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Today's Document
"I'm Dorothy Gale from Kansas"
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@kadist
In his project "Life in the Folds" for the #MexicanPavilion at @labiennale #CarlosAmorales developed a series of forms that transit from abstraction to an illegible text, and from writing, to a phonetic language articulated by three-dimensional objects that emit music, and finally converge in a film that tells the story of the lynching of a migrant family as a metaphor of our time. [Repost @kurimanzutto] (at La Biennale di Venezia)
Lutz Bacher, Sweet JesusāØMay 31āJune 4, 2017, 12ā5pm Kadist SAN FRANCISCO Opening reception Wednesday, May 31, 5ā7pm #LutzBacher #SweetJesus (at Kadist)
#venice : serie of pics of #venicebiennale all the week on #kadist instagram, starting with the performance "IE : the Play have a house", 1972 (reenactment, Venice Arsenal, May 9th, 2017) #theplay : kansai based art collective founded in 1967 #japan #theplayhaveahouse #biennaledevenise #christinemacel @labiennale #kadistselection #performance (at Arsenale Nord)
Today in aging Kong: Quick reminder that you're welcome to join in TOMORROW for a Public Tour of Para Site's current exhibition, Soil and Stones, Souls and Songs, led by Freya Chou (Curator of Education and Public Programmes), in English šš»šš»šš» There will be more tours in the coming weeks, in Cantonese and Mandarin - click the link in our bio for more info on that! SEE YOU SOON ~ This exhibition is co-presented with @kadistkadist #parasitehk #soilandstones #PSxPublic #PSxKADIST (at Para Site)
Thank you all for coming yesterday to Lynn Hershman Leeson's event on The San Quentin Mural Project. #LynnHershmanLeeson #SanQuentinPrison (at Kadist)
Starting the night in SF with cocktails in various cans made by Juliet Orbach. (at Kadist)
Tonight at Kadist #SF: Lynn Hershman Leeson, The San Quentin Mural Project, 1976. Cocktail at 6pm, event at 7pm. (at Kadist)
Tomorrow (Wed 5/10) at Kadist SAN FRANCISCO:ā Lynn Hershman Leeson on "The San Quentin Mural Project"ā Bar at 6pm, event at 7pmā ā Visit <kadist.org> for more informationā ā [Photo credit: Lynn Hershman Leeson / The Floating Museum, 1976] (at Kadist)
Congratulations to Otobong Nkanga for winning the BelgianArtPrize 2017, the most important and historic award for contemporary art in Belgium. Nkanga's work "Social Consequences I" is currently on view at Kadist San Francisco as part of "Lives Between" exhibition, alongside Documenta (14) and Contour in Mechelen. #OtobongNkanga #BelgianArtPrize #documenta14 #contourbiennale8 (at Kadist)
We've been enjoying the @fake_newsroom these days. (at Minnesota Street Project)
#SF: This Saturday (April 29th) ā> Tirza True Latimer, Four Saints in Three Acts in One Programā [Bar 5pm / Event 5:30pm]ā ā More info on our website ā> www.kadist.org (at Kadist)
The exhibition 'Conceal, cover with sand, replicate, translate, restore' presents artistic projects dealing with objects in situations of conflict, & their role as vehicle or witness. The works are shown at different stages of their existence to underline the artistsā methods, an articulation of historical references combined with a response to current political issues. Pio Abad inventories the art collection of Filipino conjugal dictators Ferdinand & Imelda Marcos (1965-1986), & the propaganda artworks they commissioned, while the current regime tries to revive their memory." Recouvrir, ensabler, copier, traduire, restituer (Conceal, cover with sand, replicate, translate, restore) [Repost @silverlensgalleries] (at Kadist Paris)
From last night screening of John Smith's "The Black Tower" (1987) at Fake Newsroom. The program was curated by Antonella Bonfanti and Jeff Lambert, and introduced by Fake Newsroom editor Jason Fulford. @fake_newsroom @minnesotastreetproject @missiongluttony @jefferylambert (at Minnesota Street Project)
From last week visit of Raymond Pettibon's exhibition "A Pen of All Work" at the New Museum. #RaymondPettibon #NewMuseum #APenOfAllWork
ParthenonMarbles from the collection of the British Museum back on the Acropolis, speaking out their contractual conditions for renstallation before moving further. Big thank you to @vivanova for the collaboration on the performed text & research #circulation #globalheritage commissioned by #futureclimates #schoolofredistribution #kadist . #stateofconcept #alexandratatsi #biliomarneli #christianakosiari #nicolasvamvouklis #sofiamariakikilintzia #alexandrapirici #victoriaivanova Repost ā> @alexandrapirici (at Athens, Greece)
On view at Kadist SF ā> "Lives Between" WedāSat [12ā5pm] until May 6th "When 2 Places Look Alike" is a series of photographs by Clarissa Tossin investigating into the relationship between two related places: Belterra and Alberta. Belterra is a rubber plantation located in the Amazon Forest, and Alberta is a sawmill town in the Upper Peninsula of Michigan. Both of the towns were developed by the Ford Motor Company during an era of peak production. Built concurrently in 1935, they share a similar approach to worker-housing, despite being thousands of miles apart. The comparable architectural typology of the two places suggests a universal, perhaps even utopian approach to living. (at Kadist)