Hot take maybe but I HATE how ppl portray nanami as a willing workaholic. Like this is Mr. âThe corporate world sucks so bad I would rather risk my life fighting curses on a regular basis than sell one more stock.â Mr. âIâm not working this mf overtime.â Like. He wears a cheetah print tie to work are we serious đđ
Riff x Anitaâs Sister! Reader Tony and Mariaâs less well-intentioned friends. warnings: period-typical racism summary: you go to your first dance in New York! it does not go as planned. a/n: ok wow so this took FOREVER. mbbb, but thank you guys for all the love on this series !! (esp you, @isthisphildumpster)
prev
The gym is full of light and color and brass. You canât keep the grin off your face as you look around. The floor is full of dancers, their energy lively and infectious. You tighten your grip around Manoloâs arm in anticipation. Youâre drawn up short. You peek over Chinoâs shoulder to find Bernardo bickering with a Jet. With a roll of your eyes, you tug Manolo onto the floor.
âSin miedo,â you tease with a grin, âque no muerden.â
He scoffs at you and does a bad job of keeping the smile off his face. You liked Manolo. Not that way. The two of you had too much and too little in common. You shared smart mouths and a neighborhood, even before coming to the States. But heâs like Bernardo, thinking you need to be protected, believing the way to do it is a pissing contest with the Jets. But if you donât get too deep, heâs good company. And a damn good dance partner.
Javiâs band plays something bright and mounting. You move out onto the floor, ignoring stares and steering around couples in blue. When you reach the far end of the gym, you notice Bernardo and Anita dancing in the center. You grin at the familiar sight, cheering them on with your neighbors. You and Manolo find a place on the floor and your step, but itâs not long before he stills.
You turn to see what heâs looking at, and your brain stalls.
Because in the center of the floor, smirking and taunting Bernardo, is the boy from the shop.
You turn to Manoloâ maybe to tell him to relaxâ when the tension in the gym snaps. He sidesteps you to rush to the line with the other sharks with nothing but a squeeze of your shoulders.
Your jaw drops indignantly. No sooner do you open your mouth to yell after him than a whistle pierces the air. You push through the crowd for a look. Itâs a cop, breaking up the fight. Between his accent and the noise, you canât make out his words but an organizer follows him. You half listen to the manâs instructions as you look for Manolo.
You tap his shoulder a little harder than necessary and give him an acidic smile. You take a moment to appreciate the look of understanding on his face before you turn back to the center of the floor.
ââall youse fall in!â
For a moment, thereâs silence. Then: Bernardo, sauntering in and holding his hand out. Anita makes a show of joining him, and you smile. Your sister had been the life of every party you could remember, and youâre glad sheâs here to brighten this one.
After a beat, the boy peels off from the crowd on the gringo side of the gym. His date is beautiful. Sheâs got blonde curls and red lipstick and long legs like a character in the movie youâd seen with Maria your first week in America.
In a second, you canât see her anymore as couples from both sides shuffle to line up. You shoot Manolo a look and take him by the hand. He follows and youâre grateful, even though he likely wouldnât if Bernardo werenât on the line.
You look around for Maria and frown when you see her on the sidelines, two feet from Chino. You start to nod her over, but the music begins to play.
You look left and right as you walk, watching as men and women alike stare at those passing by.
The music comes to a halt. The silence thickens as couples size each other up. You look up into the face of your supposed dance partner. It takes you a beat to recognize him like this, but when you do, your eyes widen to an indignant glare. âYou.â
Riff gets that feeling he gets when heâs dancing. Like the energy humming under his skin has harmonized with all the music and movement in the room. He grins. âMe.â
Both of you turn when you hear Anita call the band. Riffâs smirk deepens. You grin at the familiar sight. The music kicks back into gear and you feel a hand on yours. Before you can even turn your head, Manoloâs pulling you back in.
The grin doesnât leave your face as you dance. The whole experience is as gleeful as it is competitive until your mind drops away to the music. You stay like that, delighting in the rhythm until you hear a thud from the corner of the gym. You turn to see a white boy, flat on his ass, Bernardo glaring down at him.
Oh no.
You slip away from Manolo in the next second. Your neighbors and friends rush all around you toward the scene. You canât hear clearly over the crowd but what you can catch isnât good.
