Rating: M
Chapter: 3 / 3
Words: 2.2k
Characters: Oliver Banks, Mike Crew, Tim Stoker (mentioned)
Additional Tags: Crossover, Alternate Universe, Gun Violence, Teenagers, Suicide, TL;DR - Magnus Archives guys were in The Long Walk and now there are only two of them left
[crawls out of the ocean] 8 years ago today, i DM'd ren for the first time and we have been thick as thieves ever since :-) happy pride to my safekeep ilysm
explaining to my doctor that im getting artifacts in my vision but its not like floaters or anything i just keep seeing an ancient staff and a cursed dagger and shit wherever i look
Honest to gods though I still think about this series an inordinate amount it has the perfect amount of depth to just swim around in a while even after several years and many rereads I hope youâre doing well and still writing đ
picture me wailing on the ground in a puddle of tears thank you so much for your kind words đ i'm doing okay! i'm in nursing school right now (whee! i don't think i ever mentioned that here) and just finished up my first (brutal) semester, so i haven't been writing at near the rate i used to when i was active here, but i am still working on that original story that i first finished the initial draft of in 2024! i'm revising it a third time now and it's like pulling teeth but i care a lot about it and i'm sorta looking for fresh eyes to take a peek at the first third of it that i just completed before i proceed with the rest but whew! it's hard to juggle the writing thing with the studying thing and the working 10 hour shifts every weekend thing but i completed a chapter yesterday so i'm trying to be proud of that. i hope to share it someday but it does make me nervous hahaha.
i'm very touched by the fact that you liked my fic enough to reread it like that, though, that makes my heart so warm you have NO idea. i'm so blessed to have participated in this fandom and to have had such encouragement to create and have fun with all you guys and i'm grateful every day! thank you again!
[ID: a promotional banner showing gerard keay with his back turned. he is seated on a fading silver gradient, in front of two abstract circles over a dark red background. gerard is a white man with black hair tied up in a high ponytail. he is wearing a ruby red button-down with the sleeves rolled up, showing the small eye tattoos on his elbows and wrist. his arm rests on his bent knee, displaying silver ring splints on his fingers. he leans on his other hand, where a long scar is visible on the underside of his forearm. he sits partially in front of glowing white text that reads âpharos by right.â on the bottom is a tagline: âit catches on itself like a birthright. it burns inward.â beneath it is smaller text: âan archivist!gerry series.â /End ID]
gerry never wanted gertrudeâs job. heâs perhaps the last person she would have chosen as her replacement. how serious would things have to get for him to sign a contract anyway?
find out in pharos by right! where we explore the complexities of increasingly unlikely relationships, different sides of the fears than we may be familiar with, how avatars network in their world, recovery from trauma and addiction, support through disability and gender transition, and many of the what ifs that come with favoring characters who happen to be canonly dead! in fact, this series focuses almost entirely on dead people, and most of them are guaranteed to make it to the very end! i promise! this is a fix-it⊠of sorts. :-)
so far, iâve completed two installments out of the seven i have planned. each fic has seven chapters, too, so i have a table of contents that i fill in with summaries as i update! catch up with whatâs currently posted to understand why gerry is dressed like that in the promo image up there (made with a commission from my dearest j @tolbyccian! đ§Ą)
if you liked the rhythmic nature of TMA and are looking for something else to get invested in now that itâs over â or if you like entity reassignments, want more content for characters like adelard and sasha, enjoy a good âoffice comedy + drama + fluff & romanceâ sandwich, love the satisfaction of something finally slotting into place, or want to know who the hell martinâs secret endgame man is going to be â then this may be the series for you!
I remember when you discussed how much you'd like to see more avatars directly aligned with The Vast, and that reminded me of when I had a multi-page draft of a fan statement about a cult building around a creature with the typical characteristics of a christian angel, except that its face was grotesquely disfigured. Its followers speculated that this was due to how abrupt its fall to earth was, and since it looked so little like a being of god, it couldn't return to paradise. Therefore, each year it was offered a "face"âsomeone usually young and traditionally beautifulâwhom the "fallen angel" would embrace warmly and fly with towards the heavens, only to be released in a colossal fall. The cultists simply considered the sacrifice to have been chosen incorrectly and not pure enough.
this is sick!!!! you should totally write this and link it to me, i'd love to get a little back in touch with TMA in general and especially creative ideas like this. thank you for sharing!
just finished reading two ships passing, @gerrydelano i absolutely adore you and your writing, and I'm so grateful for you sharing this fic, you can tell how much research and love went into writing it, reading it felt like a really good warm hug, to the point i even had to write about this here (+ you have a tumblr acc so figured i'd say hi i love your fic a lot!!)
definitely my fav jongerry writings other than the one jmartgerry malev inspired fic
awww, this was such a lovely surprise! i'm so thrilled that you liked TSP, it's honestly my very favorite of all my fics and the one i'm the most proud of. thank you so much for pinging me to tell me this!!!! i am very grateful!
