exxxeeee

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niaaa

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find me here

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𝕋𝕙𝕖 𝕔𝕠𝕞𝕡𝕦𝕥𝕖𝕣 𝕙𝕒𝕤 𝕓𝕖𝕖𝕟 𝕔𝕠𝕕𝕖𝕕 𝕚𝕟 𝕓𝕚𝕟𝕒𝕣𝕪; 𝕤𝕦𝕡𝕡𝕠𝕤𝕖𝕕 𝕥𝕠 𝕓𝕖 𝕒 𝕔𝕙𝕠𝕚𝕔𝕖 𝕓𝕖𝕥𝕨𝕖𝕖𝕟 𝕥𝕨𝕠 𝕕𝕚𝕗𝕗𝕖𝕣𝕖𝕟 𝕥𝕙𝕚𝕟𝕘𝕤. ℍ𝕠𝕨𝕖𝕧𝕖𝕣, 𝕥𝕙𝕖 𝟘 𝕒𝕟𝕕 𝟙 𝕒𝕣𝕖 𝕟𝕠𝕥 𝕣𝕖𝕒𝕝𝕝𝕪 𝕥𝕨𝕠 𝕕𝕚𝕗𝕗𝕖𝕣𝕖𝕟𝕥 𝕥𝕙𝕚𝕟𝕘𝕤: 𝕥𝕙𝕖 𝟙 𝕚𝕤 𝕥𝕙𝕖 𝕖𝕩𝕚𝕤𝕥𝕖𝕟𝕤𝕖 𝕠𝕗 𝕤𝕠𝕞𝕖𝕥𝕙𝕚𝕟𝕘, 𝕒𝕟𝕕 𝕥𝕙𝕖 𝟘 𝕚𝕤 𝕥𝕙𝕖 𝕒𝕓𝕤𝕖𝕟𝕔𝕖 𝕠𝕗 𝕚𝕥. 𝔸 𝕤𝕨𝕚𝕥𝕔𝕙 𝕚𝕤 𝕗𝕝𝕚𝕡𝕡𝕖𝕕 𝕒𝕟𝕕 𝕒 𝕖𝕝𝕖𝕜𝕥𝕣𝕠𝕟𝕚𝕔 𝕔𝕦𝕣𝕣𝕖𝕟𝕥 𝕞𝕒𝕪 𝕡𝕒𝕤𝕤 𝕥𝕙𝕣𝕠𝕦𝕘𝕙, 𝕠𝕣 𝕟𝕠𝕥. 