âA concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.â      â    Gilles Deleuze

#extradirty

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TMBGareOK. The Official They Might Be Giants tumblr

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macklin celebrini has autism
occasionally subtle
YOU ARE THE REASON
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NASA
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cherry valley forever
Show & Tell
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Cosimo Galluzzi

Love Begins

⣠Chile in a Photography âŁ

Game Changer & Make Some Noise
taylor price

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@eyethink
   âA concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.â      â    Gilles Deleuze
[ Grant Morrison Disinformation lecture on magick and the Universe. ]
[ Alan Moore ]
Alan Moore on Magic & Art.
12 track album
Alan Watts - The Tao of Philosophy (Full Lecture)
Philip K Dick on his mystical experiences
â David Mitchell
Alan Watts breaks down what's wrong with the world (1970)
Excerpt Uncle Meat
Zizek -Â
Examined Life
â Iannis Xenakis
â C.W.Mossholder
AIR AND LIGHT AND TIME AND SPACE
ââ you know, Iâve either had a family, a job, something has always been in the way but now Iâve sold my house, Iâve found this place, a large studio, you should see the space and the light. for the first time in my life Iâm going to have a place and the time to create.â
no baby, if youâre going to create youâre going to create whether you work 16 hours a day in a coal mine or youâre going to create in a small room with 3 children while youâre on welfare, youâre going to create with part of your mind and your body blown away, youâre going to create blind crippled demented, youâre going to create with a cat crawling up your back while the whole city trembles in earthquake, bombardment, flood and fire.
baby, air and light and time and space have nothing to do with it and donât create anything except maybe a longer life to find new excuses for.
Jello Biafra, singer of Dead KennedysÂ
ââI DONâT SEE YOU BECAUSE I THINK YOU ARE SUPPOSED TO BE TRANSPARENTâ: GLITCH AS CRITICISMâ, BY DAN THORPE
[helvetica 12] As artists, we often feel that what we are allowed to say is limited by our political, economic, and social situation: whether the scene will like it, whether the government will allow it, or what our mum would say. However, in [e backspace cmd+i]Â Excitable Speech [cmd+i], Judith Butler frames [censorship backspace] limitation as a means of production; a field of circumscribed possibilities preceding cultural expression. The framework in which the creative process takes place is designed to produce art according to explicit[y backspace] and implicit norms: â[cmd+i]The question is not what it is I will be able to say, but what will constitute[d backspace] the domain of the sayable within which I will be[hin backspace]gin to speak at allâ.[i] [cmd+i cmd+s filename: ~/Documents/liftedbrowcommish.docx]
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Dan Thorpe from Adelaide who I met when I taught a class at the University of Adelaide just wrote this article. : )Â