[ID: A screenshot of Jurgen Leitner's page on The Magnus Archive's wiki, which says, "Date of Death - 16 February 2017.
Cause of Death - Brutual pipe murder by Elias Bouchard".
/End ID].
if i ever see another jmart fanart where martin has shrek proportions (as in he is a Scaled Up/Widened version of someone with Human Proportions, up to and including the size of his head somehow being doubled in comparison to jon, the "normal" one between them) Ever Again i am going to straight up become godzilla
Rating: M
Words: 13.3k
Characters: Jon Sims, Tim Stoker, Martin Blackwood, Danny Stoker, Sasha James, Melanie King, Caroline Brodie, Callum Brodie, Gerry Keay (in memorium)
Relationships: Gerry/Tim, Martin/Danny, Sasha & Tim, Melanie & Caroline Brodie, Danny & Tim
Synopsis: Alternate ending for Pharos by Right (inspired by this anon) where Tim doesn't manage to stop Danny from swinging the hammer while Gerry read the incantation to start the Change â i.e., Gerry is killed to save the world, and then the world goes quiet.
(Actual ending of PBR will commence after posting this because I needed to get it out of my system. Got possessed.)
To those unfamiliar, PBR is my massive Archivist!Gerry series, and this requires the context of most of it, but especially my most recent chapter. If this intrigues you at all, there's 430k more words where this came from!
CWs: Character death; Head trauma; Severe injury; Grief; An intense breakdown ft. drowning imagery; Mention of drug use
âââââ â ââ âââââ
Jon opens his eyes to the sound of screaming, burning, and a loud ringing in his ears. He coughs against the ash in his mouth, halting in his attempt to roll onto his side as his ribs clip a hard object underneath him. He must have been thrown backwards into something when theâ
When the bombs went off. The bombs went off. Itâs must be over.
But the screaming. Oh, the screaming, itâs louder than the ringing and the burning and the voice that he can almost hear saying shhh, itâs alright, Iâm right here! Oh, G-d, somebody help! The voice calls his name. His name is Jon. His name is his name again.
Stiffly, he rises to his elbow and coughs again, his chest sore and his legs weak and oh, G-d, his legâ thereâs a gash in his leg, a large one, and he can feel the blood running down into his sock.
His name is called again, and heâs almost afraid to rub soot into his remaining eye even on the off chance that he might clear it and find the source of the sounds, the screaming, the voice. Bleary, he stumbles forward onto his less-injured leg, peering around in the smoke for a shape he might recognize.
There is a shape, tall and upright, but itâs silent. A spire in the fog. Not the source of his name.
He keeps looking. He keeps listening. He crawls.
âJon, where are you! Judith? Tim! I need help, somebody help me!â
Martin? Thatâs Martinâs voice, high and desperate and rough with smoke, too, thereâs smoke everywhere, they need to get out of here. They need to leave, before the police arrive, before the structure collapses, beforeâ
The screaming has transitioned into bawling, deeply pained cries for help, and only when he finally sees Martinâs shape hunkered over a spasmodic, outstretched body does it click. Danny is hurt. He was hurt in the explosion, and Martin needs help with him. Jon drags himself over to Dannyâs other side and reaches out for his arm to find his sleeve wet with blood, but not torn. Danny screams again at the contact of his hand, startling Jon into letting go.
âHowââ Jon coughs again. âWhere is he hurt, whatââ
âI-I donâtâ Everywhere!â Martin panics, his hands on Dannyâs chest like heâs about to start compressions. He doesnât, of course, because Danny is horrifically alive, and there is blood seeping through his ringmasterâs jacket like the fabric has just been lain upon a dark puddle.
Jon reaches out for his hem to lift it, earning a smack from Dannyâs frantic, bloody hand. He persists. He gasps.
