Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ
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Lint Roller? I Barely Know Her
Mike Driver
Monterey Bay Aquarium
NASA
Game of Thrones Daily

@theartofmadeline
h

pixel skylines

tannertan36
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hello vonnie
we're not kids anymore.

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Kaledo Art
trying on a metaphor
Keni

Discoholic 🪩

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@eternityofenamoredrocks
i have a "willy wonka experience" every day of my life
Hint
You have options. I promise you, you have options. Even if you blow up your whole life, change your name and train hop half way across the country- you still have options. So long as you are alive you have choices and chances. If you can’t see them, ask someone else. Ask a stranger or someone who loves you. Anyone not in your situation will have different a perspective. Stay safe and stay alive.
How can I be more disciplined? I can’t seem to make myself do the things I know i need to do in order to move forward and to be better
It goes like this: Caffeine, b12, omega 3, pomodoro, modafinil, racetams, bromantane, amphetamine, methamphetamine, psilocybin, intermittent fasting, infrared sauna, ketogenic diet, cold exposure, cbd, meditation, validation-seeking, artificial deadlines, thc, habit formation, dopamine detox, manifestation, variable interval reward, looksmaxxing, betrayal, disillusionment, poetry about death, sigil magic, learning the rules, embracing the pain, absence of fear, final boss, rewriting the rules, confession, submission, sublimation
イコ—霧の城 (Ico: Kiri no Shiro) / Ico: Castle in the Mist - Novel (2004)
claire schwartz, from poetry rx as featured in the paris review
batch of pictures from the old japanese finfin website!
i love being a lover and i also love being a hater and i also hate being a hater. but i don't hate being a lover. never ever
Untitled / Expulsion from the Garden (2000). Fred Tomaselli (b.1956, Santa Monica, California). Christie’s • via Bibliothèque Infernale on FB
But in the end, stories are about one person saying to another: This is the way it feels to me. Can you understand what I’m saying? Does it feel this way to you?
Kazuo Ishiguro, in his Nobel prize (2017) acceptance speech. (via smiththeteacher)
D&D alignment is famously dumb, to the point where in literal decades I've only ever heard it discussed to dump on it or joke about it, but designing esoteric cosmic alignment systems for RPGs is very fun in that it appeals to the nerd's natural delight in taxonomy and mysticism. anyway my favourite one that I ever came up with, which I have yet to deploy in a finished work but still want to, is an alignment trinity that goes like this:
ROCK: associated with moralistic heroes and heroism, personal virtue, romanticism, himbos, babyface wrestlers, beach bodies, unarmed combat or purely cosmetic weapons, doing the simplest or most ethical thing without regard for the consequences, hot-blooded shonen protagonists who are 14, even numbers, the colours red and green
SCISSORS: associated with "bad guys", cunning, pragmatic and ruthless self-interest, heel wrestlers, "edginess"/antiheroics, lethal weapons (especially blades and guns), surprise attacks, lies and betrayal, decisive lateral solutions, the ends justifying the means, odd numbers, the colours black and blue
PAPER: associated with bureaucrats and institutions, "The Man", proceduralism for its own sake, dense codes of law, deciding what to do on the basis of abstract theory, Ayn Rand villains, inconvenient traditions, intellectualism and pseudointellectualism, co-optation by the establishment, art that only makes sense if you know art history, nonsense as distinct from lies, domestication of conflict, non-integers, the colours white and yellow
These form a kind of daoist element phase pattern where one is considered to "beat" the other and things transition according to that pattern, in the expected way.
This hits what I think is a sweet spot for design, where it feels plausibly transcendental in the sense that you can kind of let your eyes unfocus and genuinely imagine that these categories embody deep wisdom about the nature of the world, and it's elegant in that the aesthetics line up with the names of the categories in both metaphorical and literal ways, but it's also just visibly incredibly stupid and a joke, so you can enter into a superposition of taking it seriously within the narrative while considering it stupid and deflating.