The comic and the fic and all about Teach Me is now available in one website
https://teachmecomic.carrd.co/
Teach me AU full comic
Claire Keane
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ellievsbear

#extradirty
almost home
d e v o n

Love Begins

@theartofmadeline
Xuebing Du
I'd rather be in outer space šø
let's talk about Bridgerton tea, my ask is open
occasionally subtle
Not today Justin
Game of Thrones Daily
Monterey Bay Aquarium
YOU ARE THE REASON
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hello vonnie

gracie abrams
Stranger Things

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@gahellhimself-blog
The comic and the fic and all about Teach Me is now available in one website
https://teachmecomic.carrd.co/
Teach me AU full comic
A reminder to our āLOVE the Endingā and āYou Killed My Pookiesā Good Omens fandom friends of what brings us together as a FAMdom in the first place.
Itās taking these poor bastards and contorting them into whatever Weird Barbie poses we can come up with!
Wellā¦at least thatās my reason.
š¶youāre the one that I want! OO! OO! OO! Honey! The one that I want!š¶
Also this is a plug. Join my pay š³ on! Give AI the double bird by supporting an artist who then uses those funds to donate monthly to the Northern Illinois Foodbank and ACLU!
Help me and others have a better time in this CRAZY world!
Jay and Roy
Fic Repost - Friday I'm In Love (AKA timeloop)
Hey everyone. I originally wrote this... wow, two years ago! Anyway, @sspooksart, ineffablecrankshaft, Sachy, @cobeeli, @avadoingart-imus, DeMented_DeMeown, @gahellhimself-blog and Polychrome very kindly provided me with some illustrations for the physical binding I made for FTH, and I have now added them to the fic on ao3! CW: Explicit, NSFW art. Summary: Due to unwelcome news given to him by Aziraphale, Crowley accidentally breaks time. How can he fix it? And more to the point - does he really want to? Excerpt: I don't care if Monday's blue
Tuesday's grey and Wednesday too
Thursday, I don't care about you
It's Friday, I'm in love
Crowley woke on a Friday morning to the sound of The Cure playing from his radio alarm clock. Heād been sleeping in a corner of the ceiling in his bedroom; long legs awkwardly tucked in, spider-like. He slowly blinked his yellow eyes, his sleepy brain narrowing in on the pop song. He snapped his fingers and it went silent; it wasnāt a destroying the alarm clock kind of morning. He wouldnāt normally bother with an alarm, but he had a meeting with the angel today. Aziraphale had been in a clandestine mood lately; insisting they meet on the tube, arriving and leaving at separate stops, the full gamut.Ā
He scuttled backwards down the wall and stepped off when his bare feet reached the floor to prepare himself for the day. He snapped himself free of the sweat of sleep, out of his satin pyjamas and into a fresh set of black and very-dark-grey clothing, pulling his shoulder length hair into a half up-do. He knew whatever he wore would be clinging to him after five minutes on the hot, greasy London Underground. It was the closest sensation to hell on Earth that Crowley had experienced; barely conscious people all shuffling downwards, unspeaking. Sweat dripped from the walls and there was a tangible feeling of hopelessness.Ā
Crowley drove the short distance to Bond Street tube station, partly because it was raining and partly for the opportunity to park the Bentley illegally across a nearby taxi rank. He exited the car and tensed at the electricity in the air. A thunderstorm was brewing overhead; the atmosphere was building up to make the air feel close and heavy, the static caused the hairs on Crowleyās arms to stand up. Thunderstorms always riled him up with demonic rage. He bared his teeth in a slow, hissing exhale, trying to calm down and crossed over the road into the unassuming entrance to the cavernous station. He impatiently pushed a hellishly manifested travel card through the turnstile. It had no date or destination, but it would always work as Crowley expected it to.
