.·:*¨༺ ༻¨*:·. UNSENT LETTERS
summary. You learned to bottle your feelings for John Logan, ever since junior year of high school. Because you knew you would always be just friends, and out of fear of not ruining your friendship, you kept these feelings on ink and paper, locked in a box, first in your room, and now in your dorm, hidden away until you would put another letter in. It was supposed to be a secret that you would take to the grave. Until a mistake has your box of unsent letters, spanning from your high school days to present college years, tumbling right in front of him, and now his curiosity is piqued. pairing. John Logan x Reader tags. Hurt/comfort, angst (it’s not really angst) with a happy ending, yearning, yearning, yearning but its reader yearning SO bad ice time. 10k (woops) notes. @ladynaviamin hi babes.
The first letter was on the day you realized you liked him.
It was a messy jumble of words, ink stains obvious on the fading paper, the emotions spilling out before you could even register what you were writing. All you knew was that you needed the whole thing out of your system and onto the only thing you knew what to do and that was to write.
Before you could stop, or be smart about it, everything was poured on the paper. Lengthy, descriptive, and full of the things you wanted to say, and things you know you can’t say, because even at that age, you knew that liking John Logan was a beautiful terrible idea.
Because he was your best friend. And you aren’t supposed to like your best friend. At least, in your head. Who are you to ruin the friendship, you know?
You remember folding it in half. Then again, then for a third time, like you were trying to make it as small as possible. Like diminishing it physically would diminish what the words on the paper meant.
You'd been looking for somewhere to put it. The trash felt too final, too much like admitting it had existed, and you were halfway on just stuffing it under your pillow when you'd found the box. Your grandmother's, handed down at the end of summer with a kiss on your forehead and the words for letters you mean to send someday. Wooden, old-smelling, with a brass latch that stuck a little if you didn't press it just right.
You'd tucked the letter in and shut the latch.
That was the beginning of it.
-
It had been a random tuesday, back in junior year of high school.
John – he had always been John to you before he became Logan – had after school hockey practice. You'd been draped over the boards for the past ten minutes, watching from the bleachers the way you always did when you had nowhere better to be, which was most days— something you'd never quite admitted to yourself until recently. Because the walk home was shorter from this direction. You had a whole catalogue of reasons, and not one of them was true.
John had been the last one off the ice.
That in itself was not unusual. John Logan was always the last one off the ice. The coach was nice enough to lend him that extra time, considering that he had always been the kid that loved hockey more than anything else.
And you would always wait in the bleachers. Sometimes on your phone, most times watching him as he skated. You count the amount of times he circled it, especially when you felt bored but didn’t have the strength to look away. Because something about him was magnetic to you. You wondered what it was, every time you stay that extra ten minutes in the rink.
Then after his usual rounds (at most, seven rounds), he looked up, and caught your gaze.
John grinned. The stupid, lopsided grin that suddenly made your heart skip. Then he skated all the way over to the boards, where you were, and leaned on them as he grinned. His helmet was tucked under his arm, hair damp at the temples, “You just got here?”
“Yep. Passed by after practice.” You tried to keep your tone as casual as possible, like the sight of him didn't make your heart skip.
“You really didn’t have to come by, you know. It’s late.”
“I wanted to.” You smiled. You didn’t say anything else as follow up. Because adding something else after that would mean that you were admitting something that you weren’t ready to admit. And you would have to explain everything else that you didn’t name yet.
He looked at you for a second, searching for something in your face, and then he looked down and smiled again. It was softer this time, private, the one that felt like it wasn't for anyone else, the one he wore when something surprised him in a way he found pleasant, and tilted his head.
"Sure. Thanks for that.”
You just shrugged.
John nods over at the locker rooms. “Give me ten minutes. I’ll get you hot chocolate at the cafe nearby.”
You huffed, lips curling in amusement. “There? Really? Last time we went there, you said you didn't like the hot chocolate they made.”
John just grinned at you. “Yeah. But you like it.”
He skated away after that. Like those words didn’t make you freeze, your eyes trailing after him, heart stuttering and your brain finally naming that warmth that spread on your cheeks.
And that was it. That was the whole thing. That was the moment that broke you open.
You'd gone home that day and picked up the closest paper and pen, and the words just started coming, because they didn't have anywhere else to go. You wrote about how his smile was the most disarming thing he could have. You wrote about the way he'd leaned on the boards and looked at you like looking at you was just a natural extension of breathing. You wrote about how his curls fell perfectly on his face.
You wrote about how the hot chocolate from the machine in the convenience store nearby had been terrible, watery and too sweet for him, and even when you told him he didn't have to drink it, he'd laughed and drank it anyway and said that it was fine with all the cheerfulness of someone who genuinely didn't mind, and how that had somehow made everything worse.
You wrote, hesitantly, but filled with everything in your chest— I like him.
You folded the paper into thirds, tucked it into your grandmother's box, and pressed the brass latch shut.
You didn't open the box for three weeks after that. Not because you were over it, but because you were hoping, very determinedly, that if you didn't look at it, the feeling would dissolve on its own.
It didn't.
-
The letters accumulated the way all things do when you are trying not to notice them: gradually, and then all at once.
By the end of junior year, there were ten. By senior year of high school, fifteen.
They were not all long. Some were barely a paragraph, dashed out on notebook paper in the middle of class when something happened that you had no one to tell except him, which was the problem, because he was the person that you would usually go to about these things… so you tell the paper instead.
Junior year, you wrote about how naturally John seemed to do things for you. Carrying your bag, buying things in the cafeteria when you didn't want to get up from the bench. But at the same time, it was always the question if he liked you, or if he was being nice
You remembered I hate raisins in things. You picked them out of the muffin before you gave it to me. You've been doing that since seventh grade and I only just noticed today that it's something you do on purpose.
