An Archive of Our Own, a project of the Organization for Transformative Works
the "dreams to nightmare" fic that I've been agonizing over for the past month

tannertan36
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@fishy-my-wishy
An Archive of Our Own, a project of the Organization for Transformative Works
the "dreams to nightmare" fic that I've been agonizing over for the past month
beach episode
Here me out
Interview with the Vampire AU
of My Babysitterâs a Vampire
With Sarah as Louis and Erica as Lestat
Aging Gracefully Hot: A Kpop Demon Hunters fic
I saw a post the other day about Celine feeling self-conscious about aging and, for some reason, my brain decided it merited...[checks word count] 1700 WORDS?!?
Inspiration is a mysterious thing...and fickle :/
Anyway, fic below the break!
it was genuine trash i have no other words there has NEVER been a movie this bad on Disney iâm actually irritated right nowđ
Rise of Red was a masterpiece compared to the mess this was
there was ZERO need for all of those characters
It shouldâve just been Chloe and Red and maybeee Pink.
Actually, yes. Chloe, Red, and Pink shouldâve been the focus here.
There were too many characters and not a single one them had any personality or depth
Edit: The movie has SO much potential if it werenât for the fact that the writers forgot what they were pulling from. Luis Madrigal would NOT have strength as his gift. Thatâs not how it works. Robbie Hood shouldnât have even been a character (or Luis, for that matter). The Smeeâs made sense in terms of Hazel, whose character had so much potential that the writers failed to fulfill, and ended turning her into an awful caricature of Uma and Harry.
Red and Chloe know NOTHING about the world theyâre in and instead of focusing on that theyâre thrown into a new adventure that was lazily written.
Pink and Red should have had more development. As I said, Red has no idea who Pink is. Their relationship should have been explored more.
Donât even get me started on the songsđ They were clearly copying, and I do mean COPYING, Night Falls, Space Between, and Chillinâ Like a Villain.
Luis and Red shouldnât have happened. Zero development and zero chemistry.
Movie rating: 2/10 and thatâs only because Rita Oraâs singing made up for the trashy lyricsđ«©
I hate when my mind just goes full no thoughts, head empty. Anyways, here's a superman au
Celine and Miâyeong were children of Krypton, never meant to cross paths, never meant to love each other, and yet they did. They tied their lives together against their familiesâ wishes and left their world behind to chase the stars. Somewhere out there, between constellations, they welcomed their daughter. They laughed, they cried, they lived. They built a home they could only dream of on Krypton.
Sometimes when you think you deserve grief, happiness feels like you're running out of time.
this is going to piss white people off but iroh opening up the tea shop in ba sing se is kind of crazy. like i get he is a kind wise old uncle and the closest a lot of yall have to dads but like... i hope he has a good lawyer! thats all i'll say! actually no its not the way he talked about azula is also Fucking Crazy brother that is a 14 year old girl who is Your Neice being Groomed by Your Brother. Fuck ya mean "she's crazy" you old cunt Go Get Your Fucking Brother!!!
I want to draw bunch of Celine art SO BADLY but I also hate drawing her hair but I want to draw Celine but I hate drawing her hair but I wantâ
Iâm so sorry
sheâs so beautiful
she shines so bright
for the bio siblings au: celine meeting mutt and immediately noticing how much she looks like rumi's dad?
Ohhhh that would be. Not good! Seeing as this is an au where Rumi was conceived during rape.
Might be a little like this:
Rumi knocks the glowing things out of Celine's hands before they can fully take shape. âStop it!â she snaps at Celine, who is Rumiâs guardian, who is a Hunter, who looks so angry, the angriest the mutt has ever seen.Â
Celine is turning to her, oh no, turning the full brunt of her fury on Rumiâ
And the anger dissolves into something else, something horrible, like terror, like abject pain.
Zoeyâs hands squeeze the muttâs shoulders; she hadnât noticed them touching her at all.
Mira huffs. Sheâs planted herself directly in front of the mutt. âLet's try that again, huh? Kid, this is Celine, who is usually cooler than this. Celine, say âhi, kid who can barely squeeze a lemon without feeling bad about itâ.âÂ
Celine abruptly schools her expression into perfect neutrality. Sheâs looking directly at the mutt from behind Miraâs shoulder. Something in her intent focus is almost reminiscent of Rumi. Truly, this is the gaze of a hunter.
Rumiâs stance has softened. She doesnât touch Celine, but she leans into her space, almost as if sheâd like to. âI told you, remember?â she says, voice low. âSheâs like me.â
âYes, I hadnât expectedâŠâ Celine does not finish the sentence. Instead, she shakes her head slightly and inclines it to the mutt in an almost-bow. âHello, itâs good to meet you.â
The mutt swallows, the urge to run fighting with the urge to placate the Hunter fighting with the urge to duck herself closer behind Mira and all resulting in her doing nothing but shaking like the miserable, useless creature she is.