âQue pasĂł?â You hiss at Anita, having pushed through.
âMaria estaba detrĂĄs de las gradas con ese muchacho.â
Your eyes widen, but before you can ask Maria what happened, you see Bernardo draw his fist back.
The boy from the malt shop appears out of nowhere. He slips between Bernardo and this boy in a second, speaking lower and steadier youâd ever expect him to, and just like that, heâs walking away, two jets trailing behind him.
Bernardoâs shoulders are square; the other sharks are back on edge as they start in the same direction as the boy in blue.
Youâre following them before you know it. You ignore Anita when she calls your name.
You snatch at sleeve. âBernardo-â To your relief, he actually stops. You look from the sharks to the jets and back to him. âQue estas haciendo?â
He only sets his jaw and shakes his head. âNo te metas.â He tries to turn back but you plant yourself in front of him.
âQue haces?â
âVoy a enseĂąar a estos comemierdas que no nos pueden faltar el respetoââ
âNo seas estĂşpido, estĂĄ lleno de policĂaââ
âNos salgamos, pues.â
âTu te crees gringo?â
He glares at you, bewildered. âQue-â
âTu crees que te van a tratar como ellos? Que te van a meter en una celda por unas horitas y asĂ no mas? Si te encuentran, te van a matar.â
You watch him falter for one precious second. He shakes his head. âYa basta y/ââ
âTu quieres a Anita?â
He scoffs your name, his patience thinning.
âLa quieres?â Your eye snags on the cross around his neck. His motherâs. For a moment, you stare at that cross and you pray.
A beat. âMas que nada.â The words are so quiet you can barely hear him.
âEntonces no la dejes,â you press, âmĂrala.â You turn to look at her yourself. Sheâs watching you both intently, just out of earshot. âY mira a MarĂa.â She looks over her shoulder as Chino walks her out, worry vivid on her face. You felt terrible. Her first night out in America, now such a mess. âTe necesitamos. Tu quieres perder tu dignidad, a lo menos, a estos gringos?â
He just stares back at you, his expression unreadable. Then, he pulls away. Turns his back. Your heart sinks to your shoes as he steps back toward Quique and Braulio.
But he shakes his head. âNo vale la pena.â
Your shoulders drop in relief. They press him, of course they do, but you know theyâll listen.
It was like you were haunting him. Like this whole night had been some sort of payback for that cup of coffee. And youâd been so sneaky about it, too. He hadnât noticed you come in. Heâd just waltzed around that lousy circle, and there you were.
Heâll admit that he wouldnât have minded dancing with you. Itâd be fun to take you for a spin, see if all that about Latin girls was actually true. But then the music kicked back into gear and he lost sight of you.
Well⌠sort of.
It seemed to him that every time he looked up from Graz he saw you, like scratching an itch without realizing.
But the scene with Tony and Bernardo had wiped his mind clean.
You were there again. He was checking behind him for Tony, shoulders square, ready to goâ and there you were. In Bernardoâs face, speaking in hushed, serious-sounding Spanish. Whatâs more, he actually seemed to be listening to you.
He pulled his gaze away. It didnât matter right now. He needed Tony if they were negotiating a rumble, especially after he pissed off the Sharks even more, but he wouldnât come. He watched his friendâ his best friendâ shake his head and turn away.
All thereâs left to do is go to the head. He stalks into the small tiled room, jaw clenched tight enough to crack a tooth. He forces all his frustration into a cold focus, an easy, formidable calm.
He and his boys stand there and wait.
And wait.
And wait.
Ice sighs. Riff snaps at Action to stop pacing. Riff lights a cigarette, and nobody calls it the nervous tic that it is.
Over fifteen minutes pass before they get the sense to leave the bathroom. Riff hurries out, questions and demands waiting on his tongue when he stops.
Bernardo is not outside the bathroom. A look around the room says heâs not anywhere, not him or his girl or his sister.
Something ainât right.
He forces off the unease and laughs. âHeâs chicken.â Action starts to argue, but Riff cuts him off. âWeâll see him again. And next time his old lady wonât be there to drag him off,â he assures.
It takes some doing, but Action and Ice make their way back to the floor. Riff canât spot Graziella, or doesnât want to. He feels spring loaded, with no trigger to release him. He slips out the gymnasium doors.
