Wild Strawberries

mediocrity

[1dietcokeinacan]

Untitled drawings by Ruth Asawa, ca. 1946-49

[garadinervi]

Ruth Asawa, January 24, 1926 / 2022

(image: Elizabeth Jennerjahn (photograph), Ruth Asawa at Black Mountain College, 1946-1949. © 2022 Ruth Asawa Lanier, Inc. / ARS, New York)

[anotherdiamonday]

Dogwood Leaves, Ruth Asawa, 1946-49

[noosphe-re]

A structure is a self-stabilizing energy-event complex.

R. Buckminster Fuller (via noosphe-re)

[nelc]

Buckminster Fuller’s Dymaxion Spaceship Earth equal area projection

[garadinervi]

From: Richard Buckminster Fuller, with Jerome Agel and Quentin Fiore, I Seem to Be a Verb, Bantam Books, New York, NY, 1970. Design: Quentin Fiore

[pierppasolini]

Go Fish (1994) // dir. Rose Troche

[updownfragile]

Go Fish (1994), dir. Rose Troche

[seaoflittlefires]

Happy birthday Patricia Highsmith (19 January 1921 – 4 February 1995) and thank you for your fierce, lovely, empowering, radical imagination. ❤️

Her novel, “The Price of Salt”, is widely considered to be the first published lesbian work of fiction with a happy ending.

[gacougnol]

Rolf Tietgens

Patricia Highsmith

1942

[gacougnol]

Rolf Tietgens

Patricia Highsmith

1942

[gacougnol]

Rolf Tietgens

Patricia Highsmith

1942

[gacougnol]

Rolf Tietgens

Patricia Highsmith

1942

[proustiansleep]

If the archive is a remnant, it is one that keeps whispering to me, insisting on its place in my everyday life. What I might have said to her instead is this: “I am a disquieted archive that fumbles in words. A thing made up of infinite, intractable traces.“

Julietta Singh, No Archive Will Restore you (via bergmans-ghost)

[bluart106]

Felix Valloton

[sophi-aubrey]

Félix Valloton, Landscape

[acardinalisred]

felix vallotton