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@gangsterrevolutionary
“Gold Young Queen” by Glenford Nuñez T
Could be a tattoo idea?....
Mother’s Day vibes
IG: @auswyche ❤️💛❤️💛
Magnificent
When you’re a Russian spy that can finally say the n word because Putin told you to infiltrate a microblogging website posed as a Black user that hates Hillary and police shootings
Remnants of the British Black Panther’s Lost Legacy
Britain’s black power movement is at risk of being forgotten, say historians
The Cambridge academic Robin Bunce said: “There is a fundamental danger of erasing the very notion of a struggle at all. I’ve been researching this for four and a half years and there have been so many occasions when people have said to me: ‘There was no black struggle in Britain. You’re thinking of South Africa or America.’“
The narrative that feeds it is the one that Britain is the utopia of fair play. We have such a commitment to individual rights, we have such a commitment to common sense and decency that there is no systematic racism in Britain.”…
Bunce said it was not just politicians, but wider British society that would rather not dwell on the less palatable.
Britain’s black everything is often erased, African American people seldom take interest in it and even dismiss it when it’s not beneficial to their narrative. It’s insulting.
Is like a quote I recall, ‘One of the most frustrating things about this whole debate is how little the African Americans who are weighing in on black Britishness know about our history and culture. Even the UK school curriculum teaches black British children more about African American history than their own. Our knowledge of the slave trade barely touches on Britain’s uniquely shameful involvement, and the continued erasure of England’s own fight for civil rights is deplorable. We learn about the Ku Klux Klan, segregation and the American Civil Rights movement in detail, only to hear about the “no dogs, no Irish, no blacks” signs hung on British shopfronts from our grandparents. Our history encompasses beatings at the hands of the Teddy Boys and skinheads, the birth of black churches in response to being shunned by white congregations, parties in the front room of our homes for fear of getting into trouble in the mainstream pubs and clubs, and the many race riots that happened throughout the 70s and 80s due to racial tension. And yet it is mostly reduced to an oral history, seemingly unworthy of being valued by our education system and, up until recently, rarely seen on TV.‘
Everything in that quote shows what happens when white people control the historical narratives we see in educational spaces.
The educational systems not teaching those who live in the UK about this section of their own history is a example of what folks are saying.
It’s an attempt to frame racism as strictly a U.S. thing and feign moral and intellectual superiority.
It’s kind of like what the Northern U.S. does to the Southern U.S. when they act like only th3 south has a history of racism.
@afrxpean how could you possibly read that and take away from it “this is African Americans fault” like you’re just as ignorant as the people you’re claiming to hate so much
I’m going to reply to that in more than one part.
I’m both African American and British, living in the U.K. with an African American family is partially why I have this unique perspective, African American people do have the power to draw attention to black British history, wasn’t a blame game, it was an observation.
First, the fault thing, nobody said it’s the fault of African American people, at all, HOWEVER, African American people have something of a monopoly on how black people are perceived and portrayed in the western world which flattens and reduces other blacknesses, it’s not necessarily a conscious thing either, but it is something to be observed, an example of this is when Samuel L. Jackson spoke about how Get Out should have had an African American actor rather than a British one, African American culture is far more understood since the world looks at the black experience through a predominantly American lens, usually resulting in a lot of British people relying on the African American tale to tell our story, even though our story is often intertwined, it’s still not representative, this is in part a natural consequence to African American’s proximity to the global hub of cinema, and for the final time, not a blame thing, but since many young people learn via film and music, it’s something to ponder on.
To the second part, I don’t hate anyone? I don’t see my claim of hating anyone lol, bit of a jump.
“African American people seldom take interest in it and even dismiss it when it’s not beneficial to their narrative. It’s insulting.”
