PUT YOUR BEARD IN MY MOUTH
shark vs the universe
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almost home
Love Begins
Keni
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Kiana Khansmith
Xuebing Du
$LAYYYTER
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Misplaced Lens Cap
Andulka
DEAR READER
will byers stan first human second
Stranger Things
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@felicisecho
“Why should rich people pay more” because fuck ‘em
“So you are okay for paying more when you have money” I am not excluded from ‘fuck ‘em’ when relevant
“I am not excluded from ‘fuck ‘‘em’ when relevant” is surprisingly powerful as both a statement and philosophy
My latest cartoon for @GuardianBooks.
I love house md. it’s gay, its homophobic. it’s ableist, it has some of the best disability representation I’ve seen. medical malpractice and felonies are committed pretty much every episode, some of these aren’t even related to the case. for as bonkers as everything gets it never stops being a medical drama. it a fucking sherlock adaptation
Dropping this here...
Crowley and Aziraphale and some bloke with a stick.
the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.
i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.
it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.
at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.
so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.
her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.
so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.
she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.
so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.
he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.
siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.
and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.
so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.
“Often father and daughter look down on mother together. They exchange meaningful glances when she misses a point. They agree that she is not bright as they are, cannot reason as they do. This collusion does not save the daughter from the mother’s fate”
It’s like that mafia crew that made a pizza joint as a front but their pizza was so good they just went legit
Broke: Good Omens isn't a gay love story because Crowley and Aziraphale aren't in love
Woke: Good Omens is a gay love story because Crowley and Aziraphale are in love
Bespoke: Whether Good Omens is a gay love story or not is debatable; it is, however, undeniably a story of the love between Crowley and Aziraphale (whatever type of love that may be)
Neil Gaiman: Good Omens isn't a gay love story because while Crowley and Aziraphale are in love, they are not human males, they are an angel and a demon
these guys friggin crushed me istg this is not fair
in almost every other children's book where the main heroine is swept away to a land of whimsy she's shown having a lovely time; braving dangers occasionally, trying to find her way home, sure, but ultimately delighting in the magic around her. meanwhile alice spends her entire time in wonderland like
look, here’s the thing: alice in wonderland’s enduring fucking charm is that it perfectly captures the vibe of being a very tired and annoyed child who is nonetheless required to play along with adult nonsense.
alice is dragged from place to place without warning, forced to play stupid games with no good prizes, grilled over her schooling and manners and recitation and dress, scolded, judged, insulted to her face, sent away, given gifts she didn’t ask for and doesn’t like, corrected incorrectly, been subject to shifting and arbitrary rules, and then when she gets snappish with all this bullshit everyone acts like a little girl’s temper is the end of the fucking world.
alice in wonderland isn’t a drug trip or a nightmare or a metaphor, that’s just what being ten years old is LIKE. that’s why kids love it so much. even if they can’t quite articulate how, they recognize themselves in it.
I want a new character
Then make one.
|Dream a little dream of me|
So as an Antarctic expert I need to add to this that we had not in fact been to Antarctica when it was named. The ancient Greeks decided that because there was an Arctic at the top of the world, with bears, there had to be an opposite at the other end, without bears. Which is kind of ridiculous except that the fuckers were dead on
arranging paintings on a scale from joanna karpowicz to andrew wyeth and edward hopper is right in the middle
Left to right: Anubis with a weird bike (2017) Joanna Karpowicz / Morning Sun (1952) Edward Hopper / Christina’s World (1948) Andrew Wyeth
From the distant past. Buttons, and what a good thing they are and why they aren't scary at all not even a little bit, really, trust me on this.