The nightâs cool, a relief from the heat of the day and floor inside. Heâs got another cigarette halfway to his mouth when he spots you. Your back is turned as you walk away from the gym, but he recognizes that dress. All of a sudden, he remembers what he saw: you, whispering harsh at Bernardo; him, starting to listen.
Part 2 of gojo and his crush as requested đ¤ @pickledsoda @sleepymooooon
âQuit going easy on me!â
Gojo laughs and darts out of your range. âRelax. I donât wanna kill you.â
You almost snarl in your irritation, but you keep coming. âIf you wanted me dead Iâd be dead, Gojo, stop dancing and fight!â
âThis isnât dancing,â he drawls back. Then, unnervingly close, right behind you: âI can show you if you like.â
You turn to hit him and stumble when he sidesteps you. âLooks like you need it,â he snickers.
You are regretting the decisions that led you here. Youâd begrudgingly agreed to spar him, all in the interest of getting stronger. After all, insufferable as he is, you canât deny that heâs skilled. You forgot, however, that his favorite skill is ragebaiting.
You turn and attempt a backhand, but heâs faster. âCome on,â he entreats, just out of reach, âlet me take you out!â
âLet me take you out,â you retort.
He falters for half a second.
Thatâs all it takes for you to reach him.
You hook your leg behind his ankle, sending him on his back. You come down on him and your hands find his throat. He didnât even have limitless on?
You can feel your heart pounding with the exertion, but itâs nothing compared to how satisfying this feels. âNow, are you gonna take this seriously?â you pant.
You feel him swallow under your palms. He nods mutely, and you grin.
âYou wanna get off of me now?â He needs you on your feet now, before you shift a couple inches lower and discover he means everything heâs said to you.
You laugh a little breathlessly. âSure.â You lift your handsâ
And they do not move.
You try to move your leg from his side. Same problem.
âGojo.â
âHm?â It comes out ridiculously high pitched.
âI canât move.â
âWhat-?â He has to take his sunglasses off. He squints, forcing himself to tune out your cursed energy and focus on the current of his. He canât quite believe what he finds. You were stuck inside limitless. Caught within the bounds of the technique when it activated. He nearly groans.
âRight, umâ just give me a second.â He shuts his eyes. Has to. He canât exactly force himself to let you away from him when you look like that.
thinking ab third year satoru gojo and his crush heâs just a little scared of.
You hit the ground with a grunt, knocked over once more by the cursed corpse you were sparring. You were regaining your footing when you heard that agitating voice a ways off:
âI could always give you some pointers, yâknow!â
You donât take your eyes off the corpse as you call back. âIn your dreams, Gojo.â
He just grinned. You bet.
To your utter dismay, he sat himself down on the edge of the field. âIâm just saying,â he shrugs, âyou gotta beat the best to be the best.â
You roll your eyes and nearly dodge too late. âYouâre a range fighter anyway.â
âNot true!â He laughs. You hear the sound grow closer. Before you can turn to look, he strides upâ
And blows a hole through the cursed corpse. âI can be very versatile,â he drawls just a little too close to your ear.
You stop short, dropping your arms when it stays down. You whirl on him with a huff. âI was using that!â
Still that same, insufferable smile. âWhy would you when youâve got something better?â
You scoff. âFuck off, Gojo.â
He just follows you. âHow many times do I need to tell you to call me Satoru?â
âNone, Iâm not going to.â
He leans closer. âCâmon, whatâs the issue? You like being weak or something?â
You stop walking. Turn slow. ââScuse me?â
Satoru feels his heart skip a beat. Now weâre talking. âYou heard me. Youâd be a lot better by now if youâd just use your resources.â
You arch a brow at him. âAnd youâre my resources?â
He straightens and steps closer to you with a grin. âIâm at your service.â
âYouâre full of shit.â
He shrugs. âSuit yourself. Guess you just want me to keep coming to your rescue.â
You narrow your eyes at him. Well, if heâs asking for itâ You reach up to smack him upside the head.
And your hand stops.
Infinity.
Itâs like pushing repellant magnets together. You stare at the gap between your palm and his face. Gojo looks as surprised as you are. You let out an irritated laugh. âItâs like that?â
âUhââ Satoru tries to come up with something. He does!
But he canât turn it off.
