âI went out. The beach was dark and lonely. I lay down in the sand. I wept inconsolably for what was dying in me and even before it had the chance to live.â
Josefina Vicens, The Empty Book

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âI went out. The beach was dark and lonely. I lay down in the sand. I wept inconsolably for what was dying in me and even before it had the chance to live.â
Josefina Vicens, The Empty Book
I ache for the world and I run away from it
æć°ćź / hana lin
A Favour (detail) 1898. Edmund Leighton
âSpring has kissed everyone again,â
â George Sarandaris, tr. by Kimon Friar, from Modern Greek Poetry; âSpring Will Commit Murder,â (via violentwavesofemotion)
àŒșâĄàŒ»
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âlive yourself / straightthrough, without clock.â
â â Paul Celan, from â[The industrious],â Breathturn into Timestead, tr. Pierre Joris
donât call me || key
English 101 with Taemin
âWhy, whatâs the matter, That you have such a February face, So full of frost, of storm and cloudiness?â
â William Shakespeare, Much Ado About Nothing
ââŠher arms full of books, and her eyes blazing like two poisoned moons.â
â Helen Oyeyemi, from Mr Fox.
fr. âExtracting the Stone of Madnessâ by Alejandra Pizarnik, trans. Yvette Siegert
Joanna Klink, from The Nightfields
seemoreandmore:
âKyĆka suigetsu éĄè±æ°Žæ(Japanese) - An idiom with the literal translation of âflower in the mirror & a moon in the waterâ, and references something which is visible and cannot be touched as well as the profound beauty of poems that cannot be described in words.â