Doing commissions of short animated gifs!! ======================================
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@fandomgamer13
Doing commissions of short animated gifs!! ======================================
Sketch animations are $45 USD! Colored animations are $60 USD!
[Link to my Ko-fi]
Trust No One… Except Stan? The Moral Maze of Gravity Falls' Best Liar
Okay, let's talk about Grunkle Stan. Stan Pines. Thefez-wearing, gravel-voiced proprietor of the Mystery Shack, Gravity Falls' premier (and only) tourist trap dedicated to fleecing the unsuspecting. If you've spent any time watching Gravity Falls, you know Stan. He's the king of the quick buck, the master of the cheap souvenir, the guy who'd probably try to sell you the lint from his pocket if he thought he could get away with it. On the surface, he's a walking, talking stereotype of a cynical, greedy old con man.
And yet... he's also the heart of the show. That's the weird thing, right? The central paradox that makes Stan Pines one of the most fascinating characters in modern animation isn't just that he's a jerk with a heart of gold. It's something deeper, messier, and way more interesting. Stan's greatest moments of apparent fraudulence his most egregious scams, his most elaborate lies are precisely the moments when he enacts his deepest, most unwavering moral commitments: protecting his family and preserving loyalty above all else.
It's a head-scratcher when you first think about it. We're culturally conditioned, especially through stories, to equate honesty with goodness. The hero tells the truth, the villain lies. Simple. But Stan throws a giant, Sascrotch-shaped wrench into that neat little equation.
The Scammer Supreme: Stan's Surface
First, let's appreciate the artistry of Stan's cons. The Mystery Shack itself is a masterpiece of low-grade deception. It promises mystery and delivers... well, cleverly disguised junk. The "Rock That Looks Like a Face Rock"? Genius in its sheer banality. The jackalope? Standard roadside fare. The Sascrotch? A pair of overalls nailed to a wall. Stan charges exorbitant prices, makes up nonsensical stories, and generally treats his customers like walking wallets. He teaches Dipper and Mabel the "finer" points of trickery, counterfeits money ("Stan Bucks," anyone?), and constantly runs afoul of minor laws and regulations.
Then there are the bigger lies. The huge ones. His entire identity, for starters. He's not Stanford Pines, the brilliant scientist. He's Stanley Pines, the screw-up twin brother who accidentally ruined Ford's life's work and then spent thirty years impersonating him. He lies to Dipper and Mabel constantly about the true nature of Gravity Falls, about the journals, about the strange underground laboratory beneath the Shack. He lies to government agents, to the townspeople, to pretty much everyone except maybe Soos (and even then, probably sometimes). His default setting seems to be "deceive." He's built a life, an entire persona, on a foundation of untruths. If honesty is the benchmark for morality, Stan fails spectacularly and repeatedly.
The Unshakeable Core: Stan's True North
But here's the twist. Why is he running this ridiculous tourist trap? Why is he living under a false name in this weird, backwater town? Why is he hoarding those cryptic journals and messing with dangerous, dimension-hopping technology?
For family.
Every significant lie Stan tells, every major scam he runs, ultimately traces back to two core commitments:
Protecting Dipper and Mabel: From the moment those kids step off the bus, Stan's gruff exterior starts cracking. Yeah, he puts them to work under questionable labor conditions, but watch him when actual danger arises. He wrestles a pterodactyl. He punches zombies. He faces down Gideon's giant robot. He stands up to Bill Cipher. He puts himself between the twins and any threat, supernatural or otherwise, without a second thought. His lies about the portal and the journals? He genuinely believes he's shielding them from dangers they can't handle. He takes on the burden, the risk, and the moral compromise himself. When he tells them, "Listen to me, kids. This is all for our own good," even when he's being deeply deceptive about the portal ("Not What He Seems"), there's a painful truth embedded in it. His good, perhaps, is tied entirely to their safety and the potential return of his brother. His methods are dishonest, but the underlying drive is fiercely protective love.
Loyalty to Ford: This is the big one. The thirty-year lie. Stan's entire adult life post-Ford's disappearance is defined by an obsessive, all-consuming quest to bring his brother back. Getting kicked out, becoming a nomadic con man, finally settling in Gravity Falls under Ford's name it's all secondary to fixing the catastrophic mistake he made decades ago. Running the Mystery Shack isn't just about survival it's about funding the insane energy bills required to keep the portal project running. It's about maintaining Ford's research station, staying put in the one place Ford might return to. Stealing Ford's identity wasn't just an act of desperation; it became a way to keep Ford alive in some sense, to hold his place in the world, to continue the work (however blindly at first) until he could be rescued. This act of profound fraud is simultaneously an act of profound, almost tragic, loyalty. He sacrificed his own name, his own potential life, to rectify his mistake and honor his bond with his twin.