Standing on the slow moving escalator, surrounded by pale commuters, Crowley felt some of the tension leave him as he descended the full sixty metres underground. The distance gained between him and the storm lessened its hold on his corporation; the manic, destructive urges heād been resisting stopped tugging at his consciousness, allowing him to think clearly again. He found his way to the platform for the Central line to squeeze himself onto a packed tube to Liverpool Street, where he changed trains to the Circle line. Because the Circle line was exactly that; a circular route running in perpetuity all day long, it was the perfect setting for a secret meeting.Ā Read the rest here on ao3! And if you like the true form Crowley art above by GaHellHimself, it's available in sticker form from my Kofi.
Fell Silent Chapter 3 - A Teach Me side fic
CW angst, trauma, assault, homophobia, teacher/student relationship Summary: Anthony knows he's always been different. This is the story of his childhood, and how he matured into the Professor we know today.
A side story for the comic Teach Me by @gahellhimself-blog
Thank you to my betas @kotias and @tansyogg
Excerpt:
University was nothing like school.
I discovered this right away, when no one knew my name, no one cared where I sat and no one looked twice if I ate alone. The anonymity was startling for me, having lived in a small town my whole life, but soon it became liberating. I filled my days with lectures, coursework, and research that ran late into the evening. Notebooks dense with equations became my close friends. The city itself became background noise, a blur of traffic and unfamiliar faces that required nothing from me.
Astrophysics demanded that I give it all, and I did so willingly. For the first time in my life I felt properly challenged. School had been enjoyable but as Iād gotten older, I found myself growing bored with its limitations. University was different: the problems were deeper, the theories more abstract and beautiful for it. The mathematics involved was so intricate it filled every corner of my mind. I relished it, losing myself in written questions that had no simple answer.
There was comfort in the certainty of it; gravity behaved as expected, stars followed rules, and even chaos could be described with the right mathematics. When my mind threatened to drift to old memories; to curls of dark hair and a crooked smile, I dragged it back by force, burying myself deeper in my work.
It worked. Mostly. Read the rest here on ao3 @goodomensafterdark
Weeeeeeh!!!
Read it and leave a comment and a kudo and a lot of love for this amazing work š©µ
(And read Teach Me chapter 6 too : https://tmchapter6.carrd.co/ )
Chaptee 6 is almost finished, chapter 7 part 1 is sketched... 2+years on this comic which wasn't suppose to exist at first.
I'll miss you guys, I'll probably continue to draw you though.
Thanks to all my followers for your support š©µ
Wip are available on my Patreon https://www.patreon.com/c/GaHell
International Transgender Day of Visibility happened on Tuesday 31st of March!
Hereās a list of some of the amazing Trans Creators we have over here on GOAD and their socials. You can also find loads of trans themed works on AO3 as well! To the World š³ļøāā§ļøš„
@gahellhimself-blog ā whom you may know from his incredible comic Teach-Me (featuring trans Crowley) and so much more incredible art! (Find him on Patreon and Instagram!)
@e-rated-beardo ā if you havenāt noticed the regular reblogs on our account on beardoās fic, Scorn and the Saintmaker, (featuring trans Aziraphale), then you should go check it out, it comes with delicious art! (Find him on AO3!)
MxThirteen ā who's a trans creator of our community, who wrote this delicious beauty: In The Hands of an Angel, and was part of the Epic Fic project! (Find him on Reddit and AO3!)
We strongly recommend and adore all of our GOAD creators in the trans community! šš©·š¤š©·š In addition to supporting these creators, we invite others to share their works featuring trans characters and themes in support of this day of visibility š³ļøāā§ļø
I did a podfic of @blackjeans93 and @gahellhimself-blog ās wonderful story of trans crowley as a child. Iāve only done the first chapter, but I plan on doing the rest as time allows!ļæ¼
https://archiveofourown.org/works/55394095
TWELVE HOURS REMAIN TO BID FOR FANDOM TRUMPS HATE!!!
Bidding closes promptly at 8 pm ET!
Dark/Kink Fic
See theRavenMuse's works <a href="https://archiveofourown.org/users/theRavenMuse/works" target="_blank">here</a>!<br /><br />Questions for t
Fluffy/Soft Smut Fic
See theRavenMuse's works <a href="https://archiveofourown.org/users/theRavenMuse/works" target="_blank">here</a>!<br /><br />Questions for t
Crack Fic
See theRavenMuse's works <a href="https://archiveofourown.org/users/theRavenMuse" target="_blank">here</a>!<br /><br />Questions for the cre
This is for a good cause, so Iād really love to see those numbers go up!