The open wound is a perfect split down the middle of his stomach, disappearing at his groin, and most certainly extending up his chest into a V. Heâd heard about the autopsy seams. He could never have imagined they would split open again.
Quickly, Jon lowers the shirt again and presses down on the wound, earning another guttural sound of agony. Martin is weeping but trying not to let it slow him down, trying to pin Dannyâs arm to his side with his knees. Jon tries to do the same, but then who will get his legs? They surely go down his legs, too.
âTim?â he hears himself croak out. âTim, where are you?â
No answer. He could assume the worst, but he remembers that tall shape and turns around. Itâs still there, standing a distance away in utter stillness, like another wax statue that hasnât been taken down in the blast or a troupe member that refused to be exterminated, but Jon knows that sound. The sound of phantom water.
âTim!â he shouts. âTim, come over here and help your brother!â
No answer.
Jon turns around again and waves a hand through the smoke. There is daylight shining through a busted out window, casting beams onto the filthy, ruined floor. Tim is hovering a few yards away, staring down at the ground and soaked to the bone as water pours from the top of his head all the way down his body. He doesnât look injured â why would he? Heâs still clenching his fist around what Jon can only assume is the detonator.
âTim!â he shouts again. âTim, we need you toâ oh.â
At Timâs feet, there is a dark pool. It creeps slowly across the floor towards Jonâs own extended shoe, glinting red in the dusty daylight. Jon traces the seeping to its source, and meets Gerryâs open eyes.
âOh, no⊠No, no, no.â
The blood is pouring fast from his head, spreading out from under the mess of his hair. His mouth is parted almost in surprise, frozen around an unspoken word, like heâs been interrupted from a dream.
This has to be a dream.
âJon, could you please focus!â
Jon realizes heâs let go of Danny entirely. Jon stutters back around, stutters his next half-words. Nothing comes of his violent nausea. He almost wishes it would. Maybe it would wake him up.
âIâ Martin, Gerry isââ
âI know!â Martin snipes, and then takes a deep, shuddering breath. âI know. I know, and I canât think about that right now, not whenâ Danny is still alive, please, help me keep him that way!â
âWe need⊠We need an ambulance, we need⊠Whereâs my phoneâŠ?â
Jon pats at himself, feeling the tack of bloody handprints on his clothes as he goes. When he finds his phone, he finds the screen cracked, but it still works when he presses his sticky thumb to the sensor. His free hand moves back to Dannyâs arm, squeezing his bicep hard.
âY-Yes, hello? Weâre at the House of Wax. Yes, that one, inâ in Great Yarmouth. Thereâs beenâ Thereâs been an explosion, people are hurt, we need⊠please, send an ambulance. Send two. Send all of them! I donât care, please, justâ please, help.â
Jon doesnât realize heâs started to cry until heâs bowed forward enough over Danny that the next time his arm flails, it clips him on the face. He recoils and nearly drops his phone, barely catching it to put it back into his pocket before he secures his hands around Dannyâs arm again and holds tight. He dreads turning his head again, but he has to.
âTim,â he says more carefully this time. âTim, you need to move. You need to do something.â
No answer.
âEither help us, o-or go find Judith, or the Hunters, or see if any of the troupe are still alive.â
No answer.
âAnything, Tim! Can you hear me?â
No answer.
âHe canât hear you,â Martin sniffs. âI donâtâ I donât think he can hear anything.â
The water in his ears may be too much. He may be frozen in his avatar state, consumed by repulsive satiation. He may be lost, too.
When Dannyâs screaming dies down into whimpers, his thrashing into mere twitches, Jon finds himself just as worried as Martin. He lets Martin take up the mantle of trying to keep his attention â Danny? Angel, can you hear me? Stay with me, stay awake! I canât lose you here, not like this! â because what could Jon possibly say? What could he offer to either of the Stoker brothers now?
A clattering sounds from afar. Jon snaps his head up to look for the source of it, spying Judith stumbling over a pile of rubble to reach them. Sheâs covered in soot, clutching her arm and limping. When she reaches their pocket of the room, her eyes go to Gerry first.
