The Love Letter (1867) by Luigi Crosio (Italian, 1835 – 1916), signed and dated bottom left corner ‘L. Crosio 1867’, oil on canvas, 135 cm (53.1 in) x 94 cm (37 in), Private Collection
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The Love Letter (1867) by Luigi Crosio (Italian, 1835 – 1916), signed and dated bottom left corner ‘L. Crosio 1867’, oil on canvas, 135 cm (53.1 in) x 94 cm (37 in), Private Collection
Poets Walk at Sunset. By Richard Cartwright.
Shitanda aka Staice Shitanda (Kenyan-African, b.1997, Nairobi, Kenya, Eastern Africa, based Kenya, Africa) - The Singer and the Red Rose, 2025, Paintings: Acrylic, Oil on Canvas
Jaguar Effigy Metate, Greater Nicoya, Late Period IV, A.D. 300–700, Costa Rica or Nicaragua, Greater Nicoya region, Sculpture: Basalt
Bronze and Glass Eagle Brooches from Guadalajara, Spain dated to the 6th Century CE on display at the National Archaeological Museum in Madrid, Spain
Twin brooches like this were often used to secure capes and tunics as well as to symbolise the wearers socioeconomic status. Such artwork was difficult and expensive to produce and the crafters were highly skilled. Sadly the crafters are often forgotten in history with the wearer given more status as they could afford to buy the art.
Eagles in art were common in the late antiquity especially with the new kingdoms and empires emerging after the fall of the Western Roman Empire. With the eagels connection to the Romans, many new states used the symbol to signify they were the successors to them.
Photographs taken by myself 2026
Xie Lei aka 謝磊 aka Lei Xie (Chinese, b. 1983, Huainan, Anhui Province, China, based Paris, France) - Temptation IV, 2025, Paintings: Oil on Canvas
Hayami Gyoshū - Dancing in the Flames, 1925
Invocation in the Forest by Gilbert Williams
by Dan-ah Kim
shibari figurines by constant heaven
A Baroque style pietra dura table top, 19th century.
Artcurial
https://www.instagram.com/p/ChJxoRaOXkC/
Tatiana Van Iten bracelet for Amunet – female aspect of the Egyptian primordial concept of air in the Ogdoad cosmogony; was depicted as a cobra snake or a snake-headed woman
Charles Goeller (American, 1901-1955), Across the Street, by 1952. Oil on canvas, 16 1/8 x 12 in.
Cressida Campbell, Nasturtiums, 2014, woodblock print