After another moment, you draw your hand back with a roll of your eyes. âWhatever, man.â You walk past him. âSee you in class.â
Satoru watches you go, at a complete loss.
Just when he feels he couldnât be more embarrassed, Suguru steps up next to him. Heâd witnessed the whole interaction, and approached to get a better look at the thousand yard stare on Satoruâs face.
âI canât believe I just got cockblocked by my own technique.â
Suguru side-eyes him. âShe was trying to hit you.â
âShe was going to touch me.â
He shakes his head, following his gaze. âThis is getting seriously pathetic, Satoru.â
a/n: I started season two of jjk last week and when they mentioned how gojo subconsciously uses limitless based on what he perceives as a threat I got to thinking⌠also I swear Iâm working on wings school has just been kicking my ass but itâs coming !!!
Tbh this was inspired by me watching jjk and realizing that as fine as he is, Gojo would PISS ME OFFFF irl. Like Iâd still want him but Iâd be so mad about it.
thinking ab third year satoru gojo and his crush heâs just a little scared of.
You hit the ground with a grunt, knocked over once more by the cursed corpse you were sparring. You were regaining your footing when you heard that agitating voice a ways off:
âI could always give you some pointers, yâknow!â
You donât take your eyes off the corpse as you call back. âIn your dreams, Gojo.â
He just grinned. You bet.
To your utter dismay, he sat himself down on the edge of the field. âIâm just saying,â he shrugs, âyou gotta beat the best to be the best.â
You roll your eyes and nearly dodge too late. âYouâre a range fighter anyway.â
âNot true!â He laughs. You hear the sound grow closer. Before you can turn to look, he strides upâ
And blows a hole through the cursed corpse. âI can be very versatile,â he drawls just a little too close to your ear.
You stop short, dropping your arms when it stays down. You whirl on him with a huff. âI was using that!â
Still that same, insufferable smile. âWhy would you when youâve got something better?â
You scoff. âFuck off, Gojo.â
He just follows you. âHow many times do I need to tell you to call me Satoru?â
âNone, Iâm not going to.â
He leans closer. âCâmon, whatâs the issue? You like being weak or something?â
You stop walking. Turn slow. ââScuse me?â
Satoru feels his heart skip a beat. Now weâre talking. âYou heard me. Youâd be a lot better by now if youâd just use your resources.â
You arch a brow at him. âAnd youâre my resources?â
He straightens and steps closer to you with a grin. âIâm at your service.â
âYouâre full of shit.â
He shrugs. âSuit yourself. Guess you just want me to keep coming to your rescue.â
You narrow your eyes at him. Well, if heâs asking for itâ You reach up to smack him upside the head.
And your hand stops.
Infinity.
Itâs like pushing repellant magnets together. You stare at the gap between your palm and his face. Gojo looks as surprised as you are. You let out an irritated laugh. âItâs like that?â
âUhââ Satoru tries to come up with something. He does!
But he canât turn it off.
After another moment, you draw your hand back with a roll of your eyes. âWhatever, man.â You walk past him. âSee you in class.â
Satoru watches you go, at a complete loss.
Just when he feels he couldnât be more embarrassed, Suguru steps up next to him. Heâd witnessed the whole interaction, and approached to get a better look at the thousand yard stare on Satoruâs face.
âI canât believe I just got cockblocked by my own technique.â
Suguru side-eyes him. âShe was trying to hit you.â
âShe was going to touch me.â
He shakes his head, following his gaze. âThis is getting seriously pathetic, Satoru.â
[pt 2?]
a/n: I started season two of jjk last week and when they mentioned how gojo subconsciously uses limitless based on what he perceives as a threat I got to thinking⌠also I swear Iâm working on wings school has just been kicking my ass but itâs coming !!!
Thinking about art donaldson with a stem major readerâŚ
âYouâre coming on Friday, right?â
You donât lift your head. âTo your match?â
âYeah.â
âCourse.â
This had become a routine for you two. Artâs roommate was always out, and you found the lounge in your hall to be downright depressing, so you always found yourself here. On your stomach in front of your homework on Artâs twin xl while busied himself at his desk, watching film from a match or doing work of his own.
It was a total fluke, the way you met. Partnered for an assignment in some gen ed, when you both surprisinglyâ at least to youâ hit it off. You knew next to nothing about tennis. You couldnât say what division Stanfordâs athletic teams played in. But one day, you decided you wanted to come out and support your friend, get involved the way your professors had kept telling you to do.
