#𝕹AVIGATE: VANITY ( 1976 , 1999 , 2026 ). AESTHETIC. BEHAVIOR. GENERAL INSPIRATION. MUSIC. POETRY. FASHION.

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@emmasoffice
#𝕹AVIGATE: VANITY ( 1976 , 1999 , 2026 ). AESTHETIC. BEHAVIOR. GENERAL INSPIRATION. MUSIC. POETRY. FASHION.
#EMMASOFFICE O escritório pessoal de Emma Vanity é um pequeno, mas muito bem aproveitado puxadinho da sala de Leis Mágicas. Após recheá-lo da mais exagerada coleção de objetos de seu acervo pessoal, acumulados através de sua fortuna familiar e também de seus anos no Ministério, Vanity passa lá a maior parte de seu tempo — a quem questionar, trabalhando. Lá, sempre há um intenso aroma de incensos para despistar a fumaça de seus fiéis cigarros, a presença imponente do gato de estimação da professora, Evanora, e o som ambiente provindo de sua extensa coleção de discos de vinil trouxas.
Localizado no quarto andar do castelo de Hogwarts, o escritório de Emma nunca está inteiramente sozinho — quisesse alguém indesejado visitá-lo, depararia-se com um retrato da mulher trazido de seu antigo escritório no Ministério: constantemente alerta e ainda mais afiado do que a bruxa em sua forma real.
Photographed by Ron Galella, 1982-1996.
cybill shepherd wearing bob mackie, 1990.
Les Demoiselles de Rochefort (1967) dir. Jacques Demy
Marlene Dietrich New York Apartment
Apartment 12E at 993 Park Avenue has remained virtually untouched since Marlene Dietrich left it in 1978. As her Louis XV-style chairs, grand piano, and gold-tipped Brigg cane, among other items, go to auction at Sotheby's, Matt Tyrnauer gets an exclusive tour of the sanctuary where the legendary star made pot-au-feu for friends such as Noël Coward and Orson Welles and lovers including Yul Brynner, Kirk Douglas, and Edward R. Murrow.
-Vanity Fair, 1997
Sharon Stone as GINGER MCKENNA CASINO (1995) — Dir. Martin Scorsese
elaine hendrix, 1994.
Why are you problematic
just for fun
She resorts to the magic comfort of the Tarot pack and shuffles the cards, lays them out, reads them, gathers them up with a sigh, shuffles them again, constantly constructing hypotheses about a future which is irreversible.
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Lady of the House of Love’
Jessica Lange in Masked and Anonymous (2003)
Pamela Anderson, Vogue Magazine Spain, 2019
BRITNEY SPEARS FIFA World Cup Pepsi Commercial (2002)
Jessica Lange in King Kong (1976)
nicole kidman for balenciaga’s winter 2025 campaign.
the endless list of stunning female characters: Gaby (“8 femmes”, 2002)
I’m being judged by my own child!