Jealousy would often seep into your letters, as well. Because you knew he was well liked. That John had a future of having girls that would throw themselves at him, and he would always entertain it with his smile and pretty curls and—
— but you act like I’m special, and that they don't matter. But I don't have the right to even stop them from liking you, so all I could do is watch and wish that you would instead look at me.
You kept those folded five times.
--
Senior year, anger would sometimes seep into them.
I should tell you. I should tell you that I lie in bed until 3 am wondering if anything would happen between us. I should— but you are so unfair. You act like you care, and then I'm left hanging again. I still have your jacket. That stupid, gray jacket that you gave me. The damn gray jacket that was your favorite and you don't let anyone wear but you handed it to me when I was cold. And at the same time, you turned and smiled at Kaia like she mattered and. I hate that I like you and I hate that it feels like you do too— but then you turn around and act like you don't.
Some were the soft, bewildered variety, written in the margins of homework you’d never turn in, about something small he'd done that shouldn't have meant as much as it did.
You know how everyone else talks over me when I'm telling a story and moves on before I'm done? You always wait. You just… wait. You wait until I'm finished, and then you respond to what I actually said, not what you were going to say next. I don't know if you know you do that. I don't know how to tell you that it matters.
When you both got into Briar University, John on a hockey scholarship, you on a Merit Scholarship— you celebrated together in the parking lot of the ice rink, his arms around you, lifting you a full two inches off the ground, and you laughed and said “John, put me down!” even if you knew that deep down, you didn’t mean any of it, wanting him to keep his arms around you longer.
You'd gone home that night and written four pages.
I keep telling myself I'm not following you. And I'm not. I worked for this, I studied late into the night and doubled my efforts whenever I would fail because I wanted Briar before you got in. But some part of me is terrified that the reason I want it so badly is mixed up with the reason you're going, and I can't separate them cleanly, and that scares me. What if I didn't want Briar so much as I wanted to be wherever you were going to be? What does that mean? What am I supposed to do with that? I don't have an answer. I'm going to go to sleep. I'm going to not think about it. I'm going to go to Briar, even if I can't solidify why I am.
You went to Briar.
You don’t address it after the long four page letter, and somewhere between orientation week and prelims, the box had gone from a strange habit to a necessity, a pressure valve that kept everything from building to critical mass.
You'd gotten good at it. At the translation of feeling into ink, at the sealing away of things that had no business existing in the open air. The box lived under your bed, behind your extra blankets and a stack of Intro to Lit anthologies you kept meaning to donate. The latch, temperamental from the start, had gotten worse with age.
You'd meant to fix it.
You kept meaning to do a lot of things.
The letters still ranged from two lines to four pages, even when you entered Freshman Year in Briar. They still kept the same amount of yearning and thoughts you would never find the courage to say, or even send to Logan– and soon after, you started signing them too.
John – or maybe Logan? You started being called Logan after you teamed up with Tucker and the rest. So maybe I should change it up to. Adapt and change, you know. Though it would be weird to start calling you by your last name. – With love, and judgement.
You tried to call him Logan. He looked at you then with such offense that you back tracked and went back to calling him John. He said it made him feel better. Special, because John was a name only you could use.
You wrote another letter that night, trying to reason out the butterflies and the implications of what he meant. Because rationalizing it away makes it easier than admitting it out loud.
They kept piling up. Letter after letter.
This sucks. You remembered my coffee order even after I changed it three times in two months. I can’t blame you for how well you treat me. It’s just how you are. I should just stop putting meaning into things, but the other part of me just wants to believe that maybe it did mean something. UGH. John Logan you fucking suck. I hope you trip on the ice during practice. Actually, no. That was a joke. Maybe. – With love.
You called the longest ones your pathetic, yearning lovergirl letters. Late-night things, written when the distance between what you felt and what you were allowed to say felt too wide to sleep across. Those ones you sometimes read back in the morning with a kind of horrified tenderness, like finding a diary from a younger self.
They were overwrought.
They were honest in ways you couldn't quite access in daylight.
John, I've been thinking about the thing you said last week, that you don't know what you'd do without me. You said it so easily. Like it was just true, just a fact of your life, the way you'd say it's cold out or practice got cancelled. I don't know what to do with that. I've been turning it over and over in my head trying to figure out what it means and I think the honest answer is that it means exactly what it sounds like and nothing more and I need to learn to be okay with that. I'm working on it. – With love. P.S. You should stop handing me your hoodies when I get cold and letting me keep them. It messes with me and my late night 3 am delusional thoughts.
John, You have this thing you do when you're listening to someone — you get very still. Most people, when they listen, they nod, they mm-hm, they start formulating their response and you can see the moment they stop actually hearing you. You don't do that. You just go still and you look at the person and you listen, like it costs you nothing, like you have all the time in the world. I don't think you realize you do it. I don't think you realize what it does to people. What it does to me. I'm going to stop writing now. Before I start turning into the 3 am yearner I was last night. Again. — With love.
By freshman year of college, there were thirty letters.
Sophomore year is when it all cracked.
Classes started to weigh on you in a way freshman year hadn't warned you about. Rehearsals that ran until midnight, choreography notes bleeding red ink across marked-up scores, tech week for the department showcase bleeding into finals week, the constant ache in your calves and the tape on your feet that never seemed to come off in time — a dance major was not a degree that let up, and you were running harder than you ever had, barely sleeping, more often than not with Logan being the one thing keeping you sane, showing up with food you hadn't asked for and quiet company at your desk — or in the studio doorway — at midnight, watching you run the same eight counts until your body finally understood what your brain already knew.
And then there was the puck bunny thing.
