ETERNITY AHEAD

[blueblackdream]

Kenneth Josephson, Chicago, 1980

[perfictionism]

Kowloon walled city, Hong-Kong

[okmoonkid]

[harpocrates]

+62° 27’ 28.1772”,+7° 40’ 41.5518” trollstigen, norway

[raveneuse]

[raveneuse]

George Platt Lynes, Tex Smutney and Buddy Stanley, 1941.

[transparentoctopus]

Oskar Schlemmer 1925

[transparentoctopus]

John Martin, the destruction of pharaoh’s host 1836

[spaceexp]

Inside ExoMars’ Schiaparelli Lander

via reddit

[complexae]

igor mitoraj

[thornescratch]

Braden Holtby + Water Bottle = the deepest, truest of loves.

[alfiusdebux]

Richard and Cherry Kearton taking a photograph of a bird’s nest by National Media Museum on Flickr.

[alfiusdebux]

[alfiusdebux]

Pere Borrell del Caso, 1874

[alfiusdebux]

Southern Netherlands, Reliquary of the Virgin’s Veil, early 15th century by kirston lightowler on Flickr.

[exercicedestyle]

[paulmalon]

Sears Roebuck Catalogue Assembly Line by Paul Malon Via Flickr: 1942.

[shihlun]

Hai Bo, They Recorded for the Future (16 Women), 1999.

海波，〈留給未來〉，1999。

Hai Bo was born in Jilin province and learned printmaking before studying as a woodcarver at the Central Academy of Fine Arts, Beijing, graduating in 1987.  He only began making photographs in 1999 when he produced his Them and They series in which he restaged group portraits of mostly family and friends.  Them #6 (or They Recorded “For the Future”) combines past and present-day studio portraits of the same group of sixteen women.  One portrait enlarges a studio photograph, dated 1973, that was produced during the Cultural Revolution and inscribed “For the future.”  This image confronts Hai Bo’s group portrait of the same women taken twenty-six years later, in 1999.  

[jellobiafrasays]

museum of the history of religion and atheism, leningrad (postcard, 1991)

[scottmarcbecker]

centro, oaxaca de juarez, mexico, 2016