1/3-2/3 done is the actual fucking worst. it's miserable every time. the story is no longer a beautiful shining thing in your head, it's an ugly blob of misshapen clay, and you haven't seen it all start to come together yet. it's not you or your project, it just sucks and there's no way out but through
trust your idea! trust your own ability! trust the magic that can be worked in the edit!
if you bite off more than you can chew with a project and aren't able to finish it, or you're disappointed by how it turns out, that's really disappointing and difficult, which i don't want to downplay. but it's not wasted time, even if no one else sees the results of your work. that effort and experience will make you a better writer.
other advice that may or may not work for you:
read a lot of fiction; read fiction that is not fanfiction, especially; read outside of your usual genres/favourite authors; read authors who are known for unusual or singular styles. challenge yourself to write something imitating one of their styles, even for a page or two. what are the characteristics of a paragraph by octavia butler? how does she approach sentences? how is that different from a similar length of text by victor hugo?
read about writing craft, not from bloggers but via well-regarded books. even if you don't agree with all the advice (which you probably won't) or it's not all directly relevant to you, these texts will address fundamentals that apply to almost all kinds of prose and prompt you to develop unglamorous good habits. steering the craft by ursula k. le guin spends each chapter on an element of writing, such as sound & rhythm or punctuation, and includes exercises to put her principles into practice. on writing well by william zinsser is a classic--its focus is nonfiction, but much of the advice is widely applicable. both of these texts are full of example excerpts from great english prose stylists. books like this aren't likely to introduce groundbreaking new ideas so much as train you to become more consciously aware of elements of style you may be less attentive to than you could be.
your only hard limitation as a writer is your own creativity; drive your stories like cars in GTA. you're here for a wild time, not a long time, and if it blows up you can just get a new one.
From the time I was very young, my father told me that we were one person, that I was just a part of him. I grew up with that inside me. I grew up with him inside me. […] Is this a love story? It’s a creation story.
PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin or that Babel was too heavy-handed just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here
Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn
Gladly! The pieces on this list aren’t limited to specifically anti-colonial science fiction and fantasy, but they do center related and relevant topics, themes, etc.
Anything by NK Jemisin. She is the best speculative fiction writer of her generation and probably the best speculative fiction writer alive. She is easily one of the best writers working right now, across all genres. That’s not hyperbole. She deserves all the hype.
Anything by Octavia Butler. She needs no introduction. Her short fiction is incredible; “Bloodchild” is one of the pieces that inspired me to write.
An Unkindness of Ghosts by Rivers Solomon. Excellent. Just read it.
The Radiant Emperor duology by Shelley P. Chan. It broke my heart and it'll break yours.
Babel by RF Kuang. You’ve probably already heard of this book because Harper Voyager marketed the shit out of it and was right to do so. It’s very, very good. Kuang writes a compulsively readable story, that’s for sure.
The Empress of Salt and Fortune by Nghi Vo.
So Long Been Dreaming: Post-Colonial Science Fiction and Fantasy (anthology) edited by Nalo Hopkinson.
Dark Matter: A Century of Speculative Fiction from the African Diaspora (anthology) edited by Nalo Hopkinson.
Severely underhyped books of assorted speculative genres:
The Blood Trials by NE Davenport. Given the current chokehold romantasy has on the public it’s insane to me that this book hasn’t sold a billion copies.
The Vanished Birds by Simon Jimenez. It’ll change you.
The Tiger’s Daughter by K. Arsenault Rivera.
The Lesson by Caldwell Turnbull.
Read widely. Read diversely. People of the Caucasian persuasion need to stop getting pissy when the story doesn’t immediately center them and they don’t automatically relate to everything the character says and does and is. Just let yourself get swept in the story—even if it touches on (gasp!) racism—and maybe, just maybe, it’ll reveal something to you.
Or maybe not! Marginalized sff authors do not have to and should not have to educate their readers. But if I see one more white person complain about how Black characters are fundamentally annoying because they complain too much I’m going to fling myself into the sun
Thanks for coming to my ted talk I didn’t want to do it but here I am
Oh! Please read EVERYTHING EVER WRITTEN by P. Djèlí Clark y'all! but start with this book first!
This is the epitome of Black Steampunk. It so refreshing to see science fiction written and just beautifully and authentic displaying of black culture(locations, language, practices, belie, ect) like black culture is extremely relevant and refreshingly written in this story. It even has some thrill of historical/ancestors revenge, along with messages of life and healing in it. It has all kinds of Black diaspora and queer rep in it too!
sorry if this has been asked before but how do you make your gradients look so good?
