fears @fears - Tumblr Blog

life

Damn, my last post was July 2018. Time has flown by! I can hardly believe how much has changed since then, both in my life and the world. I never thought I'd be this at peace with my life. Believe in your ability to heal.

#it gets better #queer

jueki

Tokyo Vampire Hotel 2017 ’ 東京ヴァンパイアホテル ’ Directed by Sion Sono

coltre

#i miss garrett

monday-concepts

“I can taste your lipstick, I can lay down next to you But it’s all in my head”

King Princess - Talia

beachboyspetsounds-moved

singing both parts of the confrontation

sunflowyr

Believe of me what you cAN NEVER CHANGE there is a duty i’m swoCAN NEVER CHANGE you kNO NOTHING OF MY 24601 all i did was steal some bread

hookedonchibis

MY DUTY’S TO THE nothing of the world YOU HAVE NO RIGHTS sooner see me dead TWO FOUR SIX OH ONE but not before i see this justice JEAN VALJEAN IS NOTHING NOW

i love this game XD

fears

DOES ANYBODY HAVE THIS VIDEO? PLEASE INBOX ME

mossgirl

Trust is a series of photographs made in the last two years of the twentieth century. On the surface, it is very simple. Photographs of faces made in a documentary way: real people leading real lives, aware of the camera only as an incidental, seemingly uncomplicit in the making of the photographs. Adam Broomberg and Oliver Chanarin have employed this deceptively simple methodology. They have studied the strange phenomenon of the face, pinpointed it as the centre of our beings, our primary means of expression, wondered at the changeability of this bizarre accumulation of protuberances, sockets, vastly differing surfaces of flesh. Their interest is almost ethnographic and, under their gaze, we become creatures.“– Val Williams

tackled

geefitch-deactivated20140901

kmzgt

sneezeweeds

block

the-bookshop

Source.

secretlesbians

Gustave Courbet, Le Sommeil,1866.

Le Sommeil [The Sleepers], which depicts two women entwined in a post-coital embrace, caused a stir when it was first shown in the 1870s. The police were called in, and the painting was not shown again until the 1980s. But its brief showing had an influence on a number of contemporary artists, and helped challenge the taboos associated with lesbian relationships. For modern audiences it’s a good reminder that people in the 19th century were not ignorant of lesbian relationships, as we tend to believe. And it’s pretty damn sexy, don’t you think?