Zoeyâs hands squeeze her shoulders again, comfortingly, pulling her back to her body.
Celine bends down to pick up her bag, finally looking away.
âDo you want to go back into the kitchen?â Zoey asks quietly. âYou can stay in there as long as you want.â
The mutt shakes her head. If she went, she would never come back.
âYouâre sure? I can go with you if that helps,â she adds.
But the muttâthe mutt looks over at Rumi, and Celine, and their intense gazes. Sheâs like me. Her voice shakes, but she still manages to force herself to speak. âI want to be brave.â
This, of course, makes Celine grimace.
âYouâre doing great,â Zoey says, and she lets go of the muttâs shouldersâthe mutt resists the urge to lean after the lossâand slips around to walk beside her.
The silence on the way to the couch is deeply awkward. And when they sit down.
âI am sorry,â the mutt says, remembering.
Everyone looks at her.
âAbout your tupperware,â she clarifies for Celine. âI should not have stolen it.â
And despite how Rumi and Mira and Zoey had talked about how upset Celine would get over the good tupperware being goneâthough only ever when they thought the mutt could not hear, which meant the consequences very much would impact the muttâCeline does not get angry.
âItâs alright,â she says. She does not sound like she means much it, everything flat and hollow, but she says it. âThe girls can get new ones.â
The mutt wishes that she would just be upset. It is easier than kindness, even real-kindness and not false-kindness, though she knows it would make Mira, Zoey, and Rumi sad if she said that. Even so, it can feel like waiting to be hit.
At least if Celine just hit her, she wouldnât have to wait.
Unfortunately, Celine seems to have a preference for waiting.
Her voice had been so warm and alive, behind the door, when she was speaking to Rumi. And then she had seen the mutt, and became quiet and careful.
The mutt understands. When youâre dealing with an unknown threat, it is smart to wait and observe. But she is in no way a threat to Celine, and she knows how dangerous it is for her to be perceived that way. What she doesnât know is how to fix it.
Mira catches her eye and wiggles her eyebrows. The mutt does her best to wiggle back.
âOrange slices, anyone?â Mira says in a perfect monotone.
âYes, please!â Rumi and Zoey say almost in tandem, and then smile warmly at each other.
The mutt collects all these looks for morale and looks at Celine. âYouâyou have raised Rumi well,â she stumbles. âSheâsâgreat.â
Rumi smothers a laugh with an orange slice. But Celine frowns.
âThank you,â she says slowly. âShe is.â
Rumi chokes the orange down and fans herself. âOh, go on.â
Celine eyes her sidelong. âWith an ego to match, Iâm sure.â
âI do nothing by half measures,â Rumi agrees.
âMm,â says Celine, and is silent again.
Mira turns to Celine. âHow about you ask her a question?â she says bluntly.
Celine obligingly turns to look at the mutt, and the mutt does her very best to meet her eyes. She manages only a glance. Thereâs something unfocused in Celineâs gaze. âHow are you finding your room?â
âGood,â the mutt forces herself to say. âItâsâitâs very good.â
âHm,â says Celine.
The mutt wants to wipe her sweaty palms on her nice new linen pants, but she resists.
âSheâs been into linear algebra lately,â Mira says pointedly. âShe thinks eigen decomposition is elegant.â
âI see,â says Celine.
The mutt has something stuck in her throat, sheâs pretty sure, although she hasnât touched the orange slices.
Rumi slaps her thighs. âOkay! Celine, I have a sponsorship proposal I wanted to run by you. Could you join me in the office for a moment?â
It takes everything Rumi has in her not to immediately snap at Celine and ask her what the hell sheâs thinking once the door is shut behind them.
She takes a deep breath through her nose, grabbing her temper tight. âI donât know what your issue is, but you better work it out before we get back in there.â
Celine doesnât say anything.
Rumi doesnât know what she expected, but it wasnât that.
She turns around.
Celine is still standing at the door.
Rumi presses a hand against her temple, tired. âLook, IâI know Iâve done a lot of things that werenât necessarily what youâve wanted, butââ
âWhat?â
âSheâs just a kid,â she finishes, nonetheless. âWhatever it is, donât take it out on her.â
Celine looksâstricken, for some reason, at this remark. âRumi-ya, IâI didnât meanâIâm sorry, I never meantâI promisedââ
âTo protect all that was left of my mother, I know.â Rumiâs only heard it a million times. âIs that all you care about?â
âNo, Iââ Celine closes her eyes and leans back against the door. âBefore that. Miyeong made me promise her that I would never hold the demon against you.â
And Rumiâs breath stops. Her anger falters.