You didn't have the right to say anything about it, not really. You understood why. John Logan was hot. He was charming, easy to talk to, easy to fall for — and there was always a rotating cast of girls finding excuses to linger near him after games. You watched it happen the way you'd always watched it happen, except now you were closer to it, in his dorm, at his games, in the middle of the aftermath. And you had no claim to any of it. He wasn't yours. He'd never been yours. You just got to watch, the way you always had.
So you stopped writing. You shoved the box into the dark crevice under your bed and didn't take it out again. You prayed it would stay there. You told yourself you were moving on.
Meeting Davis was almost spontaneous — a late night out at Malone's, small talk with a guy from your gen-ed class that turned into something steadier. He was easy. Uncomplicated. He didn't make your chest hurt the way John did, and for a while, that felt like a relief instead of a warning sign. The letters stayed buried. Things between you and Logan went back to what looked, on the surface, like normal. Friends. Best friends.
Because that was all it was going to be.
-
"So how are things with Davis?" Logan asked, leaning against the kitchen counter while you hunched over a marked-up piece of choreography notation, notes scattered across the counter in purple and yellow highlighter, counts and spacing diagrams bleeding into the margins. Gen ed notes scatter on top of them, but you seemed more preoccupied with the scrawls of markings for your major.
"Things are fine." You tried to keep the annoyance out of your voice, but Logan had always been perceptive, and it showed in the way his brows drew together.
"Yeah? Then why do you sound like that?"
Your pen dug a little deeper into the page. "Sound like what?"
"Like things aren't fine."
Your head snapped up, an evident frown pulling at your mouth. "It's none of your business, John."
Your voice came out sharper than you meant it to, and you winced, immediately regretting it. "Sorry. That was — sorry."
He didn't push on the apology. Just crossed his arms and softened his voice instead. "What's wrong?"
You hesitated, pen hovering over your notes, and then you let out a long groan and dropped your forehead against your textbook. "I don't want to start venting."
"Vent anyway."
"He keeps asking when I'm free. Wants to hang out constantly, and I get it, I do, but callbacks are in two weeks and I have a showcase piece I'm not off-book for yet, and I told him that, and he just —" You sat up, dragging a hand down your face. "He said it's kind of pathetic that I care this much about a theater degree. That I don’t have a future in this and that I’m only wasting my time."
Logan's jaw went tight. He would also do that when something pissed him off, and you knew him enough to know that he was also pissed off at what you said. "He said that?"
"Basically."
"That's not — " He stopped himself, exhaled through his nose, clearly working to keep his voice level. "You've wanted this since we were sixteen. You used to run your combinations for me in your driveway at eleven at night in the middle of winter because you couldn't get the phrase to feel right, and I stood there freezing my hands off holding your phone so you could film it."
That got a small, watery laugh out of you. "You always came outside, though. Even when it was that cold."
"Because it mattered to you." He said it so plainly, like it wasn't even a decision he'd had to make. "Anyone who makes you feel stupid for caring about the thing you've wanted since we were in high school doesn't get to also get your time. That's not — that's not how it should work."
You didn't have an answer for that. You just nodded at your notes, throat tight, and went back to studying, and Logan stayed leaning against the counter a while longer before he finally pushed off it and went to make you tea you hadn't asked for, the same way he always did.
-
Things ended with Davis not long after that — quietly, without a scene (an irony you did clock, even mid-breakup), the kind of ending that comes less from a single fight and more from a slow accumulation of moments where you'd chosen your scripts, your late rehearsals, your friendship with Logan, over him, and he'd finally said out loud what he'd clearly been thinking for weeks. You didn't wallow in it. It hadn't felt like losing something so much as setting something down.
Allie, your dorm neighbor across the hall, caught you in the laundry room a few days later, sorting a basket of mismatched socks.
"Wait, so you and Davis are actually done?" Allie asked, propping her hip against the dryer.
"Yeah." You shrugged, feeding a quarter into the slot. "It didn't work out." She knew about what he said, and she made the same face as you the moment you told her. She was the friend you made in one of the early collaborations your major did with hers, and she was the one who knew well how taxing it would be on your body and to have someone just brush it off? She had also pushed for you re-evaluating your whole relationship before you even talked to John about it.
"Huh." Allie studied you for a second too long. "You don't seem that broken up about it."
"I'm fine," you said, and mostly meant it, which felt strange enough that you didn't examine it too closely.
Allie didn't push, but she gave you a look on her way out that said she'd clocked something you hadn't said out loud.
Your roommate and best friend in all things best friend, Jai, was less subtle about it. She came in that night to find you cross-legged on your bed, not doing anything in particular, just sort of staring at the wall.
"Okay, what's actually going on with you?" Jai said, dropping her bag and sitting across from you. "You broke up with Davis, which you knew most of us had been telling you to, but usually break ups have the whole grieving process. And right now, you look like you're thinking about a math problem, not a breakup."
"I don't know. I think I just — I didn't care as much as I should have. The whole time. I feel bad about that." You fiddle with your fingers. “That maybe I feel this apathetic because I didn’t care as much in the beginning.”
Jai considered you for a moment, tilting her head the way she did when she was about to say something you weren't going to like. "You know what I think?”
You looked up at Jai, who nodded over at the space under your bed. “You never wrote about him.”
You blinked. "What?"
"The letters." Jai said it like it was obvious, like she'd noticed the box's absence the same way she'd notice if you'd rearranged the furniture. "You've had that thing since I've known you — you disappear into it when something's actually gotten to you. You didn't write a single letter about Davis. Not one, in like four months."
You opened your mouth to argue and found you didn't have anything to argue with.
You hadn't written about Davis. Not once. Every single letter in that box, every one you'd ever written, had one name on it, and it wasn't his.
The realization hit you like cold water.
You hadn't moved on. Not even a little.
That night you pulled the box out from under the bed — dusty, a stray cobweb clinging to one corner — wiped it down, and wrote the first letter in months. You didn't let yourself think too hard about what it meant that your hand knew exactly how to start again, like it had never really stopped.
