
Kiana Khansmith

if i look back, i am lost

祝日 / Permanent Vacation

tannertan36
occasionally subtle
Peter Solarz

Love Begins
Misplaced Lens Cap
tumblr dot com
he wasn't even looking at me and he found me

oozey mess
YOU ARE THE REASON

blake kathryn
we're not kids anymore.

@theartofmadeline
Today's Document
Jules of Nature
RMH

pixel skylines
Sweet Seals For You, Always
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seen from United States

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@fro-grl
last time i did this my wish really came true. so im going to wish again
nothing to lose. :))
Let’s hope
Why not? :)
*crossing fingers*
pretty much^^^^
i got nothing to lose. (:
Last time i did this my wish came true.
Jesus Christ if my wish comes true I will piss
im fucking crying of joy at the /thought/ of my wish coming true…
it came true last time…so why not
hoping and praying…
Why not.
lets see.
my wish came true……………..this is creepy
Why not lol
I’m desperate at this point
So there is a way i can pass my exams 😍😂
IG: xstargirll
My momma gets a new well paid job amd we all live happily
My momma gets a new well paid job amd we all live happily
uniform
The Conversion of Saint Paul
by Dani Pujalte
summer time at the city farm
a\t\ that 90/s Getty Tint
Constance Debré's father //Francois||
MICKALENE THOMAS “Angelitos Negros”, 2016 eight (8) two-channel HD video duration: 23 minutes, New York.
“Hunched over a computer in her studio, Thomas shows me one of the works that’s in the show. It’s a four-channel video piece based on Eartha Kitt’s performance of “Angelitos Negros,” or, “Little Black Angels,” a song that finds the singer wondering why, when she enters a church, she only sees images of white angels. She implores painters to paint black angels for “all good blacks in heaven.” Thomas’ take on the video features herself, Racquel, and an actress, all reenacting Eartha Kitt’s performance alongside Kitt’s original, their four voices intertwining for the audio.
“How come you don’t paint our skin?” Kitt, Thomas, and the other women ask in song. Even though the work positions Thomas as an observer of art, in reality she is one of the painters to whom the song begs representation. Her every work is an answer to the song’s plea—Mickalene Thomas is forever painting our skin.” —-The Creator’s Project, Gabrielle Bruney
“I hate endings… The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.”
— Sam Shepard
realizing this is h1mward on the left???
Unknown Young Man at his Office Desk, 1541, Hans Holbein the Younger
Medium: oil,wood