The demon means her father, however rarely Celine has spoken of him. Rarely enough that Rumiâs never heard this before.
âAnd I know she isnât guilty ofâŠâ Celine pushes the heels of her hands into her eyes. âShe looks so much like him.â
âGuilty?â Rumi echoes, the lump in her throat a violent and living thing.
(She doesnât remember when she first came to the quiet, sickening conclusion that her father had raped her mother. She does remember the momentâthe exact moment, watching Jinu look at that little girl with her hand drawn cardâwhen sheâd let herself consider anything else.)
Celine opens her eyes. âI never once looked at you and saw anything other than someone your mother loved. I know she isnât your father. Iâll get over it, I promise. I just need a minute.â
(The consideration turns to ash.)
âOh,â Rumi says.
âIâm messing this up,â says the mutt, worrying at her cuticle with a thumb. âWhat should I do?â
âNo, youâre not,â Mira grumbles, visibly annoyed. âCeline is.â
âYou were cute as a button!â Zoey agrees, and takes her hand so that now the cuticle-worrying is a much greater logistical challenge.
âAre buttons very good at making a good first impression?âÂ
Zoey giggles. âWell⊠Celine is notoriously hard to impress.â
âItâs not your fault,â Mira says firmly.
The mutt frowns. None of that sounds right. âYou donât need to lie,â she says.
Mira looks offended. âI donât lie.â
âSheâs a Hunter,â says the mutt. âIâm a demon.â
âCan I make it any more obvious?â says Zoey. âNo, Miraâs right, though. Even if that was her problem, no way thatâs your fault. She knows better by now.â
âI think sheâs⊠scared of me,â says the mutt.
They both laugh.Â
The mutt slips her hand away and tucks it in her lap.
âNooo, sweetie, Iâm sorry,â Zoey scrambles. âItâs just, we know Celine. She doesnât get scared like that.â
âIâm pretty sure sheâs a block of granite brought to life,â says Mira.
The mutt stares at her lap. She trusts their judgement, so much more than her own. But she knows what fear looks like.
On the streets, in a situation like this, the best strategy was to run. But, maybe here there could be a better option. She had rarely had the opportunity to clarify her intentions. Well, exceptâexcept for the woman who had taken the containers. And now sheâs gotten to apologize for that too.
For all the good that did. In order to explain herself, she needs to be able to explain stuff.Â
But maybe she can prove it.
Zoey says, âThat would explain her abs.â
Mira snickers.
The mutt considers her plan. Her thumb starts to drift towards her cuticle again.
âWe should do your nails sometime,â Mira says, passing her an orange segment, not casually at all.
Unfortunately, they took the peels off earlier, so all the fiddling that she could do with the orange would be messy. She takes it anyway.
âOoh, yes!â Zoey agrees. She holds her hands out in front of her, examining her nails. âSince weâre on hiatus right now, glam wonât even yell at us for at-home mani-pedis; we could have a chill hangout here or we could make a whole thing of it.â
The mutt knows this is an attempt to distract her from thinking about Celine. She hides her smile behind the orange segment. Lucky that she came up with an idea already.
âYou donât have to if you donât want to,â Mira adds. She gestures between herself and Zoey. âWe might be beholden to makeup culture and shit, but you shouldnât be.â
The mutt considers this, for a moment. Zoey had helped her clean and trim her nails once, on the same day she had taught her how to wash her hands properly (all while rambling about how being several centuries old did not mean that a demon couldnât keep up with advances in hygiene).
It was nice, having someone hold her hands so gently.
âMaybe,â she says. She would need to know more about what âa whole thing of itâ means first.
Before she can explain that, she hears footsteps down the hall, and goes still. Now it is time for her to put her plan into action.
Rumi comes in first, and she looks at the mutt, and she is⊠devastated. It is such an expression that the mutt looks down at herself, half-expecting to see blood spreading across her warm new shirt.
But there is nothing. And now her timing is off.
It is only after Celine comes in to the room, and not before she enters, that the mutt manages to sink to the floor, kneeling properly.