I dated someone in hopes of getting over you– only to realize that every time I sit across from him, I imagine its you. It’s not fair on him. Or myself. But though he did deserve the break-up… he didn’t deserve someone who is still hung over a guy she liked since high school, It’s stupid. Terribly so, but I had four months of thinking that dealing with him was much easier than dealing with the constant ache in my chest every time I see you. Maybe it’s more stupid of me to get back to writing to you and acknowledging the constant hurt i feel. — With love, reluctantly, again, and always.
By Junior year, the letters slowed but never stopped completely. The program was, if anything, worse than sophomore year — a full-length ensemble piece now, not just technique classes, and you were buried in rehearsal schedules and rep notes, and the only thing that made any of it bearable was Logan, constant as ever, still showing up with food, still sitting on the studio floor with you at 1 a.m. while you both pretended you weren't exhausted, still somehow always exactly where you needed him to be.
Jai, who had appointed herself the unofficial keeper of your feelings since the Davis revelation, was relentless about it.
"You have to tell him," she said one night, apropos of nothing, while you were both supposed to be doing readings for your gen ed classes. "Junior year of high school, senior year, all of freshman and now half of junior year of college. That's — I did the math, that's four years, and you're going to keep writing it down instead of just saying it?"
"It's not that simple."
"It kind of is, though."
You'd relented eventually, worn down by her insistence and your own exhaustion at holding the same shape for four years straight. You told her you'd do it. You'd tell him. Maybe at the house party that weekend, when everything felt looser and easier and less like something you had to plan for.
You didn't get the chance.
You found him in the kitchen of the party, laughing with a girl whose name you didn't know, and before you could process anything, she'd leaned in and he hadn't leaned away.
You didn't wait to see more than that. You turned around and left before he ever noticed you'd been there, walked back to your dorm in the cold without your jacket, and didn't cry, exactly — just sat on your floor and wrote until your hand cramped.
I stopped hoping tonight. I think I needed to see it to actually believe it, because apparently telling myself wasn't enough. I'm not writing this one for you to ever read. I'm writing it so I stop lying to myself about what almost happened this weekend, and didn't, and isn't going to.
I keep thinking about how badly I wanted to walk over there and how I didn't, and how that's the whole story of us, isn't it. Me, standing a few feet away, wanting, and staying exactly where I am.
You told Jai it hadn't worked out. She didn't push for details, just sat with you until you didn't feel like crying anymore.
Things between you and Logan, in the weeks after, went quiet in a way that wasn't quite a fight and wasn't quite normal either — some instinctive retreat on your end that you dressed up as being busy. Eventually it faded, the way most things did when you were both incapable of staying upset at each other for long, and by the second half of the semester you'd settled back into something that looked, from the outside, exactly like it always had. You told yourself that was enough. You tried, in your quiet, determined way, to move on.
There was one more letter before the long silence, written the week after, when he'd shown up at your studio with soup because Jai had mentioned you were sick, and stayed on the floor doing his own reading while you slept on and off on the yoga mats, and woken you gently every hour to make sure you drank water.
You have no idea what you do to me by being like this. You have no idea, or you do, and you just don't care, because it's easier to be kind to me than to explain why you keep being kind to me. Either way, I am so tired of this constant wishing and wanting. I’ll move on. I have to. Or I’ll never get out of this stupid hole. I love you. But it hurts to keep loving you.
By the second semester of junior year, there were forty-three letters. You left it at forty-three letters.
Ever since that night, where your anger and everything about you spilled into paper and ink– you didn't slip in another letter. It stayed at forty-three.
Forty-three letters, across four years, across the span of a friendship that had become the most important thing in your life and the most carefully guarded secret you kept. Forty-three letters that were supposed to go with you to the grave while you plan out your whole moving on shtick.
That was the plan. That had always been the plan.
The plan, it turned out, was not consulted before Thursday afternoon.
—
It was a fire drill that turned out not to be a drill.
You'd been on the floor beside your bed, hunting for your phone charger, having pulled the mattress out from the wall and tangled yourself in the extra blankets you kept stuffed behind it, when the alarm split the air — sudden, violent, the particular shriek of the Briar dorms that had never once not startled you no matter how many times you'd heard it.
Your elbow caught the edge of the blanket stack. The box, which you'd shoved back into place after re-reading that last letter just the other day, teetered on the edge of the mattress frame. You grabbed for it, fingers catching the corner.
The latch — that brass, temperamental, long-suffering latch you'd always meant to fix and never had — gave.
The box opened.
Forty-three letters, across the floor of your dorm room.
You were still on the ground, staring at them, trying to process the scope of the disaster, when you heard Logan's familiar voice, your name, followed by a quick, "It's me, don't freak out —"
You looked up. Panic set in immediately, your heart dropping to your feet.
John Logan stood in the doorway, your dorm key in his hand — the one you'd given him freshman year for emergencies and never asked back — the opening words dying in his throat as he watched the letters settle.
The alarm was still going. Someone in the hall was shouting about everyone needing to get out. The late-afternoon light came through the window, gold and slanted, landing on the scattered envelopes and the stunned expression on his face and every single letter that bore, in your own handwriting, his name.
For a moment, neither of you moved.
Then you hit the floor on both knees, grabbing at the letters with both hands, stacking them against your chest with no particular order, your mind repeating the same panicked loop — collect them, get them back in the box, get them away from his line of sight.
"These are nothing — they're old, they're just — don't look at those—" You scrambled, but the panic made the ones in your hand slip loose again, and you nearly wanted to just sprawl over the envelopes and pretend they'd never fallen at all.
But John was crouching too. He wasn't reading them. He was just looking at the envelopes scattered across your floor, and you could see the exact moment he registered what they all had in common.