Art won that match in straight sets. When you came to find him afterward, he was beaming wider than you had ever seen him do. That night, he excitedly explained every nuance of every point in the game over fries at a local diner. He refused to let you payâ even though you were technically celebrating his winâ insisting that his grandmother would be affronted if she knew heâd let a young lady cover him. It would be the first, but far from the last time he used his poor grandmother to get away with something.
Since then, he considered you his lucky charm. Which meant, of course, that he needed you at every match. And he was persistent. Heâd get you there if it meant he had to buy you food, guilt trip you, beg on his knees (once very publicly and very embarrassingly, in the quad).
You thought he was ridiculous, but he was convinced. He justified it with all kinds of bullshit, your zodiac sign, the colors you liked to wear, the spot you liked in the bleachers, anything became evidence.
Today, your eyes cross a problem in your physics textbook and you smile. âYou know I canât watch your matches anymore without seeing vectors?â
He looks over and cocks his head at you. âWhat?â
Your smile deepens at his confusion. You nod at your textbook. âA bunch of these problems have to do with tennis.â
âReally?â He scoots closer, leaning in to look at the page. âWhat about it?â
âWell itâs velocity, momentum-â then your head snaps up. âActually, can I explain the whole thing? Iâve got a quiz next week.â
Art nods again and sits back. âGo ahead.â
âAlright, so-â
Art tries his hardest to pay attention. He really does! Itâs not even all that hard to follow; itâs first year stuff he half-learned in high school already, and youâve always been good at explaining things. Heâs sure heâd get if he were listening.
But something about your voice makes it hard. Heâs more focused on the sound than the form, your words escaping him in your tone like fish through a river. Then thereâs the way you talk with your handsâ fingers moving to trace the arc of an imaginary ball. And your face. Eyes bright, fully invested. He could sit like this all day.
You laugh, and he tries to zone back in. Something about a spherical cow? You shake your head. âBut yeah, thatâs it.â
He nods along like he has been. âThatâs.. very enlightening.â
You laugh again. You must think heâs an idiot. He canât say he minds.
âHey, maybe for my next exam we could get one of those speed guns, you could hit a few, and I could practice calculating position,â you joke.
He smiles at the thought. âItâd make good practice,â he agrees.
You smile and settle back onto the bed to finish your work. Art watches you until he feels too much like a creep.
â
a/n: this was supposed to be shorter⌠not our regularly scheduled programming but I was doing physics hw and I kept getting tennis ball problems so here we are. enjoy !
Riff x Anitaâs Sister! Reader Tony and Mariaâs less well-intentioned friends. warnings: period-typical racism summary: you rant to Maria about your day at work while Riff finds himself distracted a/n: this is sort of a lame bridge chapter so sorry about thattt. I did have to force myself to write it, esp because Iâm back at school. brief heads up for like a single use of y/n. also brief note about my spanish: while I am latina, I am not Puerto Rican, so if you are and you catch anything that looks way off, please tell me ! also also, I thought it would be fun to mirror Tonyâs gut feeling onto Riff as a nod to somethingâs coming đ enjoy !
prev next
You speed-walked home as soon as your shift ended, grumbling as you fumbled with your keys: âlousy fucking- malparido, descarado de mierda-â You toed off your shoes once inside, nearly tripping over one in your haste to get to your room. You breeze past Maria where she sits on her bed to fling yourself onto yours. You muffle a scream into the pillow, kicking your feet like the mattress owes you money.
Maria sets her magazine down, turning to you in concern. She calls over to you. âQue te pasa?â
You sit up with a huff. âOne of those fucking gringos came into the shop,â you start. âEl hijueputa me tira una taza de cafĂŠâ casi me quema el cabrĂłnâ y se va sin pagar! I had to take it out of my tips!â
Her eyes go wide. âAy, Iâm sorry. EstĂĄs bien?â Sheâs looking you up and down, checking if youâve been cut anywhere.
You shake your head with a sigh. âFine. Just- annoyed.â You flop back on your bed, glaring at the ceiling like you can see his face in it. âEstĂĄ bien. Pero la prĂłxima vez que vea a ese comemierda, me va a conocer,â you resolve.
