Full Spectrum

Graphic Design Studio specializing in print, media, and web.

[evilfaeries]

The Avengers. It’s what we call ourselves. 

[fsdesign-blog]

Helvetica Twitter Background for screens up to 2560px wide.

Designed by @vtoles

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Sexy Sign-up Form - Download

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Clean and Simple Image Slider - Download

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Sometimes you gotta do it yourself.

@vtoles

[storyboard]

Peter Vidani on the Evolution of the Tumblr Dashboard

Ministry of Design senior minister Peter Vidani lays hands on every aspect of Tumblr’s visual and usage aesthetic. Initially contracted to work on theme creation, he came aboard full-time in 2009 and has steadily advanced his design philosophy of utility and simplicity. One of his primary, perpetual obsessions could be considered the real face of Tumblr: the Dashboard.

Read More

[mrdiv]

spherify

[fsdesign-blog]

10 highly detailed vector trees with their shadows. You can change colors with ease and size for perspective with no quality loss. Just drag and drop into your design to create any type of forest in seconds.

Vector Trees - Download

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@vtoles featured in #putsiii promovideo from the mademonarchs

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A set of jumper cables walks into a bar. The bartender looks at them and says, "OK, I'll serve you, but don't start anything."

LOL

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Found this at Pix Eden

A trendy industrial style business card template. Perfect for any business that needs a classic and intemporal look for its corporate business card.

Business Card Template - Download

[fsdesign-blog]

Two Words

Joey Pfeifer

{Cool-Ass Designer}

Twitter, Tumblr, Web

{Thank You}

Whilst, studying the new Tumblr #storyboard. I found his name throughout the css, and page sources, lol. I just found another visionary.

Thank you for your constant work effort and beautiful designs.

[fsdesign-blog]

Overall, this is a nice picture, when its larger.

from tumblr's story board

[repllicunt]

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Low-Key

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Joss Whedon, Director of Marvel's The Avengers

"Avengers" assemble $180 million internationally, before hitting the U.S.

[fsdesign-blog]

"Have been instructed to make Bambi a member of the X-Men," joked British comics superstar Warren Ellis on Twitter yesterday, as news broke that Disney would be buying Marvel Comics in a surprise $4bn (£2.4bn). "Can now officially have The Punisher target the entire cast of Hannah Montana," added his American counterpart Jason Aaron soon afterwards. Meanwhile, the Super Punch blog was collecting"Disney/Marvel" mash-ups which showed Mickey Mouse infected by the Venom symbiote and Donald Duck with Wolverine's claws. The comic possibilities of this union are plainly endless; how about the creative possibilities? What almost everyone seems to agree on is that Disney didn't spend all that money to get deeper into selling comics, a business which is facing the print advertising slump just like everyone else and which has responded this year with a potentially suicidal 33% increase in cover prices. Rather, Disney wants the intellectual property: 70 years of stories featuring over 5,000 characters, many of them – including Spider-Man and Captain America – established cultural icons, and perfect grist for toys, cartoons, theme parks, and above all, films. (Of the 25 highest-grossing films of all time, four are recent Marvel adaptations.) Indeed, the very same day as the Marvel/Disney announcement, it was revealed that a complete overhaul of the Fantastic Four series is in the works.

Except, it will be made by Fox, who still have the rights. This is the big caveat to all the excitement: Marvel's sale won't affect any existing licensing details, which means that, for the moment, Disney are still blocked from capitalising on many of Marvel's most prominent names (and quite a lot of obscure ones too). Marvel had already been developing in-house projects based around Black Panther, Cable, Doctor Strange, Iron Fist, Nighthawk and Vision, which it can now pass up to Disney. Films about Doctor Strange and Iron Fist could be great: they're both thrilling characters with well-developed back-stories and supporting casts. But the fact that Marvel had resorted to a character like Nighthawk, whom no non-comics reader has heard of and who hasn't even appeared in any print titles this year, shows how little there is left to play with.

Still, as years pass, lots of rights will presumably begin to revert, and Marvel/Disney will finally get their own crack at the likes of the Fantastic Four. In this respect, change can only be a good thing: with the exception of the magnificent Iron Man, Marvel adaptations have not only been uniformly disappointing, they've actually been getting steadily worse. There's no guarantee that Disney will do a better job than Fox or Paramount, but it's encouraging to hear that Marvel creative executives have already met with Pixar's John Lasseter. Imagine a superhero film as warm, witty and inventive as The Incredibles, but full of characters we already know and love. That would be such a gift that, for all I care, it really could recruit Bambi to the X-Men.

[fsdesign-blog]

First off, watch in 1080pHD. Without a doubt, this is the most complex clip I've ever completed; including precompositions, the complete After Effects project had over 1700 layers. Seated at my desk, I command an interactive volumetric display as part of the archetypical sci-fi holographic user interface. Inspired by the "Mark II" scene in Iron Man (2008). Special thanks to Kaleb Horn for voicing the character Jarvis. Please Rate & Comment!! http://www.cosmosdarwin.com