All of them. Every single one.
John Logan.
Your handwriting. His name. Over and over, in blue ink and black ink, and once in green, junior year of high school, when you'd been out of everything else.
His name on the front of forty-three letters you never sent.
He picked one up. He did it with the careful hands he used for things he wasn't sure about — the same way he picked up injured birds on his way to practice, the same way he handled other people's textbooks, and, twice, your feelings, on the two occasions you'd broken down in front of him and he'd gently cradled your face and helped you through the tears. Those were among the ten thousand other things written in your letters. Things you loved him for.
"These are addressed to me," he said. His voice was quiet. Unsure, tentative, like if he spoke louder he'd scare you off entirely.
"They're not —" you stammered. "I didn't send them. That's the whole —" You pressed the stack still in your hand to your sternum. "Please. Just — pretend you didn't see them."
"How many are there?"
His voice was doing something you couldn't quite pinpoint. Low. Careful. Something heavy underneath it, if you read between the lines.
You looked at him over the letters clutched to your chest, not sure what expression was on your face that made him soften even further. Maybe it was the pure panic. Maybe it was something else.
"Twenty — wait, uhm." You paused, blinked. "Thirty-four."
He lifted a brow. "You hesitated."
"...Forty-three."
The silence after that had weight. The alarm had stopped — someone had pulled it, or the drill was over, or building staff had caught up to whatever triggered it — and the sudden absence of noise made everything feel louder. Your heartbeat. His breathing. The soft scratch of the envelope he was turning over in his hands, not opening, just turning.
"How long?" he asked.
You didn't want to answer that. The answer was the part that would make it real. The part that would say out loud what had only ever existed on paper.
"Since junior year of high school," you said quietly.
You watched him absorb it.
He sat back on his heels, and you could see him doing the math. Junior year of high school. The end of the letter stack. The date on whatever letter he was holding. The span of years between then and now.
"You've been writing me letters," he said slowly, like he was learning the sentence as he spoke it, "for four years. That you never sent."
"It's not — it's a journaling thing. It's not —"
"Your journals have my name on them."
You winced and closed your eyes. "Yes."
"Why didn't you send them?"
You opened your eyes. He was watching you with an expression that made it very hard to think clearly, and you needed to think clearly to get through this conversation without losing something you couldn't afford to lose. Carefully, you thought. Be careful. He is your best friend and he is looking at you and you are not allowed to ruin this.
"Because I didn't want things to change," you said, which was the truest and most incomplete answer you had.
"What things?"
"Us." The word landed between you, bare, nothing around it to soften it. "The way things are. The way things have always been. I didn't — I wasn't willing to risk it. So I wrote it down instead, and I kept it, and I was going to keep it forever, and this was a mistake, Logan —"
"John." He interrupted quietly. You ignored the correction.
"— you were not supposed to see these."
"What are they?" he asked. "Just — tell me what they are. In plain English."
You looked at him. Then at the forty-three letters — the ones against your chest, the ones still sprawled on the floor, the one in his hands, the stupid brass-latched box open between you. You thought about every 2 a.m., every bleacher, every game, every borrowed hoodie you'd never given back. You thought about how long you'd been careful not to say a single thing. How much energy you'd spent on the not-saying, and how completely, catastrophically exhausted you were from it.
"They're everything," you said, "that I didn't know how to say to your face."
—
He was quiet for a long time after that.
You spent most of it looking at the floor, cataloguing the letters you could see from where you sat — the corner of the very first one, faded and ink-stained, from that Tuesday in junior year. The familiar blue pen of the one from a few months ago, the night of the game where he'd scored the tying goal in the final minute and looked up into the bleachers and found you immediately, like he'd known exactly where to look, like he always knew where to look, and you'd gone home and written four pages you didn't remember most of the next morning.
Then right by your knees was the latest letter. The one that was lengthy and full of hurt and anger and everything else that you poured out after seeing him make out with another girl– You push down the memory.
The afternoon light had shifted. It was later than you'd realized.
"I want to ask you something," Logan said, "and I need you to answer honestly."
"Okay."
"Is it —" He exhaled through his nose, tried again. You watched the struggle on his face — that particular Logan expression of someone who had something to say and was working out how to say it without saying too much or too little. You'd seen it a thousand times. You'd written about it. Letter fourteen, sophomore year of high school. The way he gets quiet before he says something he means.
"Is it the same thing I think it is?"
"Probably," you said, to the floor. "Unless you think it's a grocery list, in which case, no."
He made a sound that might have been a laugh — hoarse, surprised out of him.
"You've liked me," he said, still careful, "since junior year."
"Yes."
"And you didn't say anything because you didn't want to lose the friendship."
"Yes."
"And you wrote — forty-three letters. Instead."
"I was going to say forty-three seemed excessive, but honestly, given the timeline, I think it's fairly restrained."
"Hey." His voice changed. That made you look at him. He was watching you with something so open on his face it hit you square in the sternum. "Don't do that. Don't make it a joke right now."
You swallowed. "Sorry."
"Don't be sorry either." He set the letter down between you, gently, the way he set down things he didn't want to damage, and ran a hand through his hair — the thing he did when he was thinking hard, when something had knocked him somewhere he hadn't planned to go. "I just need a second."
You gave him the second.
Outside, someone on the quad was playing music, drifting up through your open window without any particular hurry. Late afternoon light cut across the room at the angle it only ever hit in March — long and gold and slanted, the kind that made everything look like it was happening in the last good hour of something. The last hour before whatever came next.
He abruptly brings up Davis. "What about Davis?"
Your brows furrow. "What about him?"
"You dated him last year."
You hesitate. "It was a half-hearted attempt to try and get over you."
"Did it work?"
You deadpan. "Well, I broke up with him, didn't I?"
John laughs through his nose. "Yeah. Yeah that makes sense."