You hear a little snicker and your head snaps to the side.
âYou sound like Bernardo,â Maria teases.
You gasp and throw a pillow at her. âDonât say that to me!â It only makes her fall back laughing until you canât help joining in. âAlright, alright,â you roll back, âthe gringo will live another day.â
âThank you,â chides Maria, âwe donât need anyone else starting problems. Especially not at the dance tonight.â
You lift your head. âI almost forgot about that.â
Maria sighs. âI havenât. Iâm excited, pero-â she huffs wistfully. âAnitaâs making me wear white. Like a baby.â
You frown sympathetically, about to answer before you both hear the door.
âHello,â calls Anita.
âSpeak of the devil,â you remark back at Maria. You leave the room to greet her, leaning against the doorframe. âHola, Anita,â you lilt.
âEnglish,â she reminds you, âwe need to practice for tonight.
You roll your eyes lightly. âHello,â you amend, exaggerating an American accent.
She shoots you a look, half smiling as she sets her things down. âFunny. How was work?â
You suppress a grimace. âFine.â You knew what sheâd say if you told her about the boy and the coffee. Just ignore it. They think they can get to us. Prove them wrong. So you redirect. âHowâs the shop?â
âThe usual. It was busy today,â she replies absently, now fidgeting with her hair in the mirror. She huffs, not yet satisfied with her reflection. âI am going to get ready,â she decides. She glances back at you and Maria. âYou girls should do the same,â she advises.
Anita had long been you and Mariaâs foremost example on all things womanhood. So, if she said you should all start getting ready, that was that.
Turns were taken with the shower. You bickered with Anita over her hogging the rollers. Bernardo came home, got dressed, and went off to fetch Chino and Manolo. Before you all knew it, Maria was sulking over her dress as you pulled yours on. âHow come y/n gets to wear red?â She protested to Anita as she laced up her dress.
ây/n made that dress herself,â she replied. She took a second glance at you, narrowing her eyes. âAnd last time I saw it, it was white.â
You give her an innocent smile. âI only used a little dye,â you insist, âto make it fun!â
She gives you a hum. âNot too much fun,â she warns lightly.
Your jaw drops in a feigned look of offense. âMe? Never!â
âAja,â she laughs. She looks back to Maria, an idea forming. She puts her belt around her waist.
You smile as you watch Maria beam at the mirror, twirling and insisting Anita had saved her life.
You almost thought youâd gotten away with the dress.
When Bernardo comes home, boys in tow, he of course starts by bickering with his sister. You watch them fondly. You make the mistake of laughing, drawing Bernardoâs attention. He pauses when he really gets a look at you. Turns to Anita, âMi amor?â
She hums.
âTu no crees que ella se ve-â
She lifts a brow and the words freeze in his throat. But he tries again.
âUn poco-â
âSpeak English,â she reminds him.
He huffs at the correction and the realization that heâs not winning this one. âFine.â He turns back to you. âBut remember that what I said goes for you too. El primer gringo que te falta el respeto-â you smile and Anita laughs, ushering him out the door. You find Manolo to follow them and grin when you turn to find Maria putting on lipstick.
Riffâs got a bad feeling. Itâs uncanny, but he canât put his finger on it. Heâs jittery, restless like right before a fight, but itâs heavier. Sticky and deep like he chased hard liquor with an entire milkshake.
Maybe it was Tony. After all, he hadnât agreed to come to the dance, much less negotiate with the Sharks, and the Jets were still expecting him. But that wasnât it. Riff had been worried about losing Tony since the day he went upstate. That feeling had become constant and easy to ignore as a mosquito by your ear. No, it wasnât that.
He wasnât afraid of the Sharks. They were a gang like any other, and the Jets would clear âem out like every other. It wasnât that.
Riffâs thoughts stray, not for the first time this afternoon, to that girl. The waitress whoâd replaced Marcie. The curl of her accent and the color of her eyes and that look on her face.
The look was familiar, if nothing else about her was. It follows him wherever he goes. Heâs seen it on cops, clerks, and lately, spics: that goddamn, uppity, âyouâre not worth my timeâ look. Itâs got the immediate effect of making him wanna give the looker something to look at.
But none of that changes what heâs feeling now. Like someoneâs holding his breath for him, like somethingâs just hanging over him, too far up to see.