𝔸 𝕝𝕒𝕟𝕘𝕦𝕒𝕘𝕖 𝕥𝕙𝕒𝕥 𝕤𝕖𝕖𝕞𝕤 𝕥𝕠 𝕡𝕣𝕖𝕤𝕖𝕟𝕥 𝕥𝕨𝕠 𝕕𝕚𝕗𝕗𝕖𝕣𝕖𝕟𝕥 𝕥𝕙𝕚𝕟𝕘𝕤 𝕠𝕟𝕝𝕪 𝕣𝕖𝕒𝕝𝕝𝕪 𝕡𝕣𝕖𝕤𝕖𝕟𝕥𝕤 𝕠𝕟𝕖: 𝕨𝕠𝕦𝕝𝕕 𝕖𝕧𝕖𝕟 ‘𝕥𝕙𝕖’ 𝕘𝕖𝕟𝕕𝕖𝕣 𝕓𝕚𝕟𝕒𝕣𝕪 𝕥𝕙𝕖𝕣𝕖𝕗𝕠𝕣𝕖 𝕟𝕠𝕥 𝕟𝕖𝕖𝕕 𝕥𝕨𝕠 𝕠𝕗 𝕥𝕙𝕠𝕤𝕖 𝕓𝕚𝕟𝕒𝕣𝕚𝕖𝕤? 𝔸𝕟𝕕 𝕥𝕠 𝕓𝕖 𝕞𝕠𝕣𝕖 𝕡𝕣𝕖𝕔𝕚𝕤𝕖: 𝕥𝕨𝕠 𝕤𝕝𝕚𝕕𝕚𝕟𝕘 𝕤𝕔𝕒𝕝𝕖𝕤 𝕓𝕖𝕥𝕨𝕖𝕖𝕟 𝟘 𝕒𝕟𝕕 𝟙, 𝕔𝕠𝕟𝕥𝕒𝕚𝕟𝕚𝕟𝕘 𝕒𝕟 𝕚𝕟𝕗𝕚𝕟𝕚𝕥𝕖 𝕒𝕞𝕠𝕦𝕟𝕥 𝕠𝕗 𝕟𝕦𝕞𝕓𝕖𝕣𝕤? 𝕀𝕗 𝕠𝕟𝕖 𝕖𝕧𝕖𝕟 𝕔𝕠𝕦𝕝𝕕 𝕢𝕦𝕒𝕟𝕥𝕚𝕗𝕪 𝕗𝕖𝕞𝕚𝕟𝕚𝕟𝕚𝕥𝕪 𝕠𝕣 𝕞𝕒𝕤𝕔𝕦𝕝𝕚𝕟𝕚𝕥𝕪 𝕚𝕟 𝕟𝕦𝕞𝕓𝕖𝕣𝕤.  𝕋𝕙𝕖𝕣𝕖 𝕚𝕤 𝕠𝕟𝕝𝕪 𝕥𝕙𝕖 𝕗𝕝𝕠𝕨 𝕓𝕖𝕥𝕨𝕖𝕖𝕟 𝕙𝕒𝕧𝕚𝕟𝕘 𝕠𝕟𝕖 𝕥𝕙𝕚𝕟𝕘 𝕠𝕣 𝕙𝕒𝕧𝕚𝕟𝕘 𝕚𝕥 𝕟𝕠𝕥. 𝔹𝕖𝕥𝕨𝕖𝕖𝕟 𝕖𝕟𝕖𝕣𝕘𝕪 𝕠𝕣 𝕟𝕠𝕥, 𝕓𝕖𝕥𝕨𝕖𝕖𝕟 𝕖𝕩𝕚𝕤𝕥𝕚𝕟𝕘 𝕠𝕣 𝕟𝕠𝕥. - exesque 2025. unpublished

