PUT YOUR BEARD IN MY MOUTH

blake kathryn

JVL

Discoholic 🪩
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
i don't do bad sauce passes
🪼
dirt enthusiast
we're not kids anymore.
todays bird
Three Goblin Art

PR's Tumblrdome

oozey mess
Peter Solarz

#extradirty

shark vs the universe
$LAYYYTER
trying on a metaphor

Love Begins

seen from United States
seen from Mexico
seen from Malaysia
seen from United Kingdom

seen from Türkiye

seen from United Kingdom
seen from United States
seen from Canada

seen from United States

seen from United States
seen from United States

seen from Canada
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from India
seen from Norway
@endless-daddies
Don’t get me wrong, I love Dad’s exhibitionist streak. I mean, who am I to judge? I’ve been stripping down with my old man for years, in all kinds of public places. But hell… even I have my limits.
Hot!
Hot!
“My tactic as an artist has always been to show how things can be,” said Tom Bianchi from the Pines, the enclave he’s been frequenting—and photographing—for more than four decades now. That all started back in 1975, when Bianchi, then a corporate lawyer, started capturing the LGBT sector of New York’s Fire Island that served as a refuge for nearly 10,000 gay men every summer as a highly toned, highly sexual Eden of sorts, faraway from the reality of repression and AIDS. No mainstream publisher would touch those Polaroids back in the ‘70s and ‘80s, but they’ve become a staple of queer imagery ever since they finally made their way out of the box Bianchi had kept them in for all those years. To his surprise, though, at the time of their current exhibition at New York’s Throckmorton gallery, they’ve now unfortunately become “even more poignant now than they were at that time.” “The shock in the last election cycle is that we’ve returned to a place of horrible repression against people who are vulnerable,” Bianchi said. See more here.
Sexy mature man