That’s you blaming African Americans. Right there. You’re saying that we show shed a light on black British history but then say the schools in the U.K aren’t doing it. So I guess it’s African American people’s responsibility to change the way the schools in Europe operate right? Also I didn’t know black people in America had a “narrative” that relied on dismissing the history of black british people that we were never even taught to begin with. That’s a new one lol
Problem with the word blame, is it’s broad, blaming them for what? Do I think they have the power to bring more black British culture to the mainstream? Yeah, and do I blame the African American people who are faced with the potential to learn about black British culture and dismiss it? Yeah, I do blame those people, but that doesn’t mean I blame the people for the the fact that it’s not taught, if anything, African American history isn’t really taught in the American education system either, not to the degree it should be, but the difference is, African American history does get portrayed often on the media, something I think is an extremely powerful tool right now and a tool that many young people use to find out about history, about their culture, a lot of what people know about black history, young people especially, they find from film and what they’ve been allowed to watch because it’s a brilliant way to engage with them.
So AGAIN, as I said, on the basis of the media, it should be highlighted more, African American people have vocally spoke against British people starring in shit in relation to African American history, but also do not endorse shit about black British history, are you implying that people need to be taught everything in school to be aware of it? Most of what you know, you weren’t taught in school, so that argument doesn’t mean shit.
Okay but here’s the thing, M. I know you mean well, but your argument carries the tone of you equating hyper-visibility with actual power and influence for one thing.
When we as African Americans are positioned as the default for the black Diaspora experience, it’s not by our choice. You understand that. Just like it’s not by our own volition when and which historical narratives reach the mainstream.
African American historical narratives in the mainstream are not diverse for starters. Films either focus on the antebellum South setting (slavery & Civil War) or during the Civil Rights movement (ex. MLK Jr. or Rosa Parks).
Even in the most recent years, some of the work like the Underground or Hidden Figures, but there’s an amount of fighting that we had to do to get those narratives. (Keep in mind that Underground is limbo now because of network politics)
And mind you, we’re talking about media in the entertainment section. The same issues arise when we discuss how black history is taught in educational settings as we just mentioned.
I say all of that to say this, I don’t think it’s fair to demand or ask African Americans to push for more Black British history when we can barely get a complete grasp of our own.
Do I think African Americans should support the push for learning more about black history in the UK? Absolutely. That’s a staple of Pan-africanism.
Samuel L. Jackson and other actors commenting on Black UK actors taking roles is also a matter of how much actors get paid. Because like Jackson said in an interview, the reason why studios will pick UK actors is because they don’t have to pay them as much, and that’s another conversation in and of itself.
I think you’re missing my point, and since we’re coming from a different perspective, maybe we’d do good to agree to disagree, for the most part though, I’d argue you’re proving my point for me.
My point is, granted the history does differ, African American people and the black British are ethnically the same, if we’re talking about the black British people who descend from slavery, and our history is shared, the media focus on American slavery and the American CVM yet the fact that they seldom highlight this occurred in the U.K. is partly to blame for young black British people knowing little about their history, as I said, even the American school system can fail in teaching black history, the U.K. one is no different, but luckily a lot of black people don’t rely on school solely to teach them their history, and African American people seem to have a greater selection of history to learn about through the media, for black history to focus on both African American black history and black British history would be beneficial for both, and also strengthen what it is to be black for young people who from time to time want to learn more about other black people.
My point is, the term African American and the what we say we are here, is just a title, the actually people who originate from slavery are the same people, which is why I think we should focus more on it, but it is what it is, as long as we separate black history the way we do, a lot of it will continue to be forgotten, and the overall history of our people will suffer also. To me it’s a shared history no matter what continent we live on and we would all do good to benefit from learning about it.
Also Samuel L. Jackson wasn’t saying that in the interview I was referencing, he just stated that he can imagine the movie would have benefited from having an African American man play the main role rather than a British one, for whatever reason.
But yeah, my final issue with the separation of black history is it implies that MLK Jr., Rosa, Malcolm X etc, aren’t also the history of the black British, and they are.
I get the idea that we all have a common connection to history and figures. Thats why we recognize the diaspora. But even that part can get complex because there were black people in the UK before the slavery. And the experiences after slavery also have their own complexities. (Ex. Slavery ended earlier in UK then in the U.S.)
