"Kinship". Photographed by Elizaveta Porodina for Atmos.Earth June 2024

Andulka
YOU ARE THE REASON
🩵 avery cochrane 🩵
Noah Kahan
Monterey Bay Aquarium
will byers stan first human second
Stranger Things
I'd rather be in outer space 🛸
Cosimo Galluzzi
tumblr dot com
The Bowery Presents

★

No title available

Love Begins
official daine visual archive
noise dept.
Sweet Seals For You, Always
todays bird
Not today Justin

No title available
seen from Malaysia
seen from Switzerland

seen from Malaysia

seen from Nicaragua

seen from United States

seen from Netherlands

seen from Malaysia
seen from United Kingdom

seen from United States
seen from United States
seen from Brunei

seen from Malaysia
seen from Vietnam
seen from Malaysia

seen from Brazil
seen from Tunisia
seen from Vietnam
seen from India
seen from United States
seen from Mexico
@fuguette
"Kinship". Photographed by Elizaveta Porodina for Atmos.Earth June 2024
Dismissing Photograph, Kim Winderman
Unknown Photographer, ( From Robert Flynn’s Collection of “Anonymous Photographs”) Japan, ca. 1928
Fernando Lemos, Sophia de Mello Breyner, Alfama, Lisboa, Portugal, 1949
Francesco Sambati
Francesco Sambati
Walter Richard Sickert, The Acting Manager or Rehearsal: The End of the Act, ca. 1885, oil on canvas
Wolf von dem Bussche, Homage to Stieglitz, portfolio “N.Y., N.Y.”, 1976 (551.1982.b)
Neusörnewitz - Eric Keller , 2014.
German, b. 1985 -
Oil on wood , 80 x 100 cm. 31 1/3 x 39 1/3 in.
Bronwen Sleigh (British, 1980), Sinclair Drive, 2022. Hand-coloured etching, 52 x 72 m. Edition of 30
Walter Lazzaro (Italian, 1914-1989), Barca bianca [White Boat], 1976. Oil on board, 18.3 x 24.4 cm.
ERIK BULATOV Winter, 1988-1989
Call me, Zhiyong Jing
Anna Trochim — Azure Landscape (oil on canvas, 2016)
Rae Klein - Gemini II, 2022
Ross Bleckner (American, b. 1949)
Untitled, 1995
Oil on canvas
Cold southern gales blasting across Slope Point - located on the southernmost tip of New Zealand’s South Island - has given rise to this unique natural phenomenon: the trees here, being persistently battered by powerful winds coming in from the open ocean, have a permanently wind-swept appearance to them.
(Artist | Source)
Mayo (Antoine Malliarakis) (Greek/French, 1905-1990), L'oeil vague II [Eye Wave Ii], 1972. Oil on canvas, 54 x 65 cm.