Also, make sure you check out this sheet for a list of all Good Omens auctions this year!
2026 Good Omens FTH Watchlist
There may also be some auctions under the Any Fandom tag for FTH, especially if youāre looking for something like a podfic or fan labor! You can check them out here:
fth2026offerings | Entries tagged with fandom: any: can work fandom-blind
Fandom Trumps Hate 2026 Fic Binding by Blackjeans93
Hello all. Check out the link here to access the details to my 2026 Fandom Trumps Hate auction. This year I am offering a physical fic binding up to 50k words for a work of the high bidders choice.
Preferably for Good Omens but willing to dabble in other fandoms.Ā
The binding will be bespoke and tailored to your preferences in terms of colour and design as far as practicalities will allow.
Check out the video below of one of my finished bindings created for @tansyogg for FTH 2025.
Any questions, reach out here or on any of my socials.
Happy bidding.
Today is your last day to bid! Thank you to everyone who has bid so far.
Lately, while reading some Good Omens fanfiction, Iāve been thinking about how many things this story, and especially this fandom, makes space for that mainstream fiction often skips over. Not just gender in all its breadth and nuance, and not just every kind of orientation and way of loving, but also disability, neurodivergence, mental health, and all those quieter parts of being human that donāt always get written with care. The things that make each of us different, specific, and real. So much of standard narrative still leans on a narrow idea of what a person looks like, sounds like, lives like. Even when it tries to be inclusive, it can feel like a checkbox or a side plot, rather than something lived-in. But in this fandom Iāve found a wider range of experiences than I expected, and often written with so much gentleness. People arenāt reduced to one trait. Identity isnāt treated as a problem to solve. Itās just⦠there. Itās part of the characterās world, the way it is in real life. And for me, thatās had a real impact. Iāve finally seen parts of myself reflected on the page in ways I didnāt realise Iād been missing. And at the same time, Iāve been able to learn about lives and perspectives that arenāt mine, things I might not have explored deeply otherwise. Itās made me more open-minded, more aware, more careful with how I understand other people. Itās strange, in a good way, that a fandom built around an angel and a demon can hold so much humanity. All I know is: itās helped me, properly, and Iām really grateful for that.
Nine Inch Scales Mid-Story Retrospective: Tranquility in a story full of noise
Chapter 4 - The Fragile is one of my favourite chapters, and unsurprisingly is inspired by my favourite NIN album. It was a deliberate choice after three "loud" chapters to finally have a long period of rest, both for Crowley and Aziraphale. Crowley took Aziraphaleās advice. After years of endless touring he finally⦠stopped. Time carried on, seasons changed, headlines came and went, and the world spun on. Eventually, Nine Inch Scales stopped being the biggest sensation. He was glad of it. Finally, the pressure ceased. He could walk down the street without people recognising him as much. At last, Crowley stopped moving.
He sorely needed to rest. *** Emotionally, he was calmer. Quiet, even. Not numb, exactly; more like heād found the remote and turned the volume down. Then locked the remote in a box covered in padlocks. Theoretically, he could still reach it; the ache was still there, ever present. But it was muffled. Intentionally dulled. He was still capable of feeling, and that was the problem. The flood of everything would be unbearable. So, he didnāt open the gates.
Most of the chapter takes place by the ocean. The sea isn't silent exactly, but it's peaceful. White noise. Like static on a radio or the buzzing of an amplifier before a song truly begins.
The ocean isn't still either, its transitional. Transformative. And enduring. And so for these reasons, it felt like the perfect parallel to where Crowley is at this point in the plot: his sound dulled but not gone, his identity uncertain but being remade. And choosing to carry on, despite the events of The Downward Spiral. Crowley wrapped his arms around himself, deep in thought. He breathed steadily, and closed his eyes, listening to the sea.
A lyric surfaced as he thought of the angel.
āStaring at the sea⦠will he come?"
