Andrew Copland (d. 1807) by George Watson, 1802
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Andrew Copland (d. 1807) by George Watson, 1802
1800s Week!
aseantoo submitted to medievalpoc:
Juan Luna
Self-portrait
Italy, Rome (1879)
National Museum of the Philippines
[x]
Juan Luna y Novicio (1857 – 1899) was one of the first Filipino artists to become recognised internationally. He lived in Europe from 1877 to 1894, creating historical paintings and sculptures, even becoming a friend of the King of Spain.
In 1884, he won First Prize at the Exposición Nacional de Bellas Artes in Madrid for his painting of Roman gladiators. Coincidentally, it was another Filipino painter, Félix Resurrección Hidalgo (1855-1933), who won the Second Prize!
Their success was hailed by Filipino reformists as a sign that despite being seen as a “barbarian race”, they could paint better than the Spanish who colonised them.
Juan Luna
Spoliarium
Italy, Rome (1884)
Oil on poplar
National Museum of the Philippines
[x]
Félix Resurrección Hidalgo
The Christian Virgins Exposed to the Populace / Las virgenes Cristianas expuestas al populacho
Spain (1884)
Metropolitan Museum of the Philippines
[x]
Portrait of a young Man, Anton Einsle (1841)
aseantoo submitted to medievalpoc:
Sir Joshua Reynolds
Portrait of Omai, a South Sea Islander who travelled to England with the second expedition of captain Cook
England (1776)
Oil on canvas
236 × 145.5 cm (92.9 × 57.3 in)
Collection of John Magnier
[x]
Mai (c.1751-1780), known as Omai in the UK, was the second ever Polynesian to visit Europe. (The first was Ahu-toru who was brought to Paris by Bougainville in 1768.)
Mai came from Ra’iātea, now in French Polynesia.
Wikipedia describes his life thus:
In August 1773 he embarked from Huahine on the British ship HMS Adventure, commanded by Commander Tobias Furneaux, which had touched at Tahiti as part of James Cook’s second voyage of discovery in the Pacific. Omai travelled to Europe on Adventure, arriving at London in October 1774 where he was introduced into society by the naturalist Sir Joseph Banks.
During his two-year stay in England, Omai became much admired within London high society. Renowned for his charm, quick wit and exotic good looks, he quickly became a favourite of the aristocratic elite.[2] Banks regularly invited Omai to dine with the Royal Society and arranged meetings with notable celebrities of the time, including Lord Sandwich, Dr Samuel Johnson, Frances Burney, and Anna Seward, among others. Richard Holmes remarks that Omai’s idiosyncratic behaviour and distinctive bow were widely celebrated. Indeed, during one famed meeting with King George III at Kew, Omai is said to have delivered his bow then grasped the King’s hand, declaring, “How do, King Tosh!”
His portrait was painted by Sir Joshua Reynolds among others, and his journey to England and subsequent return to Tahiti with Cook on his third voyage in 1776 became the subject of a theatrical production, written and directed by the dramatist John O’Keefe, entitled Omai – A Voyage ‘round the World that was performed during the 1785 Christmas season at London’s Theatre Royal in Covent Garden.
Omai served as an interpreter to Cook on both his second and third voyages. He settled in Huahine on his return to the Pacific. During the Bounty’s visit to Tahiti in 1789, Captain Bligh was told Omai had died about two and a half years after Cook’s departure in November 1777
Sir Joshua Reynolds: Francis Russell, the Marquess of Tavistock (d.1767)
Dante Gabriel Rossetti: Self-portrait
Nicholas Hilliard: Sir Walter Ralegh
William Abbot
Carl Rudolph Sohn: Cetshwayo
Daniel Mytens: Self-Portrait
Rudolf Swoboda: Bulbir Gurung
Giuseppe Nogari: Anthony Van Dyck
Rudolf Swoboda: Addu
Sir Anthony van Dyck: Zeger van Hontsum
Rudolf Swoboda: Muhammad Hussain
John Hoppner: Horatio Nelson
Rudolf Swoboda: Saiyad Ahmad Hussain