âOh, G-d.â
Jon swallows hard. âWhere are the other Hunters?â
âDead. Think they fragged each other.â
Her voice is dreamy and distant. She crosses over to Tim, and bends down to pick something up off the floor. Gerryâs walking stick, forgotten in between the two scenes. She doesnât wipe the blood off of the handle, inspecting the head of the hammer in the light for something Jon canât see. He watches her study Tim like a marble statue in a museum, until his eyes drop once again to meet Gerryâs.
This has got to be a dream.
âWhat happened to him?â Judith asks of Danny.
âIâ I donât know,â Martin struggles. âI think a lot of his old wounds opened up, but I donât know how, I donât see why theyâ Jon, how long until the ambulance gets here?â
Jon blinks. âI didnât ask.â
Martin doesnât chastise him, instead nodding with a tearful sound. Heâs come to lean his forearm across Dannyâs collarbones, his other bent to cover as much of the vertical line down his chest as he can. Like heâs holding together some little paper art project, waiting for the glue to dry. His wrist is angled strangely, and for the first time, Jon notices his gritting teeth. Heâs hurt, too, and heâs fighting through it.
âIâll go wave them down,â Judith says, starting to step over the growing lake of Gerryâs blood. A thin branch of it is close to touching the edge of Dannyâs.
âWhatâs our plan?â
âPlan?â Jon almost mocks. âWhat canâ What can we even do now?â
âYou were all about contingency plans before,â she says dryly. âYou didnât plan for something like this?â
âWell, obviously not, Judith! Of course I didnât thinkââ
Didnât think⊠what? That only some of them might die? That the rest of them would have to live with it? Of course he didnât plan for that.
âI say⊠let it get sectioned.â She shakes her head at the scene. âLet it all get put away.â
âHow do we do that?â
âTell them that something unbelievable happened, that they got caught in the crossfire, that you donât know what happened to them because something was happening to you, too. Isnât that the truth?â
It sounds too easy. âWonât we be detained anyway until they decide weâre not lying?â
âWe all need a hospital. I have a feeling weâll be fine, when they see the rest of the scene. The choirâs dead, too.â Judith turns to Tim once more. ââŠIâll put this in my car before they get here.â
She leaves with the help of the walking staff, calm and direct, and Jon doesnât think he has it in him to be a Hunter, after all.
Tim pays her no mind, still staring stone still at Gerryâs body. Heâd landed on his back, mostly, one leg tipped to the side and his hand delicately curled in the puddle. The other is resting serenely on his hip, almost like heâd been posed that way. One of his eyes is severely bloodshot, grey shining up through the darkness of it like a coin. The longer Jon looks at him, the clearer the sunlight is through the window. Itâs a beautiful day outside. Itâs the middle of summer. This wasnât supposed to happen.
âHow didâ How did this happen?â
âThere was an explosion, Jon,â Martin mutters.
âNo, I know, butâ but the rest of us⊠Weâre fine, weâre⊠Why him?â
âI donât have an answer for you. I didnât see what happened.â Martin lifts an arm for a split second to wipe his nose, leaving a smudge of red on his face. He stares down at Dannyâs face, paler than fear has ever left it, one-track minded as ever. Itâs not as if Jon can blame him. What else in this room is worth worrying about now? Itâs all over. They were just in time, and they were too late.
Jon forgets until the sound of sirens. He spins around to face Tim again, to tell him that he needs to control his leaking before someone sees, but the only evidence that Tim was ever standing there in the first place is a small disturbance in the blood where it has been thinned and expanded with water.
Firefighters first, police, and then the paramedics with their stretchers and their questions and their back away, let us take over. Martin tries his best to explain the extent of Dannyâs wounds, launching into the true lie that Judith encouraged without rehearsal.
âWe were just walking around, and something weird started happening, thereâ there was music, and dancing? But it was terrible dancing, not bad to look at but bad to be a part of, we couldnât stop, there areâ there are more people lost in here somewhere, I just know it, but I donât know where they are. There wasââ A sob. âThere were people without skin.â
Danny can pass very well as a mere victim of whatever supernatural nonsense had taken place, certainly. His wounds are too severe and his clothes too close to pristine over them to make any sense to the ordinary eye.
Jon is asked about Gerry.
âIââ His throat stops up with a cry. âI didnât see. I think⊠I think the blast must have⊠I donât know. I donât know.â
Should he mention the Magnus Institute? Will that hurry up the Section 31 process? He doesnât know what to do. When a paramedic asks to see his leg, heâs powerless to do anything but obey, limping out of the building with the help of a firefighter.