And I’m sure there were black figures in the UK black panther party that were influential.
Which brings me to another point. Acknowledging the differences between us in the diaspora isn’t to separate. It’s to specify.
The geography affected how we progressed as a people. Again I’m not saying we as African Americans should ignore Black history in the UK, or black history in Canada, or black people everywhere else in the world.
We should definitely share and learn about all the parts of the diaspora and the histories. But I can’t say that I have the same connection to Black history in the UK that you have. I can’t say that I have the same connection to Black history in Latin America that afrolatinx people have. I can’t say that I have the same connection to Black history in Africa that continental Africans have.
I have a connection because I’m black. But you have a deeper connection to Black British history because you are black and British. My Nigerian friends have a deeper connection to Nigerian history because they are Nigerian.
So because folks who come from those parts of the world have the deeper connection, I would kind of look to them to guide me through those histories and be the advocates for it.
Its weird because Im always seeing white Europeans acting like racism doesnt exist in their countries then you have this Black person blaming African Americans for the lack of knowledge on this issue….its so unsettling. Its weird how we as African Americans are supposed to be the labor mules for fucking everybody. Shits tiring.
Dear James:
I have begun this letter five times and torn it up five times. I keep seeing your face, which is also the face of your father and my brother. I have known both of you all your lives and have carried your daddy in my arms and on my shoulders, kissed him and spanked him and watched him learn to walk. I don't know if you have known anybody from that far back, if you have loved anybody that long, first as an infant, then as a child, then as a man. You gain a strange perspective on time and human pain and effort.
Other people cannot see what I see whenever I look into your father's face, for behind your father's face as it is today are all those other faces which were his. Let him laugh and I see a cellar your father does not remember and a house he does not remember and I hear in his present laughter his laughter as a child. Let him curse and I remember his falling down the cellar steps and howling and I remember with pain his tears which my hand or your grandmother's hand so easily wiped away, but no one's hand can wipe away those tears he sheds invisibly today which one hears in his laughter and in his speech and in his songs.
I know what the world has done to my brother and how narrowly he has survived it and I know, which is much worse, and this is the crime of which I accuse my country and my countrymen and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. One can be--indeed, one must strive to become--tough and philosophical concerning destruction and death, for this is what most of mankind has been best at since we have heard of war; remember, I said most of mankind, but it is not permissible that the authors of devastation should also be innocent. It is the innocence which constitutes the crime.
They have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it.
Now, my dear namesake, these innocent and well meaning people, your countrymen, have caused you to be born under conditions not far removed from those described for us by Charles Dickens in the London of more than a hundred years ago. I hear the chorus of the innocents screaming, "No, this is not true. How bitter you are," but I am writing this letter to you to try to tell you something about how to handle them, for most of them do not yet really know that you exist. I know the conditions under which you were born for I was there. Your countrymen were not there and haven't made it yet. Your grandmother was also there and no one has ever accused her of being bitter. I suggest that the innocent check with her. She isn't hard to find. Your countrymen don't know that she exists either, though she has been working for them all their lives.
Well, you were born; here you came, something like fifteen years ago, and though your father and mother and grandmother, looking about the streets through which they were carrying you, staring at the walls into which they brought you, had every reason to be heavy-hearted, yet they were not, for here you were, big James, named for me. You were a big baby. I was not. Here you were to be loved. To be loved, baby, hard at once and forever to strengthen you against the loveless world. Remember that. I know how black it looks today for you. It looked black that day too. Yes, we were trembling. We have not stopped trembling yet, but if we had not loved each other, none of us would have survived, and now you must survive because we love you and for the sake of your children and your children's children.
This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. Let me spell out precisely what I mean by that for the heart of the matter is here and the crux of my dispute with my country. You were born where you were born and faced the future that you faced because you were black and for no other reason. The limits to your ambition were thus expected to be settled. You were born into a society which spelled out with brutal clarity and in as many ways as possible that you were a worthless human being. You were not expected to aspire to excellence. You were expected to make peace with mediocrity. Wherever you have turned, James, in your short time on this earth, you have been told where you could go and what you could do and how you could do it, where you could live and whom you could marry.