But he shakes it off. Just girls sipping punch, he reminds himself. And speaking of, heâs still gotta meet Graziella. He looks in the mirror one last time and takes a breath.
Riff x Anitaâs Sister! Reader Tony and Mariaâs less well-intentioned friends. warnings: period-typical racism summary: one month after moving to america, you find yourself up close and personal with one of those jets your sisterâs boyfriend keeps talking about. a/n: ok so formatting is actually really hard. Also, I will try to avoid use of y/n in these as much as possible. Iâm off to a good start because thereâs none in here đââď¸ hope you all enjoy !
next
You thought you knew what malt was before you took this job. Youâd perked up when you saw the ad in the paper: âMalt Shop Hiring.â Finally, something familiar.
But, when you showed up after the owner begrudgingly hired you and you saw ice cream and a soda fountain in place of the beverage you were so familiar with, things became clearer.
Malta. Malt. They should be the same thing. Son la misma puta palabra.
But you suppose itâs not so bad. You could be like Maria, stuck working night shifts and still waking up to do house chores in the daytime. The shop isnât even all that different. You can work a counter! Just as soon as you figure out the soda spoutsâŚ
Youâre cleaning a glass and humming along to the radio when the bell on the door rings. Itâs a boy about your age. Blue shirt, sleeves rolled up on thin, lean arms. Scar on his left cheek.
Not that you were looking. And if your smile wasnât entirely motivated by politeness, thatâs your business.
He strides up to the counter. Looks left and right and finally at you, his head cocked lightly. âWhereâs Marcie?â
You blink at him before your brain catches up. âAh, she moved, so I have her old shift now.â Your boss had been complaining about it when he trained you. âBut, what can I get you?â
He narrows his eyes. âI dunno,â he replies with a shrug as he slinks onto a stool, âwhaddya got?â
You nod lightly and start rattling off the menu, but Riffâs not listening to a word of it. The more you talk, the surer he is. Itâs in your vowels, in your pause before the letter s, in the way you say ah instead of um. Youâre one of them.
When you come to a stop he hums. âYou sure you didnât have trouble readinâ all that? Seeinâ as itâs in English and all.â
You go still. Your expression shutters. It had to happen sooner or later. Better here and now than in some dark alley. Anita had prepared you for this.
âIâm speaking to you in English,â you remind him evenly.
âNot real good.â
âReal well,â you correct.
His brows furrow. âHuh?â
âYou mean real well. Are you sure you speak English?â
If you were someone else, somewhere else, maybe he would have laughed. He liked a girl who bit back. But all he can think about is how you sound like every teacher whoâs ever told him to talk right, and how you must have a lovely, boring mother at home who taught you that.
ââM sure I could teach you some manners,â he spits, leaning a little more heavily on the counter, âyou allowed to talk to customers like that, girly?â
âCustomers buy things,â you chime.
âI want a cup of coffee,â he follows up, watching you with an infuriatingly smug expression. Your eye twitches. He finds he enjoys the sight.
You grit your teeth. You nod tightly. âRight away.â Youâre both wary of turning your back and grateful you donât have to look at him as you fetch the pot. You set the mug down maybe a little harder than necessary and pour him a cup. Your smile is now a thinly veiled insult.
He doesnât take his eyes off you as he flicks the mug over. You barely dart back in time to avoid getting burned before it shatters on the floor. âWhoops,â he drawls, voice dry as kindling.
You look from him to the floor and back incredulously. You are well on your way to breaking a few teethâ either his or your own, only time will tell. You take a slow breath. You are better than this. You need this job.
âNo worries,â you grit out, carefully stepping around shards to get the broom.
He watches you all the while. Even leans over the counter when you crouch to clean the spill. âYouâre lucky Iâve got someplace to be,â are his last words. You glance up just in time to see him leave. Relieved as you are that heâs gone, youâre still tense for the rest of your shift.
Although you cleaned the floor to perfection, the spot where the mug fell feels different when you step over it.
started this blog because I realized you truly do have to do things yourself if you want them done.
currently working on a riff lorton x anitaâs sister!reader đââď¸ vibe is they hate each other but they keep meeting while covering for tony and maria. planning on multiple chapters. keep an eye out for tony and mariaâs less well-intentioned friends âźď¸