filminyourmind

[crystallizations]

Social-eyes with Dark Eyes Vodka, Jan Saudek, 1969.

[brianwilliamfrank-deactivated20]

[elvis-and-priscilla]

[grupaok]

Emil Cieślar, Andrzej Wroblewski, Olgierd Rutkowski and Stanislaw Siemek, Analogue machine AKAT-1, 1959

[illyadarling]

[filminyourmind-blog]

Images of Kobane in northern Syria and the Kurdish resistance defending the city

Photographer?

Source: firatnews.com

[tumblingdoge-deactivated2015012]

[filminyourmind-blog]

[filminyourmind-blog]

filminyourmind:

[mpdrolet]

[kadist]

Today’s Program: Jackson Pollock, “Lavender Mist, 1950”, 1973

Ilene Segalove

via mpdrolet

[thegreenflamingoparanoia]

[bazaardotco]

decapitate animals

[somedevil]

[3wings]

LA COMTESSE DE FLEURY, 1952

Otto Steinert

[the-night-picture-collector]

Otto Steinert, Carnival d’enfants, 1921

[mpdrolet]

Santiago Mostyn

[wehadfacesthen]

Leslie Caron, 1954, photo by Serge Lido

[kenkofoto]

Drive-In Saturday

This was the final Supercar Saturday of the season. My sons and I drive to Chicago to look at the cars and to pick out the ones we’ll all eventually drive. I’ve seen almost all of the cars before, and I appreciate them all. But I’m always puzzling over how to shoot them without just firing off photos of each one. I watch the other photographers shoot everything and I wonder, who wants to look at photos of cars just sitting there? I love the cars, but I don’t just want photos of them. I want photos about them.

This time I just shot the interiors. I looked at them as landscapes (vertical, of course). There was bright hot sun outside, but the light was soft inside the cars. I skipped the exotic, modern cars in favor of the old American cars. The interiors had a simple utility to them, and I remember sleeping comfortably in them as child as my father drove.