so strange when people assume 'waking up early' means increased productivity bc no??? im awake so i can read fanfic in bed before breakdown
BREAKFAST

Discoholic 🪩
macklin celebrini has autism

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Monterey Bay Aquarium

gracie abrams
TVSTRANGERTHINGS
tumblr dot com
KIROKAZE
Fai_Ryy
Jules of Nature
Mike Driver

roma★

Love Begins
YOU ARE THE REASON

shark vs the universe
trying on a metaphor

ellievsbear

Andulka
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taylor price
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@engineerlady
so strange when people assume 'waking up early' means increased productivity bc no??? im awake so i can read fanfic in bed before breakdown
BREAKFAST
Ao3 does not need an algorithm, you're just lazy
Ao3 does not need a 1-5 star rating system, you just want to bring down authors writing for FREE
Ao3 does not need automatic censorship, it is an archive, therefore anything can be posted
Writing or reading about something illegal does not mean the author nor the reader condones it, if that were true, you could never read a story involving anything negative
Purity culture is ruining fan culture and you all are fucking annoying
REBLOG if you have amazing talented artist friends!
The state of graphics creation in the wildland fire world is, shall we say, abysmal. Which isn't really anyone's fault! Graphics/design training is not a part of wildland fire training at all, and it used to be that outsourcing graphics was a viable if expensive option. But as the pace of the wildland fire world continues to increase exponentially, outsourcing just isn't possible for most graphics. This means a lot of people with zero training are forced to make graphics in house and they're just doing things as best they can.
This has resulted in some...ah...not great stuff. Which is not on the people creating them at all, usually! They're being asked to do things not in their job description that they have no background or training in.
But there needs to be training. If people can learn to run a damn chainsaw, they can figure out font hierarchies and basic color theory.
So, in my never-ending quest to shove better art skills into the wildland fire world, I created this 25 page guide last year! It covers why good graphics matter, the history of art in the wildland fire world, basic design terms, and basic design principles.
Now, I know, I KNOW, some other professional designers/artists are going to look at this and go "Katy, what the fuck? Some of this is not right." I know. But I wasn't going for the Most Technically Perfect and Correct way to do things, I was going for easy to understand and grasp at a basic level when you're just starting out and not aiming to become a full on design pro. Because let me tell you, the bar is in hell. If I have ONE MORE PERSON tell me that PowerPoint is the best and only accessible design program (yes, fucking PowerPoint) I am going to lose my mind. So yes, maybe I didn't explain the full breadth of DPI and print qualities and color spaces. But if it stops at least one brochure being made in PowerPoint then I'm calling it a win.
You can view and download the full guide on my website if you're interested.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
“Until she [Haiti] spoke no Christian nation had abolished negro slavery. Until she spoke no christian nation had given to the world an organized effort to abolish slavery. Until she spoke the slave ship, followed by hungry sharks, greedy to devour the dead and dying slaves flung overboard to feed them, plouged in peace the South Atlantic painting the sea with the Negro’s blood. Until she spoke, the slave trade was sanctioned by all the Christian nations of the world, and our land of liberty and light included. Men made fortunes by this infernal traffic, and were esteemed as good Christians, and the standing types and representations of the Saviour of the World. Until Haiti spoke, the church was silent, and the pulpit was dumb. Slavetraders lived and slave-traders died. Funeral sermons were preached over them, and of them it was said that they died in the triumphs of the christian faith and went to heaven among the just.”
Frederick Douglass, Lecture on Haiti
Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.
My favorite part is the sink.
Perhaps this is an obnoxious take on my part, but video games should, above all things, prioritize the ability of being paused. At any point. Regardless of whether it's during a cutscene, a special animation, or a time-based puzzle. You never know when you're gonna get a phone call, or someone will need you in another room, or you get a sudden urge to go to the bathroom, or you hear your cat licking plastic, or whatever. Other entertainment mediums like books, movies, and music can be paused whenever you want. Why do some games not give you the same luxury??
the spirit is unwilling and the flesh it feels not so good also
Not knowing Schlock Mercenary and the 70 maxims for maximally effective mercenaries i get.
But not knowing the Evil Overlord list whrn you have been on the internet foe decades?
Today is Srebrenica Memorial Day, commemorating the massacre of over 8000 Bosnian Muslim men and boys by Serb forces during the Bosnian genocide.
May we one day know a world where such horror is an unimaginable and unthinkable relic of an ugly past.
Wake up babe, new octopus just dropped
He's such a little guy!
spaghettitoesdad
“Sinners” turns ONE-YEAR-OLD today! Originally released on April 18th, 2025 and wow what a year it’s been for this incredible movie! I did a slight update on my original print. Tons of people asked where Bo Chang was (he was warming up the car) so I added him to the party. I also added in the great Buddy Guy and the modern version of Stack and Mary! Okay, now I gotta go watch it again!!! Happy 1st Birthday to all you “Sinners”! @michaelbjordan @_milescaton_ @wunmimosaku @omarbensonmiller @lijunli @therealbuddyguy @sinnersmovie #sinners #michaelbjordan #sinnersmovie #sinnersfanart #oscars
@hereticaas