L'aventure typographique de Wendy Cooper

Wendy Cooper is a creative explorer and a lover of typography

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A highlight of Radiohead's career thus far to commemorate the 20th anniversary edition of OK Computer

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Mogwai at Hamer Hall back in 2015

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Explosions in the Sky's set at the Melbourne Recital Centre this year was stellar. Their presence and joie de vivre made my night.

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A selection of science related songs inspired by the March for Science

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A playful mark for an energetic gig, Sonic Youth at the Metro way back in '93 for the Pretty Fucking Dirty tour

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The Institute for Intuiitive Intelligence is a new logo in the suite of Lightworker identities

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Flash Cove, a 10pp translocal poetry magazine. Available via Facebook and at Milly Sleeping.

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Introducing Jeremy & You, a mulit-disicplinary consultancy that has You at the core of its strategy and implementation. Get acquainted at jeremyandyou.com

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This is the beginning. Here is where the story begins… Craig Morgan Teicher, This is the Story from Paris Review no. 216, Spring 2016

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Maggie Nelson’s The Argonauts is a raw, fearless account of her relationship with artist Harry Dodge

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A duplex print on 100% recycled stock that uses a Scotch Roman serif and colours to create the vibe of New York in the 70s; inspired by the beloved Woody Allen movie, Annie Hall.

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A geometric sans serif identity and sexy gold foil business cards for Lightworker Institute

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Wendy Cooper, a logotype for my new business cards inspired by the beloved Woody Allen movie, Annie Hall

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A geometric typeface inspired by the four-bar iconography of Raymond Pettibon’s Black Flag

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Amazing, a typographic greeting card