“All of this is typical girl-fear. Once you realize that The Exorcist is, essentially, the story of a 12-year-old who starts cussing, masturbating, and disobeying her mother—in other words, going through puberty—it becomes apparent to the feminist-minded viewer why two adult men are called in to slap her around for much of the third act. People are convinced that something spooky is going on with girls; that, once they reach a certain age, they lose their adorable innocence and start tapping into something powerful and forbidden. Little girls are sugar and spice, but women are just plain scary. And the moment a girl becomes a woman is the moment you fear her most. Which explains why the culture keeps telling this story.”
Rookie, The Season of the Witch
For readings on the correlation in horror between puberty and the monstrous, see:
Barbara Creed’s The Monstrous-Feminine: Film, Feminism and Psychoanalysis (specifically, the chapter called “Woman As Possessed Monster”)
Aviva Briefel’s “Monster Pains: Masochism, Menstruation, and Identification in Horror Film”
“‘The Hair That Wasn’t There Before’: Demystifying Monstrosity and Menstruation in Ginger Snaps and Ginger Snaps Unleashed”
Bianca Nielson’s “Something’s Wrong, Like More Than You Being Female”: Transgressive Sexuality and Discourses of Reproduction in Ginger Snaps”
Shelley Stamp Lindsey’s “Horror, Femininity, and Carrie’s Monstrous Puberty”
