The BEST trope is when a character tells another “let’s run away together, we can leave all of this behind and start a new life somewhere” and gets rejected. And then the rest of the tragedy unfolds
The makers of Kinktober 2025 are back again with a brand new list! The graphics are once again created by latte-cucumber. Check out our AO3 collection, or keep reading for more information.
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Kinktober is a kinky October prompt challenge that’s been running in one form or another since 2016. There are three prompts for each day in October, and the challenge is to use one (or more!) of the prompts to create something for that day. If you don’t want to use any of the three daily prompts, you can swap them out for the bonus prompts at the bottom of the prompt list.
If you have any questions, check our FAQs. Unfortunately, due to personal commitments, we won't be opening our askbox for questions this year. We've made it as rules-light as possible, though, so if your question is "Can I do this?", the answer is almost certainly yes!
Your action hero just got shot in the shoulder, stitched it up in a motel bathroom, and is now running through a forest. I need you to know that a shoulder wound severs muscle, nerves, and sometimes bone, and the human body's response to that is not "mild wincing followed by full range of motion." here is what injuries actually do to peoplee...
⊹ Adrenaline is REAL and it does allow people to do extraordinary things immediately after injury, BUT it is a loan, not a gift. you borrow the function and you pay it back later with interest. Your character might genuinely be able to run for twenty minutes after being stabbed. and then the adrenaline drops and everything the body was delaying arrives all at once. the collapse is NOT weakness. it's biology collecting its debt. write the debt collection. it's more interesting than the heroic sprint anyway.
⊹ Blood loss changes cognition before it drops you. you don't go from "fine" to "unconscious." you go through a whole middle stage of confusion, poor decision-making, emotional dysregulation, a strange calm, tunnel vision, difficulty forming sentences. Your injured character making a bad call, saying something they normally wouldn't, becoming suddenly and inexplicably gentle--that's blood loss. use the middle stage. it's dramatically rich and almost nobody writes it.
⊹ Recovery has a timeline and the timeline is long and boring and inconvenient to plot. a broken rib takes six weeks and during those six weeks sneezing is a genuine emergency. a concussion means no screens, no reading, no bright lights, and symptoms can persist for months. a stab wound to the abdomen means weeks of infection risk, limited mobility, and a specific kind of exhaustion that has nothing to do with sleep. Your character being sidelined and frustrated and useless for a long time is not a narrative problem. it's the story.
⊹ Pain also affects personality in ways writers skip. chronic pain makes people short-tempered and then guilty about being short-tempered. it makes concentration difficult. it makes intimacy complicated, both emotional and physical. a character who was patient and warm before their injury and is now snappy and withdrawn is not a character regression. they're in pain. pain is exhausting in ways that don't show on the outside. the people around them noticing and not knowing how to help is a whole story in itself.
functionally suicidal character saying “I would die for you” to their significant other and its like. I get the sentiment, honey, but if a hot dog vendor told me he’d sell hot dogs for me, I wouldn’t feel very moved now would I
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