pixel skylines
Andulka
JVL
Aqua Utopia｜海の底で記憶を紡ぐ
Kiana Khansmith
Three Goblin Art
Kaledo Art
styofa doing anything
PUT YOUR BEARD IN MY MOUTH
Mike Driver
Lint Roller? I Barely Know Her
@theartofmadeline
I'd rather be in outer space 🛸
Product Placement
Cosimo Galluzzi
taylor price
oozey mess
TVSTRANGERTHINGS
DEAR READER
cherry valley forever
seen from United States
seen from Malaysia
seen from Malaysia
seen from United States
seen from Türkiye
seen from Malaysia
seen from Malaysia
seen from Spain
seen from United States
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seen from United States
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@fetchanimation
So there is the whole tutorial animated !!!
With two examples and colors for each syllabes so you can visualize even more. Larger descripion on Patreon and more tutorials there as well!
Patreon
Hope it will help you ;) (Now you also know the sassy “Oh My God !!!)
A long time ago an anon asked my thoughts about drawing backgrounds, so I finally got around to putting this together. It’s more prop-centric, but it still represents my philosophy to backgrounds.
I’ll try to do something more about drawing actual background spaces in the future! Please let me know what you think, if anything is unclear, or if you have suggestions for other tutorials you might find helpful!
Hi! Happy Tuesday! Today’s tip is on one of my favorite subject, color theory; specifically on chromatic fringe. It is the red fringe or hot saturated color you see at the edge of cast shadow and where it meets the light area. The rougher the object edge casting the shadow or the further away the object is, the more red fringe you’ll see. This is different than chromatic abberation, which is color fringing caused by lens failure. You can see chromatic fringe with your eyes. The more you paint from life and make observation, the easier it is to see. It’s one of those things that once you see it, you cannot unsee. :) XO, Griz
#griz #grizandnorm #tuesdaytips #colortheory #chormaticfringe #grizandnormtuesdaytips #grizandnormkittycatclub ps. On stylized painting, where you want to have a hard edge on a shadow, you don’t always have to put it. Like everything in art, you can choose to put something in or not. But it’s always good to know your basic and know the rules before breaking it. Happy painting!
One of the expression/eye-direction/face-design tests I did for each of the main characters on the film. I took most of the expressions straight from Dav Pilkey’s illustrations in the books and tried to find the most natural and appealing way of changing from one to the other. It is a technical test to help inform all the departments from modeling to rigging and animation. ( no sound )
Another yelling dialogue test from ‘Kubo’. This time we had an actual line from the film, delivered by Voldemort. Moonbeast was a challenge ‘cause he’s all up in your face so his mouth had to move really well, yet it was made of rigid plates. What he was so mad about I still don’t know. I think I need therapy.
Spider-man: Into the Spider-verse - Teaser Trailer
I made two examples of the smear effect on the same animation Straight line and separated element :)
Really helpfull in 2D animation, I hope it will help you !!
Patreon explanation !
cats don’t dance animation analysis, really well done!
UNFFFFF
by the guy who made Feast
Matt Williames
1st excerpts of The Red Turtle animated feature film directed by Michael Dudok de Wit (Father and Daughter, The Monk and the Fish), coproduced by Studio Ghibli.
The veggiemancer. So pretttttty
Dogtor, by Rhea Dadoo
2nd year Calarts animation, THE TALENT OH GODDDD THE TALENTTTTTT
Damn you calarts kids and your abundant supply of talent
Nightmare in the Morning, by Yonatan Tal
Every time this post comes around, I have to explain this.
Watch Dennou Coil, the most underrated anime pretty much ever.
Yes, this is the standard of animation throughout the series.
AND THIS IS A FILLER EPISODE.
It’s basically about kids with what’s essentially Google Glass: The Game. The whole world is affected by this game. Traffic lights, school, anything.
It’s good in the beginning and gets really, really good by the end.
Shows the vulnerabilities of children.
Well-written children in general. They fall under some tropes but they don’t suffer from the usual fallacies of writing children into series.
And yeah, the filler episodes are really good. The whole series is worth watching.
Please, pretty-please, watch this. Actually, if you follow me and watch this show wholly for the first time I will try to draw you fanart. I want you to watch it that much.
Animator Tim Rudder shares some great insight and research on how to break up movements to avoid “stiff” animation. Head over to his site for more! Link here: http://www.timrudder.com/animationme…/breaking-up-movements/
Too in is by animator Rob Corley and the bottoms one is mine.
