[theoriginalsupermodels]

Red or Dead - Fall 1995 RTW

[milksockets]

terminatrix magazine premier issue c. 1994

[kitsunetsuki-deactivated2026051]

Franco Marocco - Playmen Magazine (Feb. 1988)

[phantomvogue]

Dior Homme AW03

[mariean2inette]

Mariacarla Boscono for Dior, SS03

[alanspazzaliartist-deactivated2]

The joy of gay sex by Michael Leonard. 1977.

[friendswithclay]

“Figurine of a Seated Goddess - Baked Clay - Catalhöyük - 1 st half of 6th millennium BC.”

The Museum of Anatolian Civilizations

[marypickfords]

Transformations (Barbara Hirschfeld, 1972)

[marypickfords]

Requiem pour un vampire (Jean Rollin, 1971)

[venusimleder]

Harper's Bazaar US, February 1993.

Ph. Paolo Roversi

[fatplushie]

[fashionlandscapeblog]

Francis Bacon

Figure Opening Door, c. 1987

Oil on canvas.

[existing-caregiver]

Dior by John Galliano F/W 1997

[purinkei]

cardcaptor sakura (clamp, 2016)

[purinkei]

cardcaptor sakura (clamp, 1996)

[pwlanier]

Matan Ben Tolila

b. 1978

A Figure in Front of the Sea, 2008,

Acrylic on canvas, 62x66 cm.

Signed and dated on the reverse.

Tiroche

[funeral]

The worst thing her early trauma did to the adult Plath was to deprive her of both past and future. She had no real past, in her view, because she had always been dead; and she had no real future because she foresaw only an unrelieved continuation of the "neon hell" of nightmare in which she perpetually lived.

Helen Vendler, Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill