clutch

aj | random pop culture

[gamewinner]

— you have every reason to give up. but you still decide to try again.

[gamewinner]

vigilante rules hes like if this image was about a smooth talking limp wrist twunk

[gamewinner]

the other great tragedy of merlin is that it's set before they invented the dap. like rest in peace king arthur you would have loved dapping your boys up

[dylans-obrien-deactivated201408]

Sounds like the beginning of a heartfelt story

[gamewinner]

started watching season 7 to catch up now that buck is #bisexual and it’s always been a crazy ass show but the spectacle of watching a man of indeterminate slavic origin repeat “What. Is. Dongle.” over and over as he holds a cruise hostage because he thinks a man who looks like santa claus in the offseason is an international smuggler…you must never allow copaganda to touch your heart but it can be good for a chuckle.

[andrew-garfielld]

ANDREW GARFIELD — GQ Men Of The Year (November 16, 2023)

[shesnake]

Saltburn: Can posh people write good class satire?

Emerald Fennell’s second film was billed as the British entry into the ‘eat the rich’ genre – but it fails to truly criticise the elite, arg

Early on in Saltburn, Emerald Fennell’s sophomore feature, Barry Keoghan’s Oliver Quick bickers with an Oxford classmate. “You’re picking apart the style of my essay instead of the substance?” he retorts. “That’s kind of... lazy.” It’s a valid point. Unfortunately, it’s one that is impossible to apply to Saltburn, a film consisting of only style and no substance.

Saltburn follows in a very new, increasingly boring-as-hell lineage – the ‘eat the rich’ satire. From Succession to Triangle of Sadness to You, raising the highly controversial suggestion that rich people might not be great has become a gauchely-named genre in and of itself. Saltburn is the first aggressively British entry into this canon, and the potential was there – Britain is a country with a vigilantly stratified class system that dictates our lives, after all. There’s so much to say. But can Emerald Fennell, an Oxford-educated daughter of a high society jeweller who attended the same boarding school as Kate Middleton, be the director to say it? Well…

[taking-an-apple]

[grantaere]

[gamewinner]

[picture of roman crying] the SUCCESSION!! THE SUCCESSION IS FOR REALLLLL! [piano chord] can we get much higher? [piano chord] so high…

[wellwaterhysteria]

a second tom wambsgans has hit the roy siblings.

[levy-tran]

ONLY MURDERS IN THE BUILDING (2021─) ↳ Selena Gomez, Steve Martin & Martin Short as Mabel Mora, Charles Haden Savage & Oliver Putnam

[anya-chalotra]

#TRIANGLES ARE THE STRONGEST SHAPE

[billy-crudup]

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈????? TED LASSO | 3.09 “La Locker Room Aux Folles”

[morabbots]

TED LASSO 3.09 “La Locker Room Aux Folles”

[minimalistsource]

One: don’t you ever touch me again. Two: don’t you ever touch me again. Now, you have no idea who the hell I am, or where I’ve come from, and I’m not about to tell you my whole life story. All I need to be to you and everybody on this dome is a fixed point. The last man standing. I do not need your sympathy or your admiration. All I need is your compliance and your fighting skills. And if I can’t get that, then you can go back to the wall that I found you crawling on. Do I make myself clear?

PACIFIC RIM (2013) dir. Guillermo del Toro

[minorcritic]

X.