Fridge_Artist @fridge-artist - Tumblr Blog

made a comic about jesus and st. peter, my fav apostle

they reason they both look like they just survived a hurricane is because in the bible, peter saw jesus on the shore while he was fishing and he was so excited he jumped into the water and swam to greet him and jesus made him and the other disciples a fire and food lol

creepy-n-sleepy

thatsmolwolf

“Oh gosh I think im bleeding through my pants.”

The humble blood clot:

bs-fangirl

Behind The Scenes Photos From Iron Lung

Clean and clear set photos from Gabriela Torres, Lead Scenic Artist, and Iman Corbani, Production Designer

Iron Lung BTS Photo Sets: 1st - 2nd (movie spoilers) - 4th - 5th (creature concepts) - 6th (sub concepts)

tomorobo-illust

See hi-res version here: patreon.com/posts/158992225

Aah! Thank you so much for enjoying them!! I've been having lots of fun here too 💕✨

Here is a personal headcanon I had playing around in my head and just happened to have been working on owo.

I mentioned in this post [ tomorobo-illust.tumblr.com/post/814965937824464896/see-hi-res-version-here ] that Simon can regenerate body parts now but with side effects. The reason is during the explosion that happened in the canon Iron Lung film, was the same event that caused them to be teleported to the Project Hail Mary universe. During this, the Blood Eel, the seed and Simon fused, both entering his body via his open wounds.

The seed is feeding off of the Blood Eel, keeping them contained and too weak to overpower Simon. However, if the Blood Eel ever dies out, it will start feeding off of Simon next and might end in something similar to the 'Hanahaki Disease' suffering.

Simon is unaware of the sprout within him at the moment. He's more afraid of the possibility of the Blood Eel escaping and destroying Planet Erid and the lives of everyone who saved him.

m--bloop

S4E1 - Welcome to Korea

S9E12 - Depressing News

S11E16 - Goodbye, Farewell and Amen

Maybe This Time from Cabaret

aerequets

something about death, and sustenance, and decay. Idk

zhoudadudugongjin

Look I love unconditional devotion love stories as much as the next person, but there's really something so deliciously raw about conditional devotion.

I have served you and I have loved you for decades, but I will not give up my principles for you. You cut out part of my heart and took it with you down that path that you insist on walking, but you walk it alone. Even when the bleeding, gaping hole you left in my chest kills me, I will not follow you.

thewritingautisticat

The love is unconditional, the devotion is not.

I will love you to the end of my days but the choices you're making are something I cannot follow you in. I love you. I love you even as your choices leave me bleeding behind you. My love for you will kill me. But I will not follow you, because what you are doing is wrong. I will try to stop you because I love you.

I love you. I will always love you. I will not follow you.

battybat604

Really? Right across the Daily Planet where *everyone* can admire the view??

funkylittlebats

Iron Lung is great bc it asks the question what if the sacrificial lamb was evil. What if the lamb thought itself evil. What if everyone else thought the lamb evil. What if the lamb wasn't evil what if the lamb is just a lamb, bleeting desperately to escape its undue sacrifice. What if the lamb knew it was a sacrifice from the start. What if the lamb just wanted to live. What if the lamb wanted to live so fucking bad. What if the lamb wanted the flock to live more. What if the lamb accepts its own sacrifice, leans into the glinting knife, in the hopes that the flock survives.

valtsv

taking off a mask to reveal what lies beneath as a romantic gesture is overdone, and besides i want to see the romantic or even platonic potential of protecting someone's identity beneath the mask, without any expectation of ever being allowed to see what's under it. picking it up and holding it gently to their face when it's knocked off and they're in danger of being exposed, without trying to catch a glimpse of what they "really" look like under there. throwing yourself in front of them to hide them from view while they put themselves back together without taking advantage or looking back to see what you're protecting. learning to read them by body language, tone of voice, and behaviour so well that you never need to see their face to feel like you know and understand them.

velvetvexations

Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines

velvetvexations

So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.

Al Feldstein, Tales of Terror: The EC Companion

iconuk01

Just to add context for those not aware of the impact of this story.

The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.

They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.

The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.

The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.

The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.

Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.

Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.

The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.

assortedinsanities

Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.

As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.

about-faces

alex51324

reblogging for Black History Month!

trismeowgistus

okay so the problem with nonfags' analysis of homoeroticism in art is that most of you are very very bad at recognizing actual homoeroticism. I say this as a gay man.

trismeowgistus

like most of what you guys think is homoeroticism is actually just "gay bravado", which is a process where straight men ritually reinforce their own heterosexuality by joking about gay sex with each other. It's a form of homophobia. The joke is that gay sex is repulsive, bizarre, and inconceivable for them to actually engage in. it's incredibly common and I can't believe we're still having this discussion honestly

trismeowgistus