Cameo with Medusa, mid-1800s. Attributed to Luigi Saulini, 1819-1883. Sardonyx, gold mount.
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Cameo with Medusa, mid-1800s. Attributed to Luigi Saulini, 1819-1883. Sardonyx, gold mount.
People who haven't seen Madoka Magica might not know this, but both the characters Mami and Homura are magical girls who use guns as weapons. But while Mami's gun are magical, Homura's are literally just normal guns she stole from the government.
i really really love the magical muskets for a really specific reason, which is that blackpowder guns are way older than people think and should 100% be treated with similar mythological weight to swords and spears and stuff at this point, and they should have equal prominence in generic fantasy fiction stuff.
lemme put it this way; european longswords and european cannons are siblings. they emerged at basically the same time in the early 1300s, and when the longsword was at its peak use in the mid-1400s, the musket was beginning to proliferate.
likewise, the 'modern' style of katana only started being made in the century leading up to the introduction of muskets to Japan; in fact, the reason the katana became The Samurai Sword was because it was a small practical blade you could wear while you carried a gun.
if you can picture your setting having a sword you can use with two hands, then you should have hand cannons. if your knights have full plate, then there should be matchlocks. if you have a magical girl with a sabre, then you should have magical girls with flintlocks.
Parallel Metropolis, Yang Yongliang Studio
when Jamil and Najma are scolded
The last one for now, back to Digimon DnD stuff
Parure. Brooch, ear pendants, bracelet, necklace, in 18k gold. 1815/70.
i think something a lot of people don't get is that years of mocking your child, even in jest, does in fact tend to get under their skin
a decade or two of even light verbal harassment is very much accentuated when it's an authority figure you are in every meaningful way subservient to
Official graveyard post
Just this one panel is so heart warming to me. It's a gentleness I didn't (as I'm sure a lot of kids didn't) experience growing up.
Qifrey lets the girls help cut the vegetables because it allows them a say in what/how they eat, that is pure love and care. It's not "you have to help because I'm working hard for you and you should be grateful and earn your place," it's "you can help because I care about the way you experience life and I want you to have autonomy." And you see it on their faces, they're all so happy for this small task. They created a space so safe in that atelier, I'm normal...
omg did you seriously invite the torturer 😐
my favorite genre of fictional character is like "i am terrifying to almost everyone, i'm very good at killing, i can endure anything, i've become exceptionally good at playing into my reputation, and if you try to give me positive social interaction i will react with confusion and cower in a corner like an abused animal. and i may try to shoot you. but there is also a chance i may imprint on you like a feral dog receiving its first loving touch! good luck."
"A marriage ending isn't a failure at all. I spent eleven years with her. We were so in love that we couldn't image life apart from each other. We got our own place, adopted a dog, and supported each other through school. I thought if tow people loved each other enough the rest would fall into place, except... love isn't everything.
And I didn't want to believe that, but we were sitting in counseling one day, talking about our future and I realized we were describing two completely different lives. Where we'd live, what kind of life we wanted, what made us happy. And it hit me that- I love this woman and this woman loved me. And after eleven years of loss, grief, career changes, we were so deeply in love... but we weren't aligned. And I kept thinking 'We just need to try harder. We can find some compromise to make this work,' because that's what you're supposed to do when you love someone, right?
But the reality was, we had just become different people. Her trade school took her in one direction, my graduate degree in another and trying to force us back into who we were five years ago wasn't coming from a place of love. It was coming from a place of fear. Fear that, if this ended, it meant we wasted eleven years. But sitting there across from her, I realized: That's not how love works.
Those eleven years happened. They were real. The dog, our home, showing up for each other through grad school and trade school. I wouldn't change a single thing because loving someone doesn't mean you're meant to stay with them forever. And letting go doesn't erase what you had. We measure marriage by whether it lasts forever or not, but what if we measured it by whether it mattered?
What if we measured it by the love we gave, the life we built, and the people we became? Because love's job isn't to last forever, it's to help you become fully completely yourself, and sometimes the most loving thing you can do is give each other permission to be yourselves, separately. But the dog doesn't know were' divorced. He just gets two Christmases now."
Pulled this from this guy Preston Rakovsky's Instagram (@prestonrack) because it is a beautiful perspective on love, marriage, and relationships in general.
Greek bust of Tritoness (a minor sea goddess and female counterpart to Triton) or Scylla
Hellenistic period, late 200s BCE
Cleveland Museum of Art 1985.184
Gold necklace, Roman, 300-400 AD
from The Rijksmuseum van Oudheden
I've been seeing a lot of knight posts recently. pretty great