Another beat passes, quieter this time, before he asks if you know why he's shown up to every single one of your performances since freshman year. Not just the winter and spring showcases. The studio showings nobody came to, the ten-minute improvisation pieces you took for the sake of getting better, performed to an audience of six, the Tuesday afternoon rehearsal run-throughs that overlapped with his lift block, when he'd shown up, hair damp, sitting cross-legged in the back corner of the studio so he could leave before anyone noticed a hockey player watching a modern dance rehearsal like it was the only thing happening in the building.
"That's practice, though," you say. "You're always busy."
"Not always." He says it like it's nothing, like it was never a real sacrifice, just a matter of arranging things around each other the way you'd both always done. "I never missed a lift block or a mandatory practice for it, if that's what you're asking. Coach would've had my head, and there goes the scholarship. I'm not that much of an idiot."
"So how—"
"I just used the time I actually had. Free blocks. The hour after morning skate before class. You'd be in Studio B until midnight running the same eight counts over and over, and I'd come sit in the corner with a granola bar and my laundry, because doing laundry at the machines by the dance building was somehow always more urgent than doing it in my own dorm."
You protest anyway, because your brain is still catching up, still trying to file this under good friend the way you have filed every other thing he's ever done for four years running. "You're just — that's just you being supportive. You did that for Summer-"
"I went to Summer's event once, and that was because Dean wanted us to. I have sat through you running the same eight counts eleven times in a row at eleven p.m. on a Tuesday because you couldn't get the turn right, and I have watched you mark a whole solo with a busted ankle because you didn't want to fall behind, and I still came."
"That was one time."
"I know. I counted the limps."
That gets you. Something in your chest cracks open a little wider.
He tells you about the incidents, then — the small things you never clocked because you were always mid-combination or too deep in your own head to notice him in the doorway, or slumped against the wall outside the studio with his bag still packed from practice. The night your partner dropped you a beat early in a lift and you both recovered it so smoothly the audience never noticed, and how he'd told Tucker after, unprompted, that he'd never seen anyone save a mistake like that mid-air, like it mattered to him the way his own game footage mattered.
The way he'd show up straight from morning skate, hair still wet, to walk you back to your dorm after a late rehearsal because he didn't like the idea of you crossing the quad alone at midnight, ice pack pressed to your shin, making conversation about nothing in particular just so you wouldn't have to walk in silence. The stretch of a week during tech for the fall showcase, when you barely left the studio, and he started just bringing his own homework to do on the floor during your five-minute breaks, so you'd have someone there without either of you having to say why that mattered.
"You did that the whole week," you say slowly.
"I did that the whole week."
"You never told me you had a physics midterm that same week."
"Didn't want you to feel bad about it." He shrugs, like this is a reasonable thing to have kept from you for two years. "It wasn't your fault. I wanted to be there."
You're quiet for a second, turning that over, and something about the quiet must give you away, because he tilts his head at you. "What?"
"Nothing."
"You've got a face on. That's not nothing."
"It's just—" You stop. Start again. "If you wanted to be there that badly. If you were doing all of that. Then what was with the girls?"
He blinks. "What girls?"
"You know what girls, Logan." Your voice comes out sharper than you mean it to, two years of swallowed irritation finally finding a door. "The ones after games. Hanging off the boards. The ones who got to walk up to you, because they didn't have some — some rule in their head about not ruining anything."
"That's what this is about?"
"I'm asking."
He drags a hand down his face, and for the first time all night, he looks ashamed instead of careful. "Those weren't anything," he says. "You know that, right? They were never anything."
"They looked like something."
Logan lets out a hoarse laugh — short, not really about anything funny. It's the sound of a person getting cornered by their own bad decisions. "Yeah," he says. "I bet they did."
There's something almost shameful in the way his jaw works before he goes on.
"They were a distraction." He says it plainly, no dressing it up. "You didn't — I thought you didn't feel the same way. I thought I was the only one carrying this, and I didn't know what to do with that, so I did the dumbest possible thing, which was try to feel something for anyone else so I'd stop feeling this much for you. It never worked. Not once. I always ended up back at your door with food you didn't ask for, like an idiot."
"I did care," you say, and it comes out smaller than you mean it to, four years of carefulness still clinging to your voice even now. "I thought you didn't."
"I know that now."
You stare at each other for a second, and it lands on both of you at once — the sheer, staggering waste of it. Four years of two people orbiting the same unspoken thing, each one certain the other didn't want it, each one building elaborate, private monuments to a feeling neither of you would say out loud. You almost want to laugh. You almost want to be furious. Mostly you just want to sit in the wreckage of it with him and not move for a while.
That's when he tells you about the texts.
"There's something you should probably know, since, well– I just accidentally saw your very personal letters." he says, and something in his voice makes you go still before he even finishes the thought. "I've been deleting texts to you since October of junior year."
"What texts?" you said.
"The ones I wasn't going to send." A muscle in his jaw moved. "Different medium. Same problem."
You stared at him.
"You," you said carefully, "have also been —"
"Yeah."
"Since —"
"Junior year." He kept his eyes on you. "You did that solo — the contemporary piece, the one set to that stripped-down piano track, for the fall showcase. I only went because you asked me to come, and also promised to buy me free snacks right after. So I came. I sat in the back row not expecting to care, and then the lights came up on you and you just — you weren't you anymore, you were something else entirely, and I remember thinking, very clearly, that I had never seen anything move like that. Not the piece. You. I didn't say anything to anyone. I definitely didn't say anything to you. I just knew, sitting in that folding chair, that something in me had rearranged itself and it wasn't going back." He stopped. Shook his head. "I thought you knew, later, that something had shifted for me. I thought it was obvious. I thought you didn't feel the same way, and I figured I could live with that — be your friend, be fine. And I was mostly fine. I was fine until you and Davis started whatever that was, and I wasn't fine anymore, and that's when I knew I was a lost cause."