The Paradox in Action: Where Lies Are Love
This is where it gets really interesting. It's not just that Stan lies despite being good it's that his lies are the mechanism by which he enacts his goodness.
The Mystery Shack: A den of deception, yes. But it’s also the safe haven where Dipper and Mabel have the summer of their lives, discover their own strengths, and form unbreakable bonds. It’s the financial engine powering the rescue mission for Ford. The fraud enables the sanctuary and the loyalty.
Lying about the Portal: Deceiving the kids he loves is arguably one of Stan's lowest points morally, from a traditional perspective. But from his perspective, telling the truth admitting he's trying to reactivate a potentially world-ending machine based on cryptic instructions he barely understands would terrify them, potentially drive them away, and jeopardize the only thing that matters to him: bringing Ford home. The lie, in his warped but understandable logic, is the protective act.
Impersonating Ford: A fundamental violation of identity. Yet, it allows him to stay in Gravity Falls, protect the journals (initially by hiding them), and dedicate himself to the portal. Without this colossal lie, Ford would likely be lost forever. The deception is the instrument of his decades-long penance and loyalty.
The Ultimate Con (Weirdmageddon): Think about the series finale. How is Bill Cipher, the omniscient chaos demon, ultimately defeated? Through Stan's greatest con. By pretending to be Ford, luring Bill into his mind, and then allowing his own memories his entire identity, built on scams and secrets but also love and loyalty to be erased. His proficiency as a liar, his ability to convincingly impersonate his brother (a skill honed over 30 years!), becomes the key to saving the world. His "fraudulence" is the heroic sacrifice. The lines don't just blur they invert.
The Proposition: Stan's Radical Ethics
So, what does this all mean? It leads us to a pretty radical proposition: Stan Pines embodies an ethical framework where "truth" and "goodness," as traditionally understood, are not just separate concepts, but are actively incompatible for him.
Think about it. For Stan to be "good" meaning, for him to fulfill his primary moral obligations of protecting his family and remaining loyal to Ford he must be dishonest.
If he were honest about his identity, he couldn't have maintained the Mystery Shack and the portal project for 30 years. Ford would be lost. (Goodness requires dishonesty).
If he were honest with the kids about the portal's full danger from the start, it might have created panic, interference, or driven them away, jeopardizing both Ford's return and potentially their immediate safety in his eyes. (Goodness requires dishonesty).
If he hadn't been a consummate liar, capable of fooling even a dream demon, Bill Cipher would have won. (Goodness requires dishonesty).
Conversely, if Stan prioritized conventional "truthfulness" above all else?
He would have confessed his identity long ago, likely leading to Ford's permanent loss. (Honesty prevents goodness).
He might have burdened Dipper and Mabel with terrifying truths they weren't ready for, potentially damaging their relationship and hindering his rescue efforts. (Honesty prevents goodness).
He couldn't have pulled off the final gambit against Bill Cipher. (Honesty prevents goodness).
For Stan, the path of honesty is often the path that leads away from protecting those he loves. His morality is measured not by adherence to abstract principles like "truth," but by the tangible outcomes for his family. His ethical compass points steadfastly towards Dipper, Mabel, and Ford, and if the needle has to pass through zones marked "Liar," "Scammer," and "Fraud," then so be it.
Destabilizing Critical Assumptions
This is where Stan really messes with how we typically analyze characters in stories. There's a deep-seated assumption in literary and narrative criticism that moral virtue aligns with honesty, transparency, and integrity. We expect our heroes, even flawed ones, to ultimately strive for truth. Villains obfuscate, heroes reveal. Goodness correlates with openness.
Stan blows this wide open. He suggests that in certain extreme circumstances, or perhaps for certain kinds of deeply damaged but fiercely loving people, deception isn't just a necessary evil it's the very tool required to achieve a moral good. He forces us to ask uncomfortable questions:
Is an act inherently immoral if it's dishonest, even if its motivation and outcome are profoundly loving and protective?
Can deceit be a form of care?
Is "truth" always the highest virtue, especially when measured against loyalty and protection?
Stan's character arc doesn't culminate in him becoming magically honest. While he does reveal truths eventually (often forced by circumstances), his fundamental nature as someone willing to bend or break the truth for his family remains. His final heroic act isn't a confession it's a con. The narrative doesn't punish him for his dishonesty in the end; it rewards the results of that dishonesty (saving the world) while acknowledging the personal cost (temporary memory loss).
