Even as shows such as āBlack-ish,ā āEmpireā and āCristelaā broaden the diversity of characters and stories on television, the opportunities for first-time female and minority directors on TV remain limited.
Women make up only 18% of first-time directors on episodic TV shows, while minorities comprise only 13% of first-time directors, according toĀ a studyĀ published this week by theĀ Directors Guild of America. The study charted the five-year period from the 2009-10 season through the 2013-14 season (excluding pilots).
āEvery director needs a first shot to break into the business,ā said DGA President Paris Barclay in a statement. Barclay, who is African American, has directed episodes of television programs such as Foxās āGlee,ā FXās āSons of Anarchyā and āThe Good Wifeā on CBS.
He added: āWhat this report reveals is that studios, networks and executive producers need to challenge their own hiring practices and offer talented women and minority directors the same opportunities they are giving white males.ā
The study examined the demographics of 479 people in their first television directing jobs. Of these, 87% of first-time television directors were white, while 82% were male. According to the most recentĀ census data, only 63% of the U.S. population is white, while 51% of the U.S. population is female.
This followsĀ another DGA study, released in September, which showed that the representation of women and minorities in prime-time episodic directing jobs has not shown improvement in recent years. Among the findings were that white males had directed 69% of all prime time episodes, with minority men accounting for only 17%, white women for 12% and minority women for a mere 2%.
The new study revealed that 28% of first-time television directors were writers prior to taking the directorās chair. Another 18% were actors and 10% were assistant directors or unit production managers.
Sheās princess of Wakanda, but also she designs all of the new technology there. She has an innovative spirit and an innovative mind, and she wants to take Wakanda to a new place.
With only a $5 million budget, Jordan Peeleās blockbuster hit Get Out is now the highest-grossing domestic hit ever by a black filmmaker. So far the movie has made a whopping $162.8 million in North America, beating F. Gary Grayās Straight Outta Compton.
āYou know that feeling when you see someone getting off a bus and their body language as they disembark⦠you can feel everything about that experience. I think we carry so much and communicate so much through our bodies. And thereās a really kind of guttural connection to that, as simple as seeing someone smile and wanting to smile. We share so much through small gestures that we make everyday and, for me, cinema is a language to express that because it can put you in the point of view of another body like no other medium. Thereās traditional dance on film but Iām also interested in this other space, which is focused on just how we communicate, and how to express that through such a vibrant and living art form.ā
Read: Tribeca alumnus Anna Rose Holmer talks to Matthew Eng about her gorgeous and psychologically-astute feature directorial debut,Ā The Fits, now back at Metrograph for a limited time only!
LETāS JUST BE FRIENDS ā A comedy about the tragedy that dating has become.
Click here to help bring this film to theaters: http://kck.st/2k6gGnT
Remember the days of black love stories? Love Jones, Brown Sugar, Love and Basketball⦠We do too, and we want to make a movie like that for our generation. But we canāt do it without you!
Written and Directed by Damilare Sonoiki
Christian Adkins - DP
Starring Keith Powers, Pepi Sonuga, Jodie Turner-Smith, Andrea Ellsworth, Khadija Shari, Cottrell Guidry, Brittany Panzer, Millana Snow and Nayriah Teshali
Art - Meryl Natow
1st AC - Josh Schnose
2nd AC - Michael Williams
DIT - Kathleen McAuley
DIT - Isaiah Smith
1st AD - Sierra Phelps
Gaffer - Bob Good
Best Boy Electric - Brice Porter
Key Grip - Silvester Rios
Best Boy Grip - Rapha Bola
Sound Mixer - Kyle Jacobsen
Sound Mixer - Andrew Pitts
Set Decorator - Kyrie Chalmers
Production Assistant - Stephen Aderibigbe
Production Assistant - Peace Oyetunji
Hair & Makeup - Eliven Quiros
Andrea Espinosa - Assistant Editor
I was a wild li'l shorty, man, just like you. Runninā around with no shoes on when the moon was out. This one time⦠I run by this old⦠this old lady. I was runninā, hollerinā⦠cuttinā a fool, boy. This old lady, she stopped me. She said⦠āRunning around, catching up all that light. In moonlight, black boys look blue. You blue. Thatās what I gonā call you. Blue.ā
Dan Gilroy (Nightcrawler) is directing Sonyās legal thriller, which will co-star Colin Farrell.
āFresh off a Best Picture win for Moonlight, up-and-coming actor Ashton Sanders is in negotiations to join Denzel Washington and Colin Farrell in Dan Gilroyās legal thriller INNER CITY, the Tracking Board has exclusively learned.
Washington will play a lawyer who discovers that his firm hasnāt always acted in accordance with his personal values, leading to an existential crisis that forces him to take extreme action.
Sanders will play an impressionable recent law school graduate who helps Washington with pro bono cases.ā