"There was nothing with Davis," you said. "It was just — a gen-ed class, and I thought it was something—" The words died on your tongue.
"I know that now."
"John." Something enormous was rising in your chest — too big for any letter, too loud for that box. "We've been — we've both been —"
"Catastrophically stupid," he said, with a short, helpless laugh. "Yeah. I'm aware."
"Four years."
"I know."
"I have forty-three letters —"
"I know, I can see them —"
You laughed, and it came out slightly broken, and he laughed too, and for a moment it was just that — the two of you on your dorm room floor, surrounded by four years of everything you hadn't said, laughing at the sheer, impossible absurdity of it. At how close you'd been the whole time. At how completely you'd managed to miss each other while never once being apart.
Then the laughter faded.
He was looking at you. The gold light had shifted, fallen across him, and he looked the way he always looked when he was done thinking and had arrived somewhere decided. You knew that look. You'd written about it. Letter twenty-one. The way he looks when he's made up his mind about something and nothing in the world is going to unmake it.
"What do we do now?" you asked.
John reached out slowly, giving you every chance to move away if you wanted to. He tucked a loose strand of hair back from your face, hand staying at your jaw, careful. His thumb traced, barely, along your cheekbone.
"I have a practice slot tomorrow morning," he said. "Early. Six a.m., the rink's usually empty." He paused. "You could come. Sit in the bleachers, like you always do. And after — I could buy you hot chocolate. And maybe this time I could actually say what I haven't been saying for four years."
You looked at him. His hand was warm at your jaw, and the room smelled like old paper and cedar and whatever that specific thing was that his jacket always smelled like, because of course he was wearing the jacket you knew best.
"And we're doing it at the rink," you said slowly, "because —"
"Because that's where it started," he said, shrugging. "It should start there too. Not the ratty ice rink back home, but it still counts."
The feeling in your chest crested, enormous and warm, nothing like the quiet ache you'd carried for four years. That ache had been private and careful, kept deliberately small so it wouldn't take up too much room, wouldn't crowd out anything else. This was not small. This was taking up every room you had. This was refusing, loudly and completely, to fit inside a box.
"Okay," you said.
He smiled — the full one, the private one, the one that had always felt like it was only for you. Maybe it had been. Maybe you'd just been too busy cataloguing reasons not to believe it.
"Okay," he echoed.
He let go of your jaw slowly, like he was in no hurry about it, then stood and started helping you gather the letters off the floor, stacking them with surprising care, not reading them, just collecting. You watched him do it and didn't say anything. There was something strange and sweet about watching his hands handle these things that had existed in secret for so long.
He asked a few questions. Simple ones. The things you could admit to. Small rants you'd written. How you didn't read back on some of them, out of fear of what you'd find. You mentioned the one where you'd hoped he tripped, and how the very next day, he actually had.
Logan laughed at that — bright, curls settling around his face. You had to stop yourself from staring too long.
"Which one's your favorite?" he asked, holding the stack against his chest the way you'd been holding it minutes ago.
"I'm not telling you that."
"Come on."
"Absolutely not."
"I'll find it eventually."
"That sounds like a threat."
"It's a promise." He looked entirely too pleased with himself. "I have forty-three letters and the rest of my life. I'll get there."
When all the letters were back in the box, he set it on your desk and looked at it for a moment.
"You're going to have to let me read them eventually," he said.
"I really am not."
"The 'I hope you trip' one. I want to find that one."
"Absolutely not."
"I'm going to find it."
"Get out of my room, Logan."
"I thought I said you could call me John?"
You rolled your eyes. "I'm adapting to Briar. You're either Logan or John. Now get out of my room."
He grinned, the lopsided, lethal one, and you felt it the same way you always had — right in the sternum, like a bell being struck — and went, unhurried, toward the door.
"Six a.m.," he said from the doorway.
"Six a.m.," you agreed.
He left.
You stood in your room surrounded by the afterimage of all of it, then sat on the edge of your bed and put your face in your hands, staying that way for a while — not crying exactly, just feeling the full, enormous weight of something shifting into a new configuration, four years of tectonic plates rearranging themselves into something that finally made sense.
After a while, you got up, took the box from the desk, and put it back under your bed.
You set your alarm for five-thirty.
Hockey rinks always smelled and looked the same, no matter where you would go. It would always smell like ice and rubber and something underneath, though it didn't have the same ratty smell from the old hockey rink at home.
You climbed to your usual spot in the bleachers. Third row, center. You'd been sitting here since the first time you ever came to watch him practice. Even when you moved closer to Briar, you always gravitated to the same spot, before you'd known it was your spot, before you'd known you'd keep coming back. You'd just sat where the sight line was clear and the draft from the ventilation didn't hit as hard. You'd sat there every time after that, out of habit, out of something you'd told yourself was just habit.
John stepped onto the ice.
He didn't look up at the bleachers right away. That wasn't unusual. He rarely did, at first. He had a routine — you knew the routine, had watched it enough times to know it by heart — where he'd take a lap or two before he settled into the actual work of it, like he was reacquainting himself with the ice, reminding himself of the particular quality of this rink on this morning. Then he'd pick up speed. Then he'd look like himself.
You watched him. You were done pretending you weren't.
He skated the way he always skated — like it required nothing, like it was breathing, like the rink was just another place he lived and the ice was simply the ground beneath him. He did a lap, and then another, and then he started working through something, crossovers into a long sweep across the length of the rink, and you watched the way he held his weight, the clean economy of every movement, and felt the thing you always felt watching him, which you'd spent four years filing under aesthetic appreciation, nothing more, and which you were now allowed to call by its actual name.
After a while he came to the boards and looked up at you.
