NASA
let's talk about Bridgerton tea, my ask is open

#extradirty
TVSTRANGERTHINGS
noise dept.
Mike Driver
I'd rather be in outer space đ¸
ojovivo
Cosimo Galluzzi
Monterey Bay Aquarium

Janaina Medeiros
$LAYYYTER
Cosmic Funnies

çĽćĽ / Permanent Vacation

Andulka
PUT YOUR BEARD IN MY MOUTH

No title available
almost home

Product Placement
todays bird
seen from Malaysia

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seen from TĂźrkiye
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@franticfantasy
I know Iâm insanely late but I just got my tickets in the mail for the Hella Mega Tour! This is going to be fantastic who else is as excited as I am??? What dates are you going to and who are you most excited to see? Let me know!
NEW ALBUM "NINE" OUT NOW AT https://blink182.lnk.to/nineAY blink-182 merch store http://smarturl.it/blink182merch Text blink-182 (323) 831-0182 Follow The Ba...
So far the new Blink album isnât too bad. Nice and refreshing. This is currently the song Iâm most into for the moment from the album. What do you think of the new Blink 182 album Nine?
Brendon talking about Taylor Swiftâs countdown (April 24th, 2019)
GIVE THE MAN AN OSCAR!
This was some of the most impressive acting I have EVER seen.
Music video by Taylor Swift performing ME! (feat. Brendon Urie of Panic! At The Disco). Download here: https://TaylorSwift.lnk.to/MeYD âşExclusive Merch: http...
Brendon is out here further expanding his reach and repertoire being a part of Taylor Swiftâs new music video âME!â. Iâm not going to lie, the only reason Iâve listened to this song is because of the fact that Brendon is on this song.Â
His performance is flawless as always, and while Iâm most likely not going to start listening to more Taylor Swift it is nice to see more people know who Brendon Urie is.
(P.S. am I the only one slightly annoyed that more people now know Brendon/Panic! at the Disco as the âHigh Hopesâ band rather than âI Write Sins Not Tragediesâ? Please tell me Iâm not alone)
New Song Sum 41Â âOut for Bloodâ April 23rd, 2019
Sum 41 premiered a new single titled âOut for Bloodâ on Sirius Xm radio earlier today around noon.
Right as the song was about to go live the DJ mentioned how Sum 41 are aiming to release their new album currently titled âOrder in Declineâ this upcoming summer on July 19th. So right after this current âNo Personal Spaceâ club tour expect to hear new music, possibly even teasing the new songs while on the road.
For the most part âOut for Bloodâ is reminiscent of 2013â˛s 13 Voices sound. It is definitely more heavier than their more punkish catalogue. But itâs not unwelcomed, current skumfuk reactions are mainly positive.
A steady drum beat drives the song along with heavy guitars and Deryckâs vocals are as clear and crisp as ever.
The guitar solo is absolutely insane. When hearing this song live expect not only tons of moshing, but even during the bridge leaves a perfect opportunity for a wall of death. Be prepared
Personally the only gripe I have with this song is itâs chorus, to me it sounds like almost every other chorus to all their other heavy songs. Very constant and fast drum rhythms and guitar shredding. But if thatâs what you love about Sum 41â˛s sound then youâll love this new single.
Rating: 4/5
What do you think of Sum 41â˛s new single âOut for Bloodâ?
Hereâs a current link where you can listen for the time being before itâs up on spotify or apple music
https://www.youtube.com/watch?v=6s2A3VCN1Rs
On this day in music history: April 12, 1982 - âAmerican Foolâ, the fifth album by John Cougar (Mellencamp) is released. Produced by John Mellencamp and Don Gehman, it is recorded at Cherokee Studios in Los Angeles, CA and Criteria Studios in Miami, FL from October 1981 - February 1982. Recording since 1976 with only minimal success, musician John Mellencamp, still known by his stage name âJohn Cougarâ at the time, is at a career crossroads. After finally scoring his highest charting single to date in 1981 with âAinât Even Done with the Nightâ (#17 Pop), Mellencamp feels significant pressure to deliver a bigger hit, or be dropped from his contract. Writing on his own, with guitarist Larry Crane and childhood friend George M. Green, Mellencamp comes up with more than twenty new songs for his next album. Constantly at odds with Polygram Records who are trying to push the musician in a more pop, middle of the road vein like âNeil Diamondâ, John stubbornly resists and stays true to his own musical vision. While hearing the work in progress, A&R executives bluntly tell him that they donât hear any hits, including âHurts So Goodâ (#2 Pop). Written with George Green, John writes the chorus for âGoodâ first, then finishes lyrics with Green exchanging lines âback and forthâ. Picking up his guitar, Mellencamp quickly comes up with the chords for the song. Recording it at Cherokee Studios in Los Angeles, Polygram is initially unimpressed with âHurts So Goodâ but go with it as the first single. Released on April Foolâs Day" in 1982, the song initially gets off to a slow start entering the Hot 100 at #82 on April 24, 1982. It climbs the chart slowly and steadily for the first eight weeks on, then suddenly leaps from #17 to #9 the week of June 19, 1982. From there, it climbs to the runner up spot, spending four weeks behind Survivorâs monster hit âEye Of The Tigerâ. In all, âHurts So Goodâ stays on the Hot 100 for twenty eight weeks, including sixteen in the top ten alone. The single also wins Mellencamp a Grammy Award for Best Male Rock Vocal Performance in 1983. The follow up âJack And Dianeâ (#1 Pop) is an even bigger hit, spending a month at the top of the charts. âJackâ features former David Bowie guitarist Mick Ronson, who is also instrumental in creating the songâs final arrangement. Spinning off one more single with âHand To Hold On Toâ (#19 Pop), âAmerican Foolâ becomes John Cougarâs long awaited breakthrough album, and one of the biggest sellers of the year. Originally released on CD in the mid 80âs, it is remastered and reissued in 2005, with one additional bonus track. Out of print on vinyl since 1989, it is reissued as a 180 gram LP in 2016 by UMe. âAmerican Foolâ spends nine weeks at number one on the Billboard Top 200, and is certified 5x Platinum in the US by the RIAA.
