Sweet Seals For You, Always
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art blog(derogatory)
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if i look back, i am lost
we're not kids anymore.
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@fools-art-gallery
"Everything Appears as it is: Infinite" by Alex Dodge
via The Spencer Museum of Art at the University of Kansas:
Material/technique: brail texture; six-color UV screen print Dimensions (Height x Width): 512 x 815 mm / 20 3/16 x 32 1/16 in Artist Alex Dodge made this print with a computer program that builds virtual spaces. The artist wanted to point out the contrast between the geometric human-made tiles and the wavy organic shapes made by the water. The geometric shapes (tiles) were formed by using angle measurements. The organic shapes (waves) were made by taking photographs of waves. Dodge used the computer program to blend the shapes together.
Liz Toohey-Wiese, 2024.
"A sign installed in the largest wildfire burn I’ve ever seen, along the BC/YK border. Borrowing the aesthetics of BC Recreation Site signs, once again pointing to the overlaps of outdoor recreation, resource extraction, and the consequences of the climate crisis. Most recreation sites in BC exist along previously built logging and mining roads.
“Forced into a great and difficult transformation” was a line I heard in a lecture on Buddhist philosophy I was listening to on my drive up north. But it became another mantra I thought about while living in a place that’s been utterly transformed by resource extraction over the past century, and as I thought about the burnt landscapes I drove through."
More here.
Two Earthlings (2009) by John Brosio
gay astronauts on a romantic honeymoon space adventure (oil on canvas 10" x 10")
Kerry Guinan
Artists, 2019
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Dominican Republic.
Images: Photograph of 3 canvases from the series in the solo exhibition 'Our Celestial Sphere' at Pallas Projects, Dublin, 2019.
Supported by the Arts Council of Ireland, Limerick Institute of Technology, and Fingal County Council. Images: Pallas Projects/Studios & Kerry Guinan.
(Original caption from artist’s website)
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Do
And after contacting the Irish Museum of Modern Art and being referred to a curator (!), they provided me with the caption information that was used when displaying the work for the Staying With The Trouble exhibition in 2025 (thank you so much IMMA staff!!)
Artists is a series of blank, square canvases, each signed by a staff member in the manufacturing facility that produced the canvases in the La Romana Free Trade Zone, the Dominican Republic. The manufacturer, Daler Rowney, is a popular supplier of art materials in Ireland. The artist coordinated the project remotely by contacting the facility manager. The signatories volunteered to take part in the project upon invitation. They are Johan Rivera, Carlos Roa, Aneury Rondon, and Orlando Saldivar.
Anyways, I’d spent about the last 6 hours of my life trying to find out this information after some discussion on artist supply chains came up on the dashboard. Hope you enjoy the work as much as I do.
I love the midwest so much
Vincent van Gogh - "Tree Trunks in the Grass" (1890)
Opeyemi Olukotun.
Opeyemi Olukotun (Nigerian, 1989), The Weight They Cannot See, 2024. Acrylic on canvas, 60 x 48 in.
Catherine Opie, Self Portrait/Pervert
The Video Rental Girl, by Alex Waterhouse (1983).
“Sunset over the Grocery Box,” by me. The view from my father’s front yard in January 2014.
“Sunset at the End of My Driveway (Excluding Pavements Covered With the Shite of One Million Dogs)” by me.
“Sunset from My Front Yard Taken on an iPod Touch in 2010″
“Sunset in Nov 2021 Taken in the Parking Lot of the Pharmacy”
the view across the road partially eclipsed by house, 2017
Taken from a stepladder putting up Christmas lights
-2014, front yard
“Brewing Storm on an Evening Commute”
And “Finally, no Power Lines”
-Sept. 30, 2020, passenger seat of a moving Buick
Behind a near-defunct mall in super small-town OK. HUGE rays.
Art in the Age of Digital Puritanism (2022) by Iness Rychlik The artist reposted it in 2024 "because it feels relevant in social media today".
Tailor at 10 PM
flicking back through my procreate library what the fuck was this
Things to look for in this:
Fish
Eyes
Body
I cant come to your birthday there's a big ass skullll flying araound
Vincent van Gogh - "Undergrowth" (1887)