Gravity Falls, through Stan, presents a world where goodness doesn't need to wear the costume of honesty. It can wear a fez, a cheap suit, and a five-o'clock shadow, while spinning a yarn about a mythical creature that's really just some glued-together parts. It suggests that the messy, complicated reality of love and loyalty sometimes demands equally messy and complicated methods. Stan's ethics are radical because they prioritize relational commitment over abstract principle, forcing us to look beyond the surface lie to the deeper, often heartbreaking, truth of his intentions. He's a liar, a cheat, and a fraud. And, paradoxically, that's precisely what makes him one of Gravity Falls' greatest heroes. You gotta admit, it's a heck of a trick to pull off.
Stan pines
@forduary week 2, finally. Prompt is, obviously, observation. Tap to zoom. Tumblr devastated the resolution. Have fun, kids! (Let me know if you find them, but don't say where!)
If you need a further challenge, there are ten posters for Robbie's band (as seen in Fight Fighters) hidden as well, and ten anomalies: stomach faced duck, a gnome, a portal potty, an eye bat, a liliputtian, some beard cubs, a question quail, a squash with the face of a person, a cowl, and the hidebehind.
Lastly, just in case anyone needs it, I’ve cut it up into smaller pieces that are a little bit easier to see. Those are below the cut.

made this gem on Sunday. had to wait all week to post it
The princess of Hollownest
Filbrick Pines wearing a "I'm not the dad who stepped up" tshirt
turns your hollowknight protagonists into glass bead figurines
love these tags kissing you on the mouth
You NEED audio for the delivery here. 11/10
Would like to add that their tiktok is now @ anikichad and uhhh they have a gofundme for getting cancer treatment, they've almost hit their goal
well this fucking sucks
imagine having to dox yourself because you made the mistake of watching a 4 hour mighty morphin power rangers retrospective and the ai decided you were 14 and not 42 like the actual demographic for those videos. sad
like this obviously sucks if you're an adult who enjoys watching animation or doll youtube videos but also i don't think youtube should be tracking 16 year olds because they're afraid of them hearing the word "fuck".
notice how all this censorship crap is happening at once? :)
ever since that right wing religious extremist organization Collective Shout targeted and manipulated payment processors (that are already run by right wing nutjobs) to go after steam and itchio, all this shit is starting to happen at the same time
it may be a tactical "overwhelm bomb" to make people feel powerless, and yeah it may not be that, but it's kinda strange that it's happening all at once
regardless, people need to start calling the shit out of mastercard and visa's phone lines even more
yall in the US need to start calling your representatives about KOSA especially
and people in the EU need to start calling whatever equivalent of a representative they have about all this bullshit as well
companies are now going to start trying to capitalize on invading privacy that has literally been protected for so goddamn long all because of these evil fuckwads that honestly need to get a nail put through their skulls
fucking make a fuss about it. complain the fuck out of shit and flood their goddamn call lines
Twenty years in, it’s exciting to be at this moment. As I do every year, here are four big bets for YouTube in 2025.
^The original announcement in february 2025
The quoted announcement is in this press release distributed through Public on July 29, 2025:
I already confirmed the collective shout claim
This is true
What if my roman empire is literally the roman empire
In this essay I will
CONGRATS STANLEY!!!
LOOK AT MY MAN
HELL YEAHHHHH!!!!
Undertale fandom has the bitties
Gravity Falls fandom have the homunculi
I couldn't have said it better myself.
As a 30 year old man who escaped the Alt-right pipeline, you're not going to be happy about the answer.
All I hear from leftists is how much they hate me for my immutable traits, how much they blame me for everything wrong with the world, how much they want me and everyone who looks like me dead.
Whereas Alt-right types would call me "brother" and welcome me into their ranks so long as I hated the right ways.
Do you understand the difference?
I'm an ally and support equality because I feel it's the morally correct choice to make, but holy fuck is it difficult to reconcile that with the fact that means fighting for a lot of people who see you as the scum of the earth.
Read this and then read it again and then read some fucking bell hooks because this is a legitimate problem on the left.
"To create loving men, we must love males. Loving maleness is different from praising and rewarding males for living up to sexist-defined notions of male identity. Caring about men because of what they do for us is not the same as loving males for simply being." - bell hooks, The Will to Change https://bellhooksbooks.com/product/the-will-to-change/
are you seriously all saying that the reason men are misogynistic is because women leftists don't love them enough? really? that's what we're going with? that it's women's responsibility to keep men's misogyny in check? how progressive
i never liked that bell hooks quote. frankly i don't understand how any feminist could come to the conclusion that women aren't performing enough emotional labor for the men in our lives; that men are incapable of loving others until someone loves them first.
and i hate that the conclusion everyone is taking away from this post is that men are moving right bc we're not niceys enough to them. why are people acting like there's a widespread hate campaign against men in leftist spaces? because women say we hate men sometimes? if complaining about men is enough to push them to become nazis i don't think the problem has anything to do with us
More good tags
I’ve been waiting a year to post this
World Heritage Post
the four terrible beasts