[mithiens]

“But don’t think that I hold that against you. Ladies have never held any charm for me.”

Gone With The Wind (1939) dir. Victor Fleming

[dreadwife]

it's so funny when men try to act like walter white is a stoic badass when he spends 50% of the show's run time looking like this

[romelzacarnes]

What's wrong now? Paul won his seat.

RIVALS - 2x03

[kragehund-est]

problematic rage gap. one partner tries to bring nuance and understanding to a tough situation. the other wants to blow up the earth about it.

[hellagross]

[sophsun1]

Clue (1985) dir. Johnathan Lynn

[erdogun]

if you're quiet as an adult they kill you

[weepingwidar]

Leif Engström (Swedish, 1992) - På Omvägar (By Detours) (2024)

[johnnycrass]

its all one big humiliation ritual no matter what you're doing

[katiehoughton]

I know I shouldn't be here. I just wanted to talk to you.

RIVALS | 2x03

[theinwardsources]

“Anne is really almost too subtle for us, though not for Wentworth, who has something of an occult wavelength to her. Juliet McMaster notes “the kind of oblique communication that constantly goes on between Anne Elliot and Captain Wentworth, where, though they seldom speak to each other, each constantly understands the full import of the other’s speech better than their interlocutors do.” That kind of communication in Persuasion depends upon deep “affection,” a word that Austen values over “love.” “Affection” between woman and man, in Austen, is the more profound and lasting emotion.”

— Harold Bloom, The Western Canon

[2seeitall]

Roof of the Library of Celsus, Ephesus, Turkey

[eternaloptimistsphere]

start seeing everything as God, but keep it a secret

[sexchangedotcom]

careless whisper has never been a joke to me and it shouldn't be a joke to you either. george michael is the most serious thing in the world

[milksockets]

ron simple in livingsculpture - paul cooper (2001)

[scissorsaint]

(flirting) i could be your problem

[gendrie]