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PUT YOUR BEARD IN MY MOUTH

blake kathryn
we're not kids anymore.

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One Nice Bug Per Day
art blog(derogatory)

pixel skylines
EXPECTATIONS
The Bowery Presents
KIROKAZE

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macklin celebrini has autism
occasionally subtle
$LAYYYTER

ellievsbear
TVSTRANGERTHINGS
let's talk about Bridgerton tea, my ask is open

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@fairdevotee
Jean Paul Gaultier
Femme
The Dogs After A Brushing,
Sally Bennett Jones
Children dancing around the Maypole, c. 1915
Hans Bellmer
The Palace of King Ubu
1936
“A witch is, actually, a successful (in the sense of surviving) deviant. You have a cultural, ideological, social, what-not pattern which is, for that society in question, normal (and, importantly, this is understood as a synonym for natural). Most people survive because they conform to these patterns, because they behave normally. […] But then suddenly you get a deviant which survives, and since it does not draw its support from the normal pattern, […] that deviant is understood as drawing its support from “unknown,” “supernatural” sources. […] If we cannot survive without our order, how can she [the witch] survive in solitude? Hers must be indeed a very powerful order to exist so independently, without all the inter cooperation and individual compromise which we have to go through to survive. And if it is so powerful, then it could destroy us. We must try to destroy it first.”
— Maya Deren, “From the Notebook of Maya Deren”, c.October 1947, vol. 14: pages 21–45.
Georgina Gratrix (South African-Mexican, b. 1982, Mexico City, Mexico, based Cape Town, South Africa) - Midlands Meander Still Life, 2017, Paintings: Oil on Canvas
Fernanda Gomes, Installation, Kunstmuseum Bonn (1999)
Betty Tompkins “Sagging Tits" acrylic on paper; 5.5 x 8 inches; 2016
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