Hi Anon! First of all thank you so much 🫶
I like to use gradient maps (which I've explained here) or gradient fills + gradient tool. I'll drop a little tutorial under the cut:
GRADIENT FILL
I'll be using this gif which I've already sharpened and coloured:
First of all let's make the background pop so I'm going to add a gradient fill (Layer -> New fill layer -> Gradient) with these settings (I'm using this colour #0099ff):
Now it's the time to play with the blending settings! Depending on your scene some will look better than others but I usually switch between Soft Light, Overlay, Color or Hue. 90% of the time I use soft light but this scene looked much better using overlay:
As you can see the background looks more blue and vibrant but it's not too much you know.
GRADIENT TOOL
Now it's time to use the gradient tool to give this gif a hazy look. I haven't seen many gifmakers talk about this tool but it's soooo useful and it takes gradients to a whole new level.
Before using this tool we'll need to add a new layer above the gradient fill, like this:
(HELP I just realised I typed “later” instead of “layer” 🤡 but let’s ignore that)
You can choose the gradient tool by pressing 'G' and then clicking here:
Make sure your gradient goes from any colour to a transparent background.
Okay so next to this gradient settings we have five different styles and each one will create a different shape. Depending on the scene I'll use the first, second or fourth one. Here are how they look:
1. Linear gradient
2. Radial gradient + Reverse (if you don't click this you'll end up with a blue circle above your gif)
3. Reflected gradient + Reverse
This time I'm going to use the radial gradient so to draw it start by clicking on the centre of the gif and drag the line (the farther you drag it the less intense the gradient looks):
And this is the gradient:
And here comes the fun part again, playing with the blending setting and the opacity! Before doing anything I duplicate my gradient layer because I always use more than one so this is how your layers should look like:
Let's go to the first gradient tool layer and again try different blending modes: soft light, overlay, hue... Most of the time I'll use 'Soft layer' and I'll leave the opacity at 100%.
For the second layer choose 'Screen' and don't worry if your gif looks too bright because we're going to fix this by decreasing the opacity. Anything between 20-60% should look good but it depends if you want a more vibrant or more natural effect. I ended up using 40% and this is the result:
And we're done!!! As you can see the result looks much different from our first gif and it only takes a couple of layers!
Honestly the best advice I can give you is to play with the opacity and blending mode of the different gradient layers because depending on the scene some will look better than others!
MYSPACE 1.0 THEME REFRESH (originally by conkersradfurday, refreshed by unholyverse)
live previews: 1, 2 / download (pastebin)
hi! i've been using this old theme for years now because other myspace themes don't hit the same, but i've been tweaking a lot of it for personal use. i think it's been long enough since this theme has been abandoned that i can upload something that can handle itself better on modern tumblr.
main features
asks are formatted to look like myspace comments. fun!
four custom links
myspace buttons to follow, message, or block the blog owner
a bunch of info spaces so the world can know what you're about
extra font options
functional search bar (but this is tumblr so...semi functional?)
that web 2.0 ugly goodness
other features + info below the cut
new features
friend space - ever wanna show off your friends? now you can with the friend space to show off your top 8 9 friends on your blog. don't have enough friends? no worries, you can always toggle it off
image space - wanna put a bunch of blinkies somewhere? you'll need to have a bit of html and css knowledge for it, but you can go into the code and add as many images as you'd like. just look for the section and start pasting those images. it's a little tedious but tbh that's just the authentic myspace experience isn't it? but if that's not your thing, you can also toggle it off too.
tweaked/deleted features
had to delete the music player :( sorry but it used flash and i'm not really sure how to make a music player in javascript yet
added username input because it was annoying me that your title could be your name and it didn't make sense in most cases
deleted infinite scroll because the script was super outdated
added the ability to change the "online now!" gif. the original gif will always be in the defaults of the code.