âWhat the fuck,â Rumi breathes out, looking wild eyed. âZoey?â
The mutt ignores them. Sheâs already been distracted enough. She needs to do this correctly.Â
She looks only at Celine. âYou can hit me, if you want,â she tells her, quiet and clear. âOr cut me with yourâthose big knives. Iâm not gonna bite you, or, or anything.â
âNo, no no no noââ Rumi chokes out, and starts to step in front of the mutt, and the mutt wants to wave her away, wants to tell her that if Celine could only cut her a little and feel reassured it would be so worth itâ
Butârather than summon her knives, or look reassured, Celine drops to her knees in the muttâs mirror image, and lets out a long, broken keen that reverberates jarringly through the Honmoon so far off-tune it hurts. She puts her face in her hands. The Honmoon pounds through the muttâs head to the rhythm of her sobs.
Sheâd braced for pain. But this is worse.
Rumi stutters between them in two aborted movements. Then she bends down to press a hard kiss to the top of the muttâs head and whirls around to wrap herself around Celine.
Celine doesnât hug her back; the tips of her fingers are white where they clutch at her head. Sheâs quieter now, but her body is still shaking with her sobs, and the Honmoon is still knocking through the mutt like a nauseating drum.
She thought sheâd understood. Celine had clearly wanted to hurt her when sheâd first seen her. Had been clearly afraid and unsettled after that. Sheâd thoughtâif she made the offer in good faith, to show she is harmless, that she means no harmâ
But Celine is hurting. Celine is hurt, maybe, in a way the mutt doesnât in fact understand.
âKid,â Mira is saying. âKid, noâno one gets toâno.â
And the mutt does not know when she came close, but she does know that she cannot move, not when Rumi is holding Celine and Celine is crying and the Honmoon is shaking andâ
Rumi buries her face in Celineâs hair, her voice low and hurried. âIâm okay, weâre okay, nothingâs going to happen, itâs not you, we re okay, itâs not you, nothingâs going to happen, I swear.â
âRumi?â Zoey says, her voice high and thin as she breaks the stream of Rumiâs words. âRumi, what do you mean?â
Rumi doesnât move, just keeps holding Celine, and they are both shaking now, the mutt thinks.
âI canât,â Celine whispers. The Honmoon screams an echo.
The mutt winces as it hits her, rattling her ribs, and Celine judders towards her, her tear-streaked face such a ragged mess that the mutt almost wants to flinch back at the sight of it.
But she does not, and Celine grabs her face with ungentle hands and rapidly pats her way down the muttâs shoulders in search of injury before collapsing again. âIâm sorry, I didnât meanâI tried to keep my promises, I did, I swear.â
The mutt sits, stiff and confused, as this woman of stone crumbles into her. She does not know what to do, and it is terrifying.
But Rumi follows, her voice breaking, the Honmoon stinging like tears on the muttâs cheeks. âYou did.â
Miraâs hands are on the muttâs shouldersâstill, again, she doesnât know, but they are rigid and stiff and the mutt feels like she is disappearing between them, an unthing.
And Rumi looks at Mira and Mira looks at Rumi and Celine holds tight and the mutt says, âIâm sorry, I didnât meanâI only wanted, I wanted to say that I am not going to bite.â
But no one hears. Mira says, âRumi, what did you do?â
And Rumi says, âIâm okay.â
And the Honmoon pounds.
Miraâs hands are heavy, and Celine is heavier, and the Honmoon squeezes, squeezes her, until she is nothing, nothing, until she is goneâ
And pops back into existence, crouched on all fours, on the other side of the room.
âHoly shit,â Zoey blurts out. âI didnât know you could do that.âÂ
Neither did the mutt. If she had, it mightâve made so many things so much easier, not least of them one of her dadâs very favorite experiments.Â
But now she has everyoneâs attention. This is nearly always bad. And things are quite bad already.
The mutt does what she used to do in such a situation: make herself small, bow down, and wait for the consequences.
She can hear a shuffle, and then Miraâs soft voice: âNo, give her space.â
Rumiâs anxiety is almost audible, a tightly wound thread. The mutt has no room for it in her head. She presses her forehead to the cool floor and tries to breathe through clenched teeth.
âItâs okay. Weâre okay.â
âI really need you to stop saying that for a second.â
The Honmoon is no longer on her, suffocating her; sheâd left it behind, as confused as the rest of them, all the way across the room. Still, itâs so hard to breathe properly. She tries, she tries.
More shuffling. A stagger. A horrible step in her direction. If anyone touches her, she might bite after all.
But no one does.
âPlease forgive my⊠outburst.â Celineâs voice is gravelly and rough, though it no longer trembles. âAre you hurt?â
The mutt shakes her head against the floor.
âGood.â Celine is silent for a long moment. The mutt can hear her breath; itâs loud, deliberate. Persuasive. âI did not require or expect an apology from you. I regret making you feel that I did.â
Thatâs no good. Thatâs worse. Without apologies, there is truly nothing the mutt has to offer.