Martin isnât permitted into Dannyâs ambulance, the paramedics too frantic to stabilize him. Jon catches one of them noting the texture and colour of his blood in confusion, in distress, and looks down at his hands to find them more maroon than crimson in the sunlight. He sways.
While heâs being bandaged on the back of an ambulance, a stretcher carrying a body bag is rolled by and loaded into another. He watches as a series of dark, wet spots form on the ground leading up to the step into the back before the doors close.
Good. Someone should stay with him until the end. Jon only knows Jewish funerals, the strict customs that being sectioned might not care to honour. Perhaps Gerry wouldnât care one way or another if someone were to guard his body, but he still shouldnât be alone.
âââââ â ââ âââââ
They bring him straight to the morgue.
Tim follows behind the man with the stretcher in silence, in absence, and cares nothing for the mess his footsteps leave behind. When the swinging door shuts in his face, he steps right through it. He watches the man handle his lover with ambivalence, with some anxiety, and waits as long as it takes for him to leave. He is going to be alone with Gerry if it kills someone else.
When thereâs no one left in the room, he releases his grip on disappearance and watches the perfect stillness of the black bag. He doesnât feel that old sense of being observed anymore. Itâs his turn to stare.
He reaches for the zipper.
Pulling it down takes an eternity, his hands numb with hate. When heâs peeled back the sides to free Gerryâs face, to let his body breathe, he takes in the sight without so much as a shaken gasp. Gerryâs eyes are still open, the one damaged with the impact to his skull, the other clear as day, but catching no light. Not anymore.
Tim reaches out to shut them with his fingertips. To wipe a speck of blood from his forehead. To stroke dust from his cheek.
Gerryâs head lolls with the touch, no control left to be had. The fluorescent lights cast a shine on the blood-matted depression in his skull.
Timâs eyes catch on the purple bruise on the side of her neck, nestled sweetly just above her collar. His fingertips drift down to touch it, to beg for a pulse. He remembers why he never bothered with prayer.
Gerry never bothered with it, either. What would he want to happen next? Itâs up to Tim now. One decision he never wanted to make for her.
Tim remains by his side until the morgue doors open again, at which point he makes eye contact with a startled hospital employee. Water pours from his head and shoulders to spread across the tile floor at his feet, his hand still resting on Gerryâs lifeless breastbone. The worker doesnât scream, staring back and breathing hard, until Tim forces two words past the outpouring of water from his mouth.
âGetâ out.â
Now, they scramble to run, and he turns back to his love for one last, long glance. The next time someone interrupts him, heâll have to leave. He canât keep Gerry like this forever. It wouldnât be fair.
He needs to be out in the waiting room as family when someone finally comes looking for some. He needs to be composed. He needs to be human. To handle this like a husband.
Tim reaches for Gerryâs chin to straighten his head again. Dignity.
Gently, he reaches his hands behind her neck to feel for the clasp of her collar first, and then the chain that holds her padlock. He can get the rest of his jewelry and his jacket back when they strip him for cremation. No one else should get to touch these. Not for anything.
Gerry would choose cremation. He wouldnât want to be locked in a pine box, slow to decompose. He wouldnât choose to leave remnants for desecration should someone feel like fucking with the Archivist just a little more. He feared the sink even more than he feared burning. He wouldnât choose to be Buried.
That doesnât mean it sits right with Tim. For there to be nothing left of her, just like that. Like she was never here.
He knows what Gerry wanted. He knows exactly what happened.
Tim tucks the collar and padlock into his pocket, no regard for the blood on them, and looks down at Gerryâs bloodless, peaceful face. Carefully, he bends down to place his lips over hers one last time, as if he had a final breath to give her. All heâs ever had was a kiss. Heâs still colder than she is.
He zips the bag shut, but lingers just that moment longer.
When the doors open again â the same worker, this time with reinforcements and a right there, see! â Tim lets himself be seen before he revokes the privilege, disappearing with all that he can take with him. He walks past them as any live man ordinarily would, sure to brush shoulders with the one that he knows now will never forget his face. The shudder makes him stronger, and he needs it. There is nothing else left in him.