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text. exp. 1

exesque. 2025

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𝕋𝕙𝕖 𝕥𝕖𝕩𝕥𝕦𝕣𝕖 𝕠𝕗 𝕨𝕒𝕥𝕖𝕣𝕔𝕠𝕝𝕠𝕦𝕣 𝕡𝕒𝕚𝕟𝕥 𝕠𝕟 𝕡𝕒𝕡𝕖𝕣 𝕚𝕤 𝕥𝕙𝕖 𝕤𝕒𝕞𝕖 𝕒𝕤 𝕒 𝕘𝕝𝕚𝕥𝕔𝕙𝕚𝕟𝕘 𝕡𝕚𝕩𝕖𝕝. 𝕋𝕙𝕖𝕤𝕖 𝕕𝕖𝕥𝕒𝕚𝕝𝕤 𝕞𝕒𝕪 𝕓𝕖𝕔𝕠𝕞𝕖 𝕒𝕟 𝕖𝕩𝕒𝕞𝕡𝕝𝕖 𝕠𝕗 𝕤𝕥𝕪𝕝𝕖. 𝕋𝕙𝕖 𝕕𝕚𝕘𝕚𝕥𝕒𝕝 𝕙𝕚𝕕𝕖𝕤 𝕒𝕟 𝕦𝕟𝕖𝕟𝕕𝕚𝕟𝕘 𝕒𝕞𝕠𝕦𝕟𝕥 𝕠𝕗 𝕘𝕝𝕚𝕥𝕔𝕙𝕚𝕟𝕘, 𝕠𝕗, 𝕒𝕝𝕞𝕠𝕤𝕥, 𝕞𝕒𝕔𝕙𝕚𝕟𝕖𝕤; 𝕗𝕦𝕟𝕔𝕥𝕚𝕠𝕟𝕤; 𝕒𝕝𝕘𝕠𝕣𝕚𝕥𝕙𝕞𝕤, 𝕥𝕙𝕒𝕥 𝕘𝕚𝕧𝕖 𝕥𝕙𝕖𝕚𝕣 𝕠𝕨𝕟 𝕥𝕒𝕤𝕥𝕖 𝕥𝕠 𝕥𝕙𝕖 𝕨𝕠𝕣𝕜. 𝕎𝕙𝕖𝕣𝕖 𝕨𝕒𝕥𝕖𝕣𝕔𝕠𝕝𝕠𝕦𝕣 𝕓𝕪 𝕚𝕥𝕤𝕖𝕝𝕗 𝕠𝕟𝕝𝕪 𝕞𝕠𝕧𝕖𝕤 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕒𝕪𝕤, 𝕒𝕟𝕕 𝕠𝕟𝕖 𝕙𝕒𝕤 𝕥𝕠 𝕓𝕣𝕚𝕟𝕘 𝕚𝕟 𝕤𝕠𝕞𝕖 𝕘𝕝𝕚𝕥𝕔𝕙𝕚𝕟𝕘 𝕖𝕝𝕖𝕞𝕖𝕟𝕥𝕤 𝕚𝕟 𝕥𝕙𝕖𝕞𝕤𝕖𝕝𝕧𝕖𝕤 𝕥𝕠 𝕔𝕣𝕖𝕒𝕥𝕖 𝕕𝕚𝕗𝕗𝕖𝕣𝕖𝕟𝕥 𝕡𝕣𝕖𝕤𝕖𝕟𝕥𝕒𝕥𝕚𝕠𝕟𝕤 𝕠𝕗 𝕥𝕙𝕖 𝕨𝕒𝕥𝕖𝕣𝕔𝕠𝕝𝕠𝕦𝕣, 𝕥𝕙𝕖 𝕕𝕚𝕘𝕚𝕥𝕒𝕝 𝕧𝕚𝕤𝕦𝕒𝕝 𝕨𝕠𝕣𝕜𝕤 𝕚𝕟 𝕨𝕒𝕪𝕤 𝕔𝕠𝕞𝕡𝕝𝕖𝕥𝕖𝕝𝕪 𝕔𝕠𝕟𝕥𝕣𝕒𝕣𝕪 𝕥𝕠 𝕥𝕙𝕖 𝕟𝕒𝕥𝕦𝕣𝕒𝕝 𝕞𝕠𝕕𝕖𝕤 𝕠𝕗 𝕓𝕖𝕙𝕒𝕧𝕚𝕠𝕦𝕣. 