Crowleyās throat tightened as the words came, unbidden.
āIs there hope for me, after all is said and doneā¦ā He didnāt write it down yet. The moment was too precious and honest, too heartfelt to be crudely rendered on the page. It all leads to a song writing moment for Crowley where he finds peace at last in creation. It's a very different scene to the one where he writes Hurt in the previous chapter, but its set up in a similar way. I consider both scenes two sides of the same coin: one where Crowley has a realisation that makes him lose hope, and the other where he has a similar epihany but it leads to the opposite outcome. I tried to cut a snippet from the scene for this post, but honestly I like how its paced and set out so much I couldn't bear to choose any one part over another. So here it is in its entirety:
Tonight, though, something was shifting.
A storm had crept in from the horizon, and the sky opened up to hammer rain against the floor-to-ceiling windows. The sound was deafening and intimidating, beating against Crowleyās quiet sanctuary. But he didnāt shrink away. Instead, he made a hot cup of cocoa, and wrapped himself in an oversized jumper. He pushed the piano seat right up to the glass, close enough for his breath to fog against it as he watched. He sipped, watching the storm. Listening to the tempest. Playing bits and pieces of melody over and over in his head, his free hand miming the formation of piano chords.
The song changed in his mind. He could hear strings⦠and he sang the words that heād not dared write down yet.
Staring at the sea⦠will he come?
Is there hope for me, after all is said and doneā¦
He could hear the song rising and falling like waves in his mind, but he darenāt move away from the window, where the sea itself was speaking to him, filling his head with sound. It wasnāt a happy song, but it was no Downward Spiral either⦠no fury, no mindless destruction. This was something quieter. Deeper. A sorrowful surrender to the great below.
Anything at any price
All of this for you
All the spoils of a wasted life
All of this for youā¦
This wasn't about annihilation. It was certainly undercut with self-loathing and depression but⦠it was about acceptance. It was about letting go of what no longer served him, of the life heād tried so hard to hold onto, of the self heād burned away, of hope that hurt more than healed him. It was a funeral and a rebirth. A quiet ego death overseen by the ocean, rendered in the synth and strings Crowley could hear clearly in his mind.
All the world has closed her eyes, tired faith all worn and thinā¦
For all we could have done, and all that could have beenā¦
Crowley breathed steadily between each line that got pulled from him, taking a pause to sip his cocoa. As the rain battered the glass, and lightning cracked the sky, he felt strangely at peace.
Ocean pulls me close,
And whispers in my ear.
The destiny Iāve chose,
All becoming clearā¦
He thought of Aziraphale. Of a time long ago: the two of them wrapped in a blanket, sharing a Thermos of tea, watching the sea in what felt like another life. Aziraphaleās arm around him, steady and warm. A moment burned into his memory, even through the drug-addled haze of it all.
The currents have their say,
The time is drawing near.
Washes me away.
Makes me disappearā¦
Crowley imagined, just for a moment, that he was being held again. That Aziraphale was here with him, watching the sea. Just to enjoy the idea that someone saw him. Understood him. Loved him.
Crowley rose to his feet, and shouted back at the sea and the storm:
And I descend from grace!
In arms of undertow!
I will take my placeā¦
In the great below!
He let the fleeting rage out, and it didnāt consume him. If anything, he came back to himself softer. He whispered, forehead pressed against the glass.
I can still feel you⦠even so far awayā¦
I can still feel you⦠even so far away
I can still feel you⦠even so far away
I can still feel you⦠even so far away
I can still feel you⦠even so far away
Even so far awayā¦
Even so far awayā¦
He finished his cocoa, and calmly sat at the piano once more. The keys were waiting for him.Ā
The melody was still running through his soul.
And this time, it led somewhere.
If you enjoyed the above snippets, you can read the rest here on ao3 Went for an inspirational image instead of a relevent gif this time: This is how I imagined Crowley perching by the big windows on his piano seat, staring at the sea stretching out ahead.
Nine Inch Scales Mid-Story Retrospective
Now we are half way through the chapters, I thought I'd share a bit of insight into some of my favourite scenes: what inspired them and how I wrote them, starting with Chapter 1 - Pretty Hate Machine.
