Guido Reni, The Triumph of Samson, 1611-12, Pinacoteca Nacionale, Bologna
Alisa U Zemlji Chuda
Mike Driver

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Andulka
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$LAYYYTER

Love Begins
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One Nice Bug Per Day
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@genrebent
Guido Reni, The Triumph of Samson, 1611-12, Pinacoteca Nacionale, Bologna
Compilation of weird trees
Compilation of forest spirits
by Jarosław Modzelewski
“It can be yes. Sometimes the idea of it more than living in it. But as far as creating something, uncertainty is a key ingredient. Knowing a right answer about anything I think closes you off to the potential something else being more interesting.”
— Adam Driver, ‘Hobo Magazine’, responding to the question, “Do you believe uncertainty to be beautiful?”
Adam Driver performing ‘Curse of the Starving Class’ by Sam Shepard
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These are lovely. Remind me of Mervyn Peake or Edward Gorey, both of which are good things naturally.
I’m not into pranking people, so I decided I’d show you some animals that look silly instead.
Andean Cock of the Rocks (ALWAYS WATCHING)
Arabian sand boas (DOING THEIR BEST)
Dik diks (SMALL?????????)
Softshell turtles (SMOOTH BOYS)
Christmas tree worms (FESTIVE FRIENDS)
Saiga antelopes (I LOVE YOU BUT WHY)
Baikal seals (ROUND BOYS)
I refuse to believe any of these are real
Tibetan Foxes are also very good:
All of these look like my attempts to draw animals
Then know you drew one, just jot the one you intended. Sometimes the greatest achievements are someone elses greatest mistakes.
Mimesis by Kim Kei
Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skin’s surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the body’s acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.
you can also find me @mary_bu__
[& &]
I’m screaming why does Mamma Mia fit every fight scene so perfectly ajkaslajjddhhajadkjfh
Daughter of viking, 1918, Nicholas Roerich
The Art of Johan Barrios
Johan Barrios was born in Barranquilla, Colombia in 1982, and is a visual artist currently living and working in Houston, Texas. His work is primarily done in the form of oil painting and drawing and has been shown in numerous national and international exhibitions.
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posted by tu recepcja
STOP WHAT YOU’RE DOING
Look at this wolf
OK now you can continue
this was a worthy interruption of the nothing i was doing
Title: Dancing Fox with Lotus-leaf Hat Artist: Ohara Koson Date: 1900-s-1910s Medium: Woodblock print Size: 36.3 x 19 cm (14 ¼ x 7 ½ in.) Source: Museum of Fine Arts, Boston
Season, 1895, Alphonse Mucha
Adam Driver actual king of snark when rudely interrupted [x]
So glad he didn’t take any of Chris Matthews’s shit
black and white photography by Barbara Pfannstiel
Eddie Del Rio