You were born where you were born and faced the future that you faced because you were black and for no other reason.
I know your countrymen do not agree with me here and I hear them. saying, "You exaggerate." They do not know Harlem and I do. So do you. Take no one's word for anything, including mine, but trust your experience. Know whence you came. If you know whence you came, there is really no limit to where you can go. The details and symbols of your life have been deliberately constructed to make you believe what white people say about you. Please try to remember that what they believe, as well as what they do and cause you to endure, does not testify to your inferiority, but to their inhumanity and fear.
Please try to be clear, dear James, through the storm which rages about your youthful head today, about the reality which lies behind the words "acceptance" and "integration." There is no reason for you to try to become like white men and there is no basis whatever for their impertinent assumption that they must accept you. The really terrible thing, old buddy, is that you must accept them, and I mean that very seriously. You must accept them and accept them with love, for these innocent people have no other hope. They are in effect still trapped in a history which they do not understand and until they understand it, they cannot be released from it. They have had to believe for many years, and for innumerable reasons, that black men are inferior to white men.
They are trapped in a history which they do not understand and until they understand it, they cannot be released from it.
Many of them indeed know better, but as you will discover, people find it very difficult to act on what they know. To act is to be committed and to be committed is to be in danger. In this case the danger in the minds and hearts of most white Americans is the loss of their identity. Try to imagine how you would feel if you woke up one morning to find the sun shivering and all the stars aflame. You would be frightened because it is out of the order of nature. Any upheaval in the universe is terrifying because it so profoundly attacks one's sense of one's own reality. Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar, and as he moves out of his place, heaven and earth are shaken to their foundations.
You don't be afraid. I said it was intended that you should perish, in the ghetto, perish by never being allowed to go beyond and behind the white man's definition, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention and by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers, your lost younger brothers, and if the word "integration" means anything, this is what it means, that we with love shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it, for this is your home, my friend. Do not be driven from it. Great men have done great things here and will again and we can make America what America must become.
It will be hard, James, but you come from sturdy peasant stock, men who picked cotton, dammed rivers, built railroads, and in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, "The very time I thought I was lost, my dungeon shook and my chains fell off."
You know and I know that the country is celebrating one hundred years of freedom one hundred years too early. We cannot be free until they are free. God bless you, James, and Godspeed.
Your uncle,
James
being called baby girl while gagging is high key top for me
👏🏽👏🏽
Things I need to have happen and need to do more often lol
Like, I get that this is a comedian telling a joke but it’s so fucking real. The fear of being institutionalized holds people back from being honest. It’s a big problem. It’s a real problem. It’s a problem nobody is talking about.
Shit, it’s why I’ll never go to a therapist, but why I encourage everybody else going thru shit to
@holybolognajabronies *deep sigh* Smh.
@anaiah-zaccai It’s just not for me. I rarely open up to ppl who aren’t already telling me equally vulnerable things about themselves, there’s gonna be nothing but awkward silence me sitting with a therapist as I’m wondering what exactly they’re trying to get to the root of with each different lil probing question
@holybolognajabronies I know. They just sit and let you talk though. They don’t go further unless you’re comfortable with that. I just love it cause it’s like a Life Coach. I can learn to see everything clearer and actually get some non-judgemental advice.
@anaiah-zaccai That’s good. I’m all for everybody else going, esp if it’s really helping them. It’s just not something I see myself doing our opening up enough in a way that doesn’t feel contrived to me. Those types of thoughts, if I’m not telling them to ppl I’m usually giving advice to or encouraging or talking off a ledge in some form, I’m just writing out thru story characters instead
Q: Does it give you a hunger to win another Slam?
Stephens: Of course! Did you see that check that lady handed me?
The most genuine answer 👏👏👏
Did you see the check.