âIf I did, I would neverââ Another pause. âIâhave been trying not to deal in unnecessary violence.â
The mutt thinks of glowing twin blades, taking shape from the Honmoon; of the intent for violence gleaming in narrowed eyes. She knows that look well.
Celine seems to follow her train of thought. âItâs a work in progress,â she says. âClearly.â
The mutt swallows. It scrapes. âYou think Iâm dangerous,â she manages.
âNo. Iââ Celine makes an impatient sound. âMy sense of danger could use⊠calibration.â
âI wonât hurt you,â the mutt tells her quietly. âI do not hurt people.â
âAll right,â says Celine. âI believe you.â
The mutt abruptly wants to cry.
âWould you believe me when I say that I will not hurt you?â Celine asks her.
The mutt swallows, again, twice. The fear is still there, a hard persistent lump. She understands about needing calibration. She wants to try. â...Okay.â
âMm.â Celine takes in a long noisy breath. The sound is a strange relief. âI find eigen decomposition rather elegant, as well.â
Celine and Rumi from deadbeat Mi-Yeong au swap with main Celine and Rumi pre-movie. Chaos and angst commence
(@fakelawyerbugâs deadbeat miyeong au)
Oh that would fuck everyone up
Like on main!Rumi and Celineâs side, theyâve just been dropped into a flower shop au where theyâre openly mother and daughter (Rumi wants and hates herself for it) (and so does Celine). They probably donât even realize the other SLS are alive at first, unless this is one of those variants where Miyeong and Third came stalking Celine to try to pat child support. Fucks them up so much worse when they realize
And on deadbeat!Rumi and Celineâs, suddenly itâs a high pressure, high profile, high performance situation⊠oh and Miyeong (and Third???) didnât drop out idol life due to scandal, no she fucking died. So everyoneâs way cooler about Rumi!
I'm thinking about what age Rumi would be and thinking what if this was happening right before debut.
Like Rumi is 18/19ish.
Db!Rumi and Db!Celine wake up in a high rise that Db!Celine couldn't dream of renting and before they even have a chance to breathe, Celine's assistant (what?) is knocking on the door with a private car (what?) because they're supposed to be running through the debut performance (what?).
(Db!Rumi is also supposed to be debuting in a week but Miyeong and Third had said that it was going to be a smaller venue and to just think of it as a performance review.)
(The honmoon was stable enough with two Sunlight Sisters still active and a scapegoat to absorb the fan backlash. Huntr/x could afford a slow launch.)
Instead, Db!Rumi and Db!Celine see a honmoon in a worse shape than they had ever seen it and a debut that was being billed as the debut of the decade. Fuck.
Meanwhile,
Main!Rumi and Main!Celine wake up in an apartment above a flowershop (huh?) and for some reason, the customers are all congratulating Rumi and asking her what her mother thinks of all this and it's so clear that they mean Celine and Rumi feels like someone's slid a knife between her ribs.
Mirror mirror part nine! First here, most recent here
For anyone just arriving: Celine swapped places with her evil, abusive AU counterpart, and has been attempting to fix things for Rumiâs counterpart, Sarang. Their relationship is currently tense, in between Celineâs arguable projection of main!Huntrix into mirror!Huntrix and mirror!Huntrixâs bluntly rejected proposal of therapy.
More Than Time Travel, Part 3
[A Mirror, Mirror AU] [first, second]
Context: Celine swaps with a version of Celine who isn't nightmarish awful but doesn't really see Rumi as a person per se.
While everyoneâs figured out itâs an alternate timeline situation, main!Huntrix are trying to prevent alt!Celine from doing more damage while wading through their own trauma, and alt!Rumi has had a breakdown about the difference between the universes and hurt her wrist in the process.
@fakelawyerbug
Mirror mirror part eight! First here, most recent here
For anyone just arriving: Celine swapped places with her evil, abusive AU counterpart, and has been attempting to fix things for Rumiâs counterpart, Sarang. A note from main!Huntrix explaining some of what went down with Rumiâs patterns sent Celine into a spiral, and made mirror!Huntrix aware of her suicidality.
what is it with people being obsessed with trying to find writers that orphaned their old works? i havenât written half the stuff iâve been asked about and iâm still irritated đ
Please donât do this. Itâs incredibly rude and the people who orphan their works orphan them for a reason and itâs not to have you go investigating like itâs a fun lil scavenger huntđ«©
is mother tuff
depends on what your definition of tuff is
but I would say yeah :)
New drunk marriage post since that other one was getting lonnnnnng (@frozenwolftemplar)
Now, see, weâre on the fun part: because while the girls did have a marriage ceremony, they are not legally married