Matsue, Japan, 2018

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@theartofmadeline
Cosimo Galluzzi
Monterey Bay Aquarium
he wasn't even looking at me and he found me
EXPECTATIONS
KIROKAZE
d e v o n
YOU ARE THE REASON
Game of Thrones Daily

Kiana Khansmith
NASA
★
Cosmic Funnies
Xuebing Du

blake kathryn

ellievsbear

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@gabrilearnelle
Matsue, Japan, 2018
studying for the degree you voluntarily signed up for out of your own pure free will and interest
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
More here
She is holding an orange. Warszawa, Poland, 1956. Wolfgang Schröter
Visitors gather to watch giant gushes of water released from the Xiaolangdi dam on the Yellow river in Jiyuan, China.
all my life I’ve felt like this guy
Scientific ladies and dragons. It’s awesome.
"No more writing.", 2007
Lenu: No matter what I do, Lila’s always going to be better than me. She’s always one step ahead of everyone, and I’ll never catch up to her. All she’ll have is her brilliance while I’m stuck trying to recreate it, because she’s part of everything I do
Meanwhile Lila:
Rosamund Pike in die another day (2002)
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
takeshi kaneshiro on the set of fallen angels (1995)
donna tartt’s reading list
In an interview, Tartt lists her favorite authors and the names of a few works. I have listed the most popular works from each author and the specific ones she recommended as well.
Homer
The Iliad
The Odyssey
Greek Poets and Tragedians
Argonautica
Antigone
Prometheus Bound
The Oresteia
Medea
Oedipus Rex
The Bacchae
The Frogs
Dante
Inferno
Purgatorio
Paradiso
Shakespeare
“I went back and read Macbeth and Hamlet during the pandemic”
Macbeth
Hamlet
Dickens
“Dickens was a part of my familial landscape, the air I breathed.”
A Tale of Two Cities
Great Expectations
Nabokov
Pale Fire
Lolita
Proust
In Search of Lost Time
Swann’s Way
Dostoevsky
Crime and Punishment
The Brothers Karamazov
Yeats
The Collected Poems of W.B. Yeats
Irish Fairy and Folk Tales
Borges
Labyrinths: Selected Stories and Other Writings
Edith Wharton
The House of Mirth
Ethan Frome
Evelyn Waugh
Brideshead Revisited
Helena
Salinger
Catcher in the Rye
Virginia Woolf
Mrs. Dalloway
Orlando
Edward St. Aubyn
The Patrick Melrose Novels
Haruki Murakami
Kafka on the Shore
Norwegian Wood
Olga Tokarczuk
Drive Your Plow Over the Bones of the Dead
Don DeLillo
White Noise
Underworld
W.G. Sebald
Austerlitz
The Rings of Saturn
Joan Didion
The Year of Magical Thinking
The White Album
Other Specific Books
Memoirs d’Outre-Tome by Chateaubriand
Jigsaw by Sybille Bedford
All for Nothing by Walter Kempowski
A Balcony in the Forest by Julien Gracq
i gotchu @mybloodyvalentina !
gaiwan - lidded bowl; your brewing vessel.
gongdaobei / fairness cup - pour tea from gaiwan into this first before serving so that everyone's cup of tea gets the same concentration of tea.
tea tray - catches water spills.
teacups - variable sizes, usually small.
cha he - a tea scoop, for measuring out your tea and presenting it before brewing. has a pick so you can push the tea into the gaiwan / teapot without touching it.
tea tools / 'six gentlemen' - most important here are the small scoop and the tongs. mine also have a teacup holder, a brush, and a pick for prying apart tea cakes.
strainer - this one is just a normal ceramic strainer, others may be metal mesh or even skeletonized leaves. you put it on top of the gongdaobei before you pour from the gaiwan into it, so small leaf bits don't get into the liquor. it has a teacup-shaped stand underneath that catches any drips when it's not in use, you can see different angles of it in my tea tag.
tea towel - just a tea towel, to wipe spills and the bottom of cups before serving.
tea pet - gets the first rinse and any dregs or leftovers poured on it. just for fun.
everyone's gongfu set is different, some people use teapots instead of gaiwans, some people don't bother with half of this stuff. theoretically you could downsize to just a gaiwan and teacup especially if you're just brewing for one. if you want to see how they're used, though, you can find example videos on youtube like this one.
i have more info about where i got all my pieces here!