I just had tea with some milk in it... and honestly it was kind of disgusting. I couldn’t drink all of it and that was really sad because I spent like $4 on it.....
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"I'm Dorothy Gale from Kansas"
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祝日 / Permanent Vacation
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Not today Justin
YOU ARE THE REASON

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@fandoms-will-rule
I just had tea with some milk in it... and honestly it was kind of disgusting. I couldn’t drink all of it and that was really sad because I spent like $4 on it.....
The only acceptable ships for Klaus are Dave/Klaus and Ben/Klaus. At least for healthy relationships
"I hate dying. It's such a pain" is such a mood
And said by the laziest/stupidest bad guy ever
I also love the scene where Armstrong meets Sig it's honestly amazing
Coldness
You know you live somewhere cold when you go outside when it’s 5 degrees F and say it’s not that cold today. We made a cloud by throwing a pot of boiling water outside it was so cool
What if the soul stone was the resurrection stone and Harry had kept it.
An important thing about Roy Mustang:
Roy’s really good at acting. Roy’s also decided that the general mask he wants to put on around people is “cool, stoic, composed, selfish leader” so they don’t go assuming too many things about his real ideations. Since he’s a good actor, he’s real good at putting on this front.
Off to incinerate Maria Ross? Cooler than ice. Facing confrontation about his role in her murder? Ruthlessly chill. Associating with (well anyone really) when other military personnel might be watching? Thermometer’s reading absolute zero.
But of course the keyword to all this is acting. He’s really talented at acting cool, not to be confused with “He is actually cool”. Because whenever he’s not putting on a performance for someone, his whole personality is pretty well summed up as “high-pitched indignant yelling”
In summation: He’s a loser
An Ina Bauer and a lunge by Victor and Yuuri!
This is beautiful
How do you feel about the headcannon that eventually Winry takes on a few apprentices and kind of takes them under her wing to teach them to help people or opens something like a engineering school so students can learn how to build automail?
A++
And she lets her students tinker endlessly with Ed’s leg because “What? Not like I’m going to let them practice on my actual customers’ legs! Do you know how much of a risk that would be to the Rockbell reputation?!”
Meanwhile her students go home in an absolute daze. Like one 16 year old girl with an interest in automail engineering walks in the door and her mom looks over from the couch just “Hey Lily, how was your session with your teacher?”
And Lily pauses. And nods. Pauses again. “Good. She let me practice securing the shin plate on her husband’s leg.”
Mom, reading the tension, gets worried. “…And, how’d that go?”
“Oh. Wonderful. Good. I did it. His name is Edward.”
Mom thinks about this, lets out a little laugh. “Hang on, isn’t your teacher Mrs. Elric?”
“Yes.”
“So his name’s Edward Elric! What a funny coincidence. I wonder if he ever gets mistaken for the Fullmetal Alchemist. Not a very common name so I’m guessing.”
“Oh. No. No mistake. It’s Edward Elric. Ms. Winry is married to Edward Elric, the Fullmetal Alchemist. That’s his leg. That gave him his name. It’s metal. I screwed a shin plate onto the leg of the Fullmetal Alchemist Edward Elric while he and Ms. Winry talked about making garlic bread.” Lily looks down at her hands, which are shaking now. “Mom I met the Fullmetal Alchemist Edward Elric and I could hAVE DESTROYED HIS LEG OH MY GOD OH PLEASE TELL ME I DID IT RIGHT.”
(In response to this, Winry still uses Ed as her teaching dummy, but just tries her damnedest to not name drop around the students. Ed hates it, because seeing the dawning realization on the faces of “I learned about you in history class you literally saved my life when I was a little kid” teens is the most fun thing about his teaching dummy job.)
№25 Tim Marcoh
My mom said today that me and my sister couldn’t afford to treat ourselves to sweets as a reward for when we succeed because we’re so successful.
I’ve been thinking about the whole discourse of “character X won’t/shouldn’t get redeemed because not every villain is Zuko!” vs “wtf why is Zuko the only villain allowed to have a redemption arc??”
—and I’ve finally realized what truly bothers me about it, far more than any wrangling over Just How Bad Was Zuko In Season One, or Does This Character Parallel Zuko.
Here’s the thing: Zuko’s redemption arc is justly held up as an example of really good writing. What makes it so amazing, though is not how Zuko started out. Yes, Season One does a good job of showing that Zuko has some good qualities and that he’s the legitimate victim of abuse. His reluctant rescue of Aang in “The Blue Spirit” suggests that he could be a good ally if he chose.
