2025 on Tumblr: Trends That Defined the Year
d e v o n
Jules of Nature
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祝日 / Permanent Vacation
Monterey Bay Aquarium
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art blog(derogatory)
DEAR READER
styofa doing anything
Cosimo Galluzzi
YOU ARE THE REASON
One Nice Bug Per Day
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blake kathryn

#extradirty
Alisa U Zemlji Chuda

Janaina Medeiros

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Aqua Utopia|海の底で記憶を紡ぐ

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@fadedfigurines
childhood math problems
fishbowl
this picture of a baby luxuriating in a stream from an outdoor clothing ad i just saw is such a mood. this baby knows what’s up. this is exactly how i’m trying to be this summer. thank you river baby
rip my 2020 river baby summer 😔
Ge Bei/Ge Ba, Fabrics and rice glue, circa 1950s (1, 2, 3, 4)
The pieces of fabric utilized for these collages were either those that were found in people’s own homes or recuperated from others who threw them away. Back then, old ladies made them at home, at times in each other’s company. Aware of the potential for exquisiteness in their creations, they treated the making ritual as if were a beauty pageant. Sometimes they even included fragments of precious embroidery sewn on silk.
“When I was a kid, my mother was making collages. She always kept aside the cloths she found. When the time came to make it, she first sorted all the cloth on a paper to the right and left to see if the colors were in harmony, then she began to glue them when she was satisfied with the colors. And that’s how a work of art was born. When the weather was nice, the women of the village gathered at the entrance of a house to work together while chatting. And the collage became a real competition between the women. The one who made the most beautiful collage was like a champion who would have won a grand prize for sport.” (San Paolo, Brazil in 2002, Xin Yang, retired director of the Museum of the Forbidden City)
Moldova Sanitarium. Odessa, Ukraine. 1999
Floorworks, 1988 Handmade tiles by Starbuck Goldner Studios
well this truly was A Decade. i loved you. i hated you. goodbye 2010s.
i’m so tired
another room for my series! these are becoming more time-consuming than i previously anticipated, haha.
puppies
Liu Wen by Yuan Gui Mei for T Magazine China, September 2018
Velma Rosai-Makhandia, “The Soul Is A Silent Song” Series
The Soul is a Silent Song sees the Kenyan visual artist and style curator explore abstract ways of depicting the meanings behind African masks. Through mirrors, glass, oblique camera angles and the mask itself, the face of the wearer is obscured, leaving the viewer with a sense of the mysterious boundaries between human and object.
Fernand Lantoine (French, 1878-1955)
Duco Sangharé - Peuhl, 1920-1930
Oil on canvas