Francisco de Goya, Witches Sabbath, art detail.
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@fulgents
Francisco de Goya, Witches Sabbath, art detail.
When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that his peers were using to make action blockbusters, Wong started making very personal and extremely poetic films, disregarding the rules of narrative storytelling and challenging traditional Chinese mores. Few of his contemporaries have dared tackle homosexuality as directly as he did in Happy Together. From the dizzying Chungking Express to the hypnotizing In the Mood for Love, Wong’s work is incredibly modern and particularly powerful.
—Laurent Tirard
It's a big freedom—the right to choose where to sit. We shall have it in America someday—when segregation goes. East, West, South and North move towards the time when black and white will have this freedom COMPLETELY, without reservation. Here in Amsterdam, I am sampling the future. It is good.
Antoinette S. Demond, "On Sitting," in The Crisis (Vol. 62 No. 9 November 1955)
she sat in the water for like an hour, just staring at the water peacefully
Art + Sheep
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Today in Solidarity: Incredible Women (and Girls) of Ferguson
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Fritz Koch Gotha
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ninechi:
My prints are going for 3 x 2 this whole week! Buy 2 and get 3 for just $20, including world wide shipping, only until July 12. For more of my illustration work, check out inechi.com
inechi is life and bae forever
mountain goats t-shirt ca. 2004