But while all that effectively invites the viewer to wish for for his redemption… Season One Zuko does nothing to “earn” a redemption arc. He’s not interested in being redeemed! He’s still totally devoted to his father and to Fire Nation ideology. He still has absolutely no concern about hurting people to get what he wants, so long as they aren’t Fire Nation citizens.
What makes Zuko’s arc amazing is the way it develops over the next two seasons. It’s the way he is shown slowly and plausibly learning to question the way he’s been raised, agonizing over his choices, making progress and then backtracking. When he finally resolves to defy his father and support Aang, the lengthy emotional journey that got him there makes that moment feel earned, and not just like “hey presto he’s good now.” And then his integration into the Gaang is also slow, and also earned. The heroes don’t all instantly forget what he’s done, or trust him, or like him. He has to do the work of proving that he’s changed and doing his best to make some recompense for what he’s done.
That is why Zuko’s redemption arc is so good. Not because of how it starts, but how it develops and concludes. And that’s why I get so frustrated when he’s hauled out as a talking point in redemption arc discourse. Because nine times out of ten, the argument isn’t about judging the quality of somebody’s completed redemption arc; it’s about whether somebody (whose story is still unfinished) can/should get one. And that’s….comparing eggs and a cup of flour to a fully-baked cake. You can say, “this character isn’t as well set-up for a future redemption as Zuko was in Season One,” and that may be true or false, but it’s a coherent line of literary analysis. But dismissing a character as unredeemable because they’re not yet in the same place that Zuko was in Season Three misses out on what made Zuko’s redemption arc so remarkable in the first place.
tl;dr not every villain is Zuko, including Zuko himself before he went through all the character development that redeemed him.
Happy Halloween to the sander sides.
Just watched the newest video amazing!!!!!
(Pumpkin doesn’t actually have anything to do with the video)
I’ve been thinking about the whole discourse of “character X won’t/shouldn’t get redeemed because not every villain is Zuko!” vs “wtf why is Zuko the only villain allowed to have a redemption arc??”
—and I’ve finally realized what truly bothers me about it, far more than any wrangling over Just How Bad Was Zuko In Season One, or Does This Character Parallel Zuko.
Here’s the thing: Zuko’s redemption arc is justly held up as an example of really good writing. What makes it so amazing, though is not how Zuko started out. Yes, Season One does a good job of showing that Zuko has some good qualities and that he’s the legitimate victim of abuse. His reluctant rescue of Aang in “The Blue Spirit” suggests that he could be a good ally if he chose.
But while all that effectively invites the viewer to wish for for his redemption… Season One Zuko does nothing to “earn” a redemption arc. He’s not interested in being redeemed! He’s still totally devoted to his father and to Fire Nation ideology. He still has absolutely no concern about hurting people to get what he wants, so long as they aren’t Fire Nation citizens.
What makes Zuko’s arc amazing is the way it develops over the next two seasons. It’s the way he is shown slowly and plausibly learning to question the way he’s been raised, agonizing over his choices, making progress and then backtracking. When he finally resolves to defy his father and support Aang, the lengthy emotional journey that got him there makes that moment feel earned, and not just like “hey presto he’s good now.” And then his integration into the Gaang is also slow, and also earned. The heroes don’t all instantly forget what he’s done, or trust him, or like him. He has to do the work of proving that he’s changed and doing his best to make some recompense for what he’s done.
That is why Zuko’s redemption arc is so good. Not because of how it starts, but how it develops and concludes. And that’s why I get so frustrated when he’s hauled out as a talking point in redemption arc discourse. Because nine times out of ten, the argument isn’t about judging the quality of somebody’s completed redemption arc; it’s about whether somebody (whose story is still unfinished) can/should get one. And that’s….comparing eggs and a cup of flour to a fully-baked cake. You can say, “this character isn’t as well set-up for a future redemption as Zuko was in Season One,” and that may be true or false, but it’s a coherent line of literary analysis. But dismissing a character as unredeemable because they’re not yet in the same place that Zuko was in Season Three misses out on what made Zuko’s redemption arc so remarkable in the first place.
tl;dr not every villain is Zuko, including Zuko himself before he went through all the character development that redeemed him.
blindness vs vr?
If someone who’s blind plays a video game like Sword Art Online be able to see or would they be blind in the game too. Because the Nerve Gear uses brain waves how would that work?
The Object of My Affection 💝
State sizes vs. population
I just realized/learned that New York City, just the city and not the surroundings, has a larger population then the state I live in,Minnesota.