changed the text post header font to verdana because it was impact and you could not fucking read that and it wasn't accurate to a myspace bulletin anyways
deleted the feature that force showed all the pages you made on your blog. so annoying. it will look a little weird if you have asks/submissions deactivated, but i doubt many of you using the theme will have them closed anyways
changed the dead links to redirect to the actual myspace site
extra recommended add-ons
scm music player: a customizable music player with tons of different skins and tons of songs you're able to add
unblue polls by @glenthemes: what it says basically; allows you to customize the colors of tumblr polls on your blog
cursors-4u.com: i love these dinky little cursors they're so fun. great if you really wanna lean into the 2000s aspect of the theme
cursor sparkles: what else is there to say about this they're just fun
notes
i plan on updating the theme semi-regularly if bugs are brought up and stuff (which you can tell me through my inbox)
hopefully i can work on extra tweaks as time goes on (such as figuring out how to add a footer image to videos, toggle tags, etc)
don't repost/claim as your own because it already isn't mine in the first place
College friendship is sending one of your friends who's graduating soon a giant list of monster theory and gothic horror academic reading recs so they can download as many PDFs as possible before they lose their university database access
Got a request for some of the recs here, so here's a short-ish list of some of the reading recs -- I've made an effort to link open source and/or at least slightly more accessible databases like JSTOR wherever possible, but some of these are, admittedly behind various paywalls that I wish everyone luck with circumventing in whatever manner you deem fit
Monster Theory - Really great anthology to start with, especially the first reading, Jeffrey Jerome Cohen's famous "Monster Culture (Seven Theses)" which is a personal favorite
The Journal of the Fantastic in the Arts - A general SF/F journal, but there are definitely a lot of great monster theory and gothic horror readings sprinkled throughout. Consider taking a look at Veronica Hollinger's "The Vampire and/as Alien," the special issue on Dracula, and Faye J. Ringel's "Genetic Experimentation: Mad Scientists and the Beast," among others
Werewolf Histories edited by Willem Blécourt - Phenomenal anthology on werewolf scholarship, especially if you're interested in the connections between werewolves and witchcraft and/or witch trials in Early Modern Europe
Skin Shows: Gothic Horror and the Technology of Monsters by Jack Halberstam - Of interest to those who are interested in the connection between the gothic and gender (among other topics). Halberstam has written extensively on both
The Journal of Dracula Studies - Exactly what it sounds like.
Preternature: Critical and Historical Studies on the Preternatural - Another journal, which focuses on the connections between witchcraft and occultism, monsters, demonology, and the like.
Susan Stryker's "My Words to Victor Frankenstein Above the Village of Chamounix" - An absolutely landmark piece of writing on Frankenstein and the transgender (and in particular the transfeminine) experience; one of my favorite pieces of academic writing of all time.
Speaking of Monsters: A Teratological Anthology - Another solid monster theory anthology
Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene - A really, really good anthology about the ecological gothic that I cannot recommend enough. As a known werewolf guy I especially like the piece "Wolf, or Homo homini lupus" by Carla Freccero
The Vampire Lectures by Lawrence Rickels - So many vampires
Monster Culture in the 21st Century: A Reader - Another anthology, I in particular recommend Rosalind Sibielski's "Gendering the Monster Within: Biological Essentialism, Sexual Difference, and Changing Symbolic Functions of the Monster in Popular Werewolf Texts" in this one.
"The Trans Legacy of Frankenstein" by Jolene Zigarovich - Definitely a good read if you enjoyed the Stryker piece earlier; it's a more general survey of the idea but might give you some ideas for further reading
TransGothic in Literature and Culture - A whole anthology of works on transgender identity and the gothic!
Twenty-First Century Gothic: An Edinburgh Companion - Not to be confused with the other similarly named anthology earlier, this one is on various modern perspectives on the gothic.
"Christians and Jews in the Twelfth Century Werewolf Renaissance" by David A. Shyovitz - Stand-alone article but really really interesting
Wonders and the Order of Nature: 1150-1750 by Lorraine Daston & Katherine Park - Incredible volume that gets into several different subjects surrounding the fantastical in the medieval and early modern eras, monsters among them. The same authors have written some other fantastic work, such as "Unnatural Conceptions: The Study of Monsters in Sixteenth- and Seventeenth-Century France and England" and I honestly would recommend any of their work.
Monster Anthropology: Ethnographic Explorations of Transforming Social Worlds Through Monsters - A more anthropology focused volume, I particularly like Rozanna Lilley's "Drawing in the Margins: My Son's Arsenal of Monsters—(Autistic) Imagination and the Cultural Capital of Childhood"
Marvels, Monsters, and Miracles: Studies in the Medieval and Early Modern Imaginations - Another anthology, this time with a historical perspective
This isn't even everything I've dug into on the subject, but I hope it's enough to get folks started on some reading!
you transfix me quite @elyonbrown - Tumblr Blog | Tumgag