"You're in your spot," he said.
"I'm always in my spot."
"I know." He leaned on the boards, the same way he had the first time, junior year, helmet under his arm, and he looked up at you with that look you were done misreading. "I skate better when you're here. I don't know if you knew that."
"I didn't."
"I didn't either, for a while. I thought it was just that the bleachers were less empty, which helps. But then I figured out it was specifically you." He said it matter-of-factly, like it was just a thing that was true. Like it was weather. Like it was temperature. "Third row, center. Every time."
"You knew the seat."
"I always knew the seat."
You looked at him, and the rink was cold, and the light was just beginning to come in through the high windows, pale and early and new, and forty-three unsent letters sat in a box under your bed, and standing at the boards in front of you — in his skates, in his gear, on his ice — was the person they were all addressed to.
With a smile, you got up and headed down from your seat. The second you stopped in front of Logan, the only thing separating you being the rink’s wall, you smiled wider. "Hi," you said.
"Hi," he said back.
He reached for you, and you reached back, and when his hand found yours over the boards it was easy, the easiest thing, like something that had been waiting a long time to finally happen and was not going to make a fuss about it now that it had. His hand was cold from the ice, and you held it anyway, and neither of you said anything for a moment, because there wasn't anything that needed saying.
You got the hot chocolate from the machine in the convenience store. Different store, same franchise. It was, as promised, terrible. Watery and too sweet, dispensed in a thin paper cup that was already going soggy at the base.
He handed it to you and watched you take a sip and pull a face.
"Still bad," you reported. “It’s surprising how consistent the store is.”
"Still bad," he agreed, leaning against the wall, holding his own cup, looking entirely unbothered. He'd never minded the terrible hot chocolate. You'd written about that once. Letter seven. The way you seem genuinely content with things that aren't good. Like the contentment is the point, not the quality of the thing.
"You said you were going to say what you hadn't said."
"I was getting to it."
"It's been twenty minutes."
"I was working up to it," he said, and there was something almost shy in the way he said it, which was not a quality you'd had many opportunities to observe in him, and which was doing things to you that you weren't prepared for. "I've been working up to it for four years, give me another thirty seconds."
You giggled, but you still waited.
He looked at his terrible hot chocolate. Then he looked at you.
"I love you," he said. "I've loved you since I saw you performing on stage and I thought — I thought, that's her. That's the person. And I didn't say anything because you didn't, and I figured I was misreading it, and I kept not saying anything for four years and I had a phone full of deleted texts and a very long mental list of things I was not going to tell you, and then yesterday I walked into your room and saw my name on forty-three envelopes on your floor and I thought—" He stopped. Something moved across his face, somewhere between wrecked and grateful. "I thought: we are both absolute idiots."
"We really are," you said.
"We really are." He pushed off the wall and set his cup down on the machine and took yours out of your hands and set it next to his, and then he looked at you the way he had yesterday, with that decided, arrived quality, and said, "I'm done not saying it. I love you. Okay? I just — I love you."
You looked at him. This person you'd known since before you knew what it meant to know someone. This person who remembered your coffee order and picked raisins out of muffins and drove forty minutes in the rain and kept nine of your hoodies and showed up to every meet in every kind of weather and had, apparently, been composing and deleting texts to you since junior year of high school.
"I love you," you said. "I have loved you for a very long time."
He exhaled, slow, like something he'd been holding finally let go, and then he smiled — the private one, the full one, the one that had always felt like it was only for you because, you understood now, it had always only been for you — and said, "Yeah. We're definitely idiots."
"Monumental idiots."
"Historically unprecedented idiots."
"There should be a word for it."
"There probably is, in some language we don't speak." He reached out, and you let him pull you in, and he held you the way he'd held you before, the same arms, the same warmth, but with something different in it now, something that had been allowed to be what it was instead of being carefully kept at a certain size. You pressed your face against his shoulder. His chin dropped to the top of your head.
"We wasted four years," you said into his shoulder.
"Nah." His voice rumbled against your ear. "We just took the long way."
You thought about that. About the letters, and the bleachers, and the hot chocolate, and the forty-minute drives in rain, the deleted texts, and the space between what you feel and what you're brave enough to say. About all the things that had happened in the gap.
"The long way," you agreed.
Outside the rink, the morning was getting started. Inside, it smelled like ice and rubber and cedar and something new.
—
The forty-fourth letter was the last one. Written that night, because some habits deserve a proper ending.
John. Logan. Or whatever name you want to be called– The hot chocolate was terrible. The one near our old school was better (I’m lying, but you know that), but it’s not like you would drive an hour just to get there. Still, you know hot chocolate is always terrible from that machine. You bought it anyway because I said I wanted it and you cannot help yourself. I've been writing these since high school. I don't think I'm going to write another one. Not because I have nothing left to say — I think I'm going to have a lot to say, for a very long time — but because I'm going to say it to you from now on. Out loud. In real time. Without a box to put it in afterward. You told me today that you skate better when I'm in the stands. I wanted you to know that I run better when you're at the end of the finish line. I have never told you that. I'm telling you now. I love you. I have loved you since a Tuesday in junior year in High school when you offered me bad hot chocolate on an empty rink and smiled at me like I was someone worth skating across the ice for.I loved you through every year after that, through every letter I wrote and sealed and tucked away, through every moment I talked myself out of saying something because I was afraid of what it would cost. It turns out it didn't cost anything. It turns out you were over there deleting texts. We were both such idiots. Though I guess it does make sense with our track record. I'm done keeping it in a box, and I'll say it to your face from now on, and I'm sorry it took me four years and a broken latch and forty-three embarrassing letters, some of which you are never going to read, to get here. But I'm here. And so are you. That's enough. That's more than enough. — With love.
©ahnaiee [do not repost, copy, translate, or modify]