𝕎𝕙𝕒𝕥 𝕞𝕚𝕘𝕙𝕥 𝕒𝕡𝕡𝕖𝕒𝕣 𝕒𝕟 𝕖𝕒𝕤𝕪 𝕔𝕣𝕖𝕒𝕥𝕚𝕠𝕟, 𝕔𝕠𝕦𝕝𝕕 𝕡𝕠𝕤𝕤𝕚𝕓𝕝𝕪 𝕥𝕒𝕜𝕖 𝕪𝕠𝕦 𝕠𝕟 𝕒𝕟 𝕙𝕠𝕦𝕣𝕤 𝕝𝕠𝕟𝕘 𝕞𝕖𝕒𝕟𝕕𝕖𝕣, 𝕕𝕚𝕤𝕔𝕠𝕧𝕖𝕣𝕚𝕟𝕘 𝕟𝕖𝕨 𝕤𝕖𝕔𝕣𝕖𝕥𝕤 𝕠𝕗 𝕝𝕚𝕘𝕙𝕥, 𝕞𝕒𝕥𝕙 𝕒𝕟𝕕 𝕡𝕣𝕠𝕘𝕣𝕒𝕞𝕞𝕚𝕟𝕘, 𝕠𝕟𝕝𝕪 𝕟𝕒𝕥𝕦𝕣𝕒𝕝 𝕗𝕠𝕣 𝕥𝕙𝕖 𝕔𝕠𝕞𝕡𝕦𝕥𝕖𝕣 𝕚𝕥𝕤𝕖𝕝𝕗. 𝕋𝕙𝕚𝕤 𝕛𝕠𝕦𝕣𝕟𝕖𝕪 𝕚𝕤 𝕒 𝕡𝕚𝕖𝕔𝕖 𝕠𝕗 𝕥𝕙𝕖 𝕒𝕣𝕥 𝕚𝕥𝕤𝕖𝕝𝕗. 𝕋𝕙𝕖 𝕔𝕠𝕞𝕡𝕦𝕥𝕖𝕣 𝕚𝕤 𝕔𝕣𝕖𝕒𝕥𝕖𝕕 𝕥𝕠 𝕡𝕒𝕟𝕕𝕖𝕣 𝕥𝕠 𝕙𝕦𝕞𝕒𝕟𝕤, 𝕪𝕖𝕤, 𝕓𝕦𝕥 𝕥𝕙𝕒𝕥 𝕞𝕒𝕜𝕖𝕤 𝕚𝕥 𝕤𝕠𝕞𝕖𝕥𝕚𝕞𝕖𝕤 𝕞𝕠𝕣𝕖 𝕚𝕝𝕝𝕠𝕘𝕚𝕔𝕒𝕝 - 𝕒𝕤 𝕥𝕙𝕖 𝕔𝕣𝕖𝕒𝕥𝕠𝕣𝕤 𝕠𝕗 𝕒 𝕔𝕠𝕞𝕡𝕦𝕥𝕖𝕣 𝕥𝕠𝕠𝕝 𝕤𝕠𝕞𝕖𝕥𝕚𝕞𝕖𝕤 𝕗𝕒𝕚𝕝 𝕥𝕠 𝕞𝕒𝕜𝕖 𝕚𝕥 𝕣𝕖𝕞𝕚𝕟𝕚𝕤𝕔𝕖𝕟𝕥 𝕠𝕗 𝕡𝕙𝕪𝕤𝕚𝕔𝕒𝕝 𝕞𝕒𝕟𝕚𝕡𝕦𝕝𝕒𝕥𝕚𝕠𝕟 𝕒𝕟𝕕 𝕥𝕙𝕖 𝕞𝕒𝕔𝕙𝕚𝕟𝕒𝕥𝕚𝕠𝕟𝕤 𝕠𝕗 𝕥𝕙𝕖 𝕥𝕠𝕠𝕝𝕤 𝕨𝕚𝕝𝕝 𝕖𝕟𝕕 𝕦𝕡 𝕚𝕟 𝕥𝕙𝕚𝕤 𝕝𝕚𝕞𝕓𝕠 𝕓𝕖𝕥𝕨𝕖𝕖𝕟 𝕦𝕤𝕖𝕗𝕦𝕝 𝕗𝕠𝕣 𝕥𝕙𝕖 𝕔𝕠𝕞𝕡𝕦𝕥𝕖𝕣 𝕒𝕟𝕕 𝕦𝕤𝕖𝕗𝕦𝕝 𝕗𝕠𝕣 𝕥𝕙𝕖 𝕙𝕦𝕞𝕒𝕟, 𝕓𝕒𝕣𝕖𝕝𝕪 𝕨𝕠𝕣𝕜𝕒𝕓𝕝𝕖 𝕥𝕠 𝕓𝕠𝕥𝕙. 𝕊𝕠𝕞𝕖𝕥𝕙𝕚𝕟𝕘 𝕟𝕖𝕨.

exeskesque

Mirror mysteries. Unpublished (as of now)

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