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Record Store Day 2019
Happy Record Store Day everybody!Â
For those of you that donât know, Record Store Day is a day to celebrate the thousands of independently owned record stores all around the US, and now all around the world. The main attraction is of course, the rare reprints and releases to get customers in the stores and appreciate the culture of the record store community.
Some of the big attractions this year for Record Store Day are Green Dayâs 1994 Woodstock performance finally released on vinyl. If you want this rare gem, be sure to get to your local record store today.
Another are of course the picture disks. There are a variety of picture disks but one in particular that is probably going to sell out today is Queenâs Bohemian Rhapsody picture disk release. Queen itself is a fan favorite for everyone, especially âBohemian Rhapsodyâ as a mandatory headbanger and classic. But with the help of Rami Malek portraying Freddie Mercury in the Biopic of the same name recently, this is sure to be an instant sellout.
This yearâs Record Store Day Ambassadors are Pearl Jam so if youâre into classic 90â˛s grunge, this is just an added bonus.
If youâre in the NYC area like I am hereâs a short list of participating record stores where you can snag your own copy:
Rough Trade-Brooklyn, NYÂ 64 North 9th Street
Turntable Labs-New York, NY 84 East 10th Street
Earwax Records-Brooklyn NY, 167 North 9th Street
Academy Records & CD-New York, NYÂ 12 West 18th Street
HiFi Records-Astoria, NYÂ 23-19 Steinway Street
For a list of more available stores in your area, go visit the official Record Store Day website at https://recordstoreday.com/Home
And for those who canât make it out or canât compete with the crowds, a lot of these stores will be selling leftover copies on their websites starting tomorrow. So be on the lookout!
What are you looking forward to getting on Record Store Day? Let me know!
--Em
Gerard Way for the New York Times (15 February 2019)
I The Mighty at the Gramercy Theatre 4/11/19
I know itâs been quite a long time since Iâve posted or updated really anything on here. Apologies, money gets tight and time gets short.
I did however see I The Mighty last night as they supported Polyphia on tour along with Tides of Man at the Gramercy Theatre and I was not disappointed.
Gramercy Theatre isnât the biggest venue in NYC by any means. Their capacity is just around 500
Tides of Man opened first. The Prog Rock band from Florida did a decent job of holding the audiencesâ attention throughout their short set. The entire set was solely instrumental (which was a perfect fit for a tour supporting Polyphia). Mainly due to their lead vocalist leaving back in 2010. These guys let the music speak for itself. That being said there wasnât much of a stage performance from the band. But if youâre looking for a good band just to vibe to when you donât want to be distracted from lyrics and really connect to the music. Overall, recommend.
I The Mighty was up next. Although they were the supporting band on tour, a majority of the crowd was fully amped for when they came on stage. While in the crowd there were many people who had no idea who I The Mighty were; yet all were thoroughly enjoying the performance and bobbing along.
The band played a good number of songs from their latest album Where the Mind Wants to Go/Where You Let it Go, the biggest crowd pleaser was âChaos in Motionâ. Bassist Chris Hinkley did an excellent job engaging with the audience throughout and getting them on their feet and moving around to the music. Brent Walshâs vocals sound exactly as it does on the record. The amount of passion and fun these guys had on stage truly showed through and radiated throughout the venue.
Their stage performance was highly entertaining. From Chris jumping onto the drum riser mid song, Brent running around the stage, Ian completely owning his skill set on the guitar, and Blake just killing it on the drums; there was never a dull moment on stage.
The most heartfelt moment of the night was right before they played their newest single âCave Inâ. Brent tells the crowd how this song in particular took around 15 years to write, because of the personal aspects that heâs dealt with and all that going into the song. He tells of how most people have dealt with addiction in some form, drug, alcohol, etc. and how his connection was through his father and alcohol. He makes a point not to preach and say for each and every person to live their own lives, but to apologize to the people youâve hurt along your way once you realize it. A very sentimental and intimate moment shared in a most intimate way.
Iâm not gonna lie, Iâm still a student and needed to go to bed so I didnât stay for the entirety of Polyphiaâs set. I did stay for the first few songs they played though. I did appreciate their running joke of asking the audience to sing along if they know the words being a primarily instrumental band. Iâve never seen an audience mosh so hard to instrumental music before so that was new and exciting to see (from afar). Much more intense than Tides of Man with a lot of great energy and passion. While I didnât stay for the entire show, I do see myself listening to more of the self proclaimed âGreatest Metal Band Everâ in the future.
--Em
Itâs finally here!!! The highly anticipated new Twenty One Pilots album Trench has just been released. Definitely worthy of todayâs music recommendation. Listen and see for yourself!
Because, really, who wouldnât want this? đ . . #altpress #ap #alternativepress #iamap #mrbrightside #thekillers #sayanything #lovesongs #meme â view on Instagram https://ift.tt/2xZ9jbb
all time low // everything is fine
How about a punk/rock filled October? A different music recommendation every day leading up to Halloween. Little Monster by Royal Blood on their first self titled album is always a personal favorite.