YOU’RE GONNA CARRY THAT WEIGHT
Show & Tell
One Nice Bug Per Day

Kiana Khansmith
Claire Keane
Sweet Seals For You, Always
hello vonnie
Lint Roller? I Barely Know Her
h
Alisa U Zemlji Chuda

izzy's playlists!
AnasAbdin
No title available

tannertan36

ellievsbear

Love Begins
dirt enthusiast
No title available

No title available

Kaledo Art
Not today Justin

seen from Türkiye
seen from United States
seen from Netherlands

seen from United States

seen from India
seen from United States

seen from Malaysia
seen from Germany

seen from Türkiye
seen from Paraguay

seen from New Zealand
seen from United States

seen from United States

seen from United States

seen from Türkiye
seen from Türkiye

seen from Singapore
seen from United States

seen from Malaysia

seen from United States
@fantaisiesign
YOU’RE GONNA CARRY THAT WEIGHT
see you space cowboy
“Your heart must be as cold as ice.”
speed paint
Dude cowboy bebop is the bop
Listen, the Exploring/Looking For Bounty Leads/Talking To Lots Of People montages are some of my favorite parts not just in Cowboy Bebop but anime/tv/film in general - they’re always so well-done and the interactions/story progression are so clear despite no dialogue, with gorgeously-drawn city backgrounds and diverse AF people, any of whom look interesting enough to have an episode to themselves. (The time they do this with space truckers is a freaking standout, as is the opening credits to the movie, set to the absolute jam of a song, Ask DNA.)
Just - Cowboy Bebop was Really Freaking Good on so many levels and I miss it every day.
Like i said before:
one of the reasons i still love Cowboy Bebop so much is because it takes the “used future” look to such an extreme. There’s scenes on Mars that you’d assume were in some lonely southwestern town if you didn’t know otherwise, spaceship interiors that are stained and worn and feel more like the deck of an old fishing boat, space “truckers” whose cockpits are overloaded with gewgaws and souvenirs. Colonies still look very Earthly, because Earthlings didn’t abandon their heritage just because there was new technology available. There are places where brick and mortar buildings are practical and cheap, so you see stone and stucco rather than gleaming arcologies. For the most part, it’s a very industrial, blue collar future; even Spike’s bright red Swordfish II personal fightercraft has more of the feel of something a backwoods tinkerer might occasionally pull out of storage—a former racing vehicle repurposed in ways that probably aren’t wholly legal. Jet’s Hammer Head is alien and strange, yet at the same time calls to mind both older automobiles (with its prominent forward section) and more industrial vehicles with its large towing arm, all brought together by its thoroughly scuffed surface.
some other settings do a bit of this, but none so totally as Bebop. We don’t see things that are fancy and futuristic for the sake of being impressive, but because they make sense in context. The Bebop itself isn’t some super-spacious vessel with room to spare (thinking of a lot of the interior shots of the Serenity in Firefly, here), it’s kind of cramped and uncomfortable, dingy and dark, with a few small personal spaces. It feels small, in contrast to the vastness of space.
see you, cowgirl. someday, somewhere!
My favorite anime turned 20 this week.
Happy Easter!
My Funny Valentine
cowboy bebop ruined me how’s your tuesday going
it was so well done and beautiful and smart and unique i just….. cannot believe that it exists
Okay, but me everyday?
there was a woman. first time i found someone who was truly alive. at least that’s what i thought. she was the part of me i lost somewhere along the way. the part that was missing, that i’d been longing for. cowboy bebop (1998-1999) dir. shinichiro watanabe
What I’ve learned from Cowboy Bebop
You can’t ignore your past. Someday somehow it’s gonna catch up on you.
Spike from Cowboy Bebop!