I repeatedly listen to the albums each chapter is named after during writing. There are particular scenes built entirely around certain songs, and I can't wait to talk about them when we get there. But for now, I want to share some insight into the first live performance scene of NIS, because I think it sets up what the story is about quite well. Research wise, I watched a lot of janky and hand recorded live videos to get the right vibe of the era in which it is set: Now I'm Nothing/Terrible Lie, Lollapolooza 1991 Sin, Toronto 1994 Santified, New York 1996 That's What I Get, Live Hate 1990 Get Down, Make Love, 1989 - 1991 Suck, Metropol 1991 Ringfinger New York 1991 While NIS is not RPF, I certainly borrowed a lot from Trent Reznor's stage persona to write the earlier chapters, which you can probably infer from how I portray Crowley. Here's a couple of snippets from Chapter 1 that were informed by the above: Crowley began his trademark gentle hiss into the microphone, his voice layered in the soundscape like a serpent whispering secrets in the dark. The crowd went completely silent with anticipation. Along with the strange clicking noises, the intro sounded for all the world like great mechanical pistons, pumping away. *** The lights went a deep, pulsing red, and Newtās guitar snarled in time. Crowley wrapped the mic cord around his throat, gasping theatrically with each moan in the reverb. He dropped to his knees and writhed on the floor, his hips jerking in time to the beat. A roar swelled from the pit, and the crowd surged forwards. It was obscene, eclectic, and sacrilegious, and the audience screamed for more.
*** I found myself coming back to this quote by TR, "When an instrument fails on stage, it mocks you and must be destroyed," and I knew I'd need to end the scene with a big equipment destroying moment: He turned, eyes locking on the keyboard. The keyboard. The one that had disgraced him earlier by playing a sour note that still rang through his skull.
āIād rather dieā¦ā
He jumped, feet first, slamming into the synth. Keys scattered like teeth knocked loose in a fist fight.
ā...than give you control!āĀ
The synth squealed under the impact. Crowley raised the mic like a dagger, and drove it into the exposed circuitry again and again, wires splitting and sparks jumping.Ā
But the damn thing kept screaming.
Crowley seized it with both hands, frenzied with adrenaline, lifted it high above his head with a snarl, and hurled it skywards.
If you've enjoyed the snippets above, you can read up to chapter 7 of Nine Inch Scales on ao3 here. I release a new chapter every other Friday, with chapter 8 scheduled for release on 27th February.
People who consistently comment on each chapter of ao3 fics, we will love you forever.
When he didnāt find Crowley at the bookshop, though exhausted from saving the world again, he began to walk.
And walk.
And walk.
Until he came upon a cottage with a gorgeous apple tree in the front garden.
Geminids last chapter is up!!
By my dear @blackjeans93 š©µ
An Archive of Our Own, a project of the Organization for Transformative Works
A fan reached out to me and explained that theyāre in Minnesota, part of a parent group that has been escorting children to and from school, protecting them from ICE, who have been parked outside of the local schools like fucking vultures.
They said theyāre all scared and tired. The amount of anxiety is through the roof and asked for fan art of Aziraphale and Crowley protecting the kids to help boost morale.
So I did. Itās the very least I can do right now. To all the #goodomens fans across America fighting the good fight, thank you! You are the REAL patriots.
Call your reps. Donate. March. But most importantly, keep showing up whether itās art, music, baking, writing, coffee with friends, reading books to kindergartners.
KEEP SHOWING UP.
Share this with any good omens fans who need it.
Fuck ICE
Thank you @gleafer for making this Art. Here in AZ we are dealing with the threat of ICE as well but not with just our children and immigrants but our tribal people. We have over 23 different tribes of Native Americans and they are being arrested for profiling. I know, personally, 2 Natives in my own Clan, the Kinyaa'Ɣanii, that have been arrested and released. They were asked for their papers and then didn't accept any proof. It's a mad house.
I am appalled that they are camping outside schools in Minnesota. My heart goes out to everyone dealing with this mess.