He walks back into the world in an empty hallway, and keeps going until he finds Jon and Martin in the waiting room. Jon shoots upright when he sees him, stumbling on his new injury. Tim takes a seat beside him. Jonâs questions are a blur of sound and disinterest, until a long silence passes and Tim hears him say:
âI donât understand.â
âIt was the bomb, Jon,â Martin tries. âSomething must have hit him when it went off.â
âNo,â Tim says, his voice foreign in his throat and his own ears. They need the truth. âIt was Danny.â
Martin recoils with a curled lip, disgusted by the notion. âNo, thatâs not true. You donât know that.â
âI do know,â Tim refutes. âThey had an arrangement.â
âAn arrangeâ what?â Jon shakes his head. âYou canât be serious.â
âYou knew about this?â Martin demands. âYou knew and you justâ?â
âChoose your next words very carefully, Martin.â
Martin shuts his mouth. Jonâs better leg bounces with tension. He breaks the next silence with a question that Tim wishes he couldnât hear.
âWhat do we tell the others? When, h-how?â
Tim stares at the floor. âIn person, when we get back. Iâll do it.â
âWe have no idea how long weâre going to be here,â Martin tells him. âDannyâs in bad shape. He might be stuck here for a long time.â
âIf you want to stay with him, you should. I wonât.â
Martin almost looks offended, hurt, before he reins himself back in with a cleared throat. âThey wonât let me see him yet.â
âIt takes a long time to suture the entire body,â Jon contributes. âThose wounds went down to the muscle.â
Tim would wince if he could. Martin does, leaning forward to scrub at his face with the one hand not in a sling. Heâs washed the blood off of his hands, but his clothes are still soaked in it. Jonâs are, too. Tim doesnât feel the need to tell them that their bags are in the trunk of the car they drove here. Theyâll change when they remember.
âIt feels wrong to be so calm,â Jon says suddenly. âI feel like I should be throwing the biggest conniption of my life.â
âThatâd be a pretty big conniption,â Martin mutters.
âIt would be, yes. But I canât seem to⊠access it.â His brow creases, as if in confusion. âThis still doesnât feel real.â
âItâs real,â Tim says simply. âGerryâs dead.â
Jonâs face scrunches up in refusal as he turns away to lean into his hand. Martin stares at the floor at Timâs feet for a while before he speaks up.
âIâm sorry, Tim.â
Tim has nothing else to say.
âââââ â ââ âââââ
Martin bolts out of his chair when Danny stirs, fingertips to the edge of his bed.
âDanny?â he asks, tentative. âDanny, can you hear me? Itâs Martin, Iâm right here.â
Danny whines in protest. His arm shifts barely a centimeter before he seizes up with pain again, eyes flying open as he gasps. Martin freezes; he learned from the sore spot on his cheek. Donât get too close.
âLook at me, over here. Thatâs right, right over here. See? Itâs only me.â
At first, Danny says nothing. His eyes are bleary with the frankly lethal amount of sedatives theyâd given him after the last time heâd lashed out at an orderly when she tried to change his bandages, his mouth slack and weak. His chest heaves with shallow breaths, but he looks at Martin and keeps his eyes locked on him. Martin will take that.
He sits back down in his chair, pulling out the magazine heâd gotten from the waiting room. Itâs hard to turn the pages one-handed, his left arm still in the sling. âI was just reading this trashy thing here, but none of the gossip is all that good.â
Not that he expects a response or anything. He just wants Danny to get used to the sound of his voice again, to his presence in the room. Eventually, it feels stupid to make this kind of small talk, though. He tosses the magazine down at the very foot of the bed and leans forward on his knees.
âCan I⊠get you anything? Water?â
Danny licks his lips, but says nothing. Martin can hear his breath trembling.
âOkay⊠when you change your mind, you let me know. The doctor said we might try to sit you up a little bit today, if youâre up for it? Just a little bit, not too far. Only until youâve had enough. I⊠I think itâs a good idea to try.â
Itâs difficult to look Danny in the eye when heâs still so drugged out, so silent. Martin regrets looking away, though, because then all he can see are his heavily bandaged limbs. The padded cuffs around his wrists.
âI wish I could just take these off of you, but⊠but you hit an orderly, soââ Martin lets out a curt breath. âItâs for your own protection, too. So you donât rip your stitches. Itâs been a few days, though, and youâre doing a little better, so maybe they can start weaning you off the morphine, a-and if youâre more alert, you wonât get so scared anymore when somebody comes by to help.â
âTim.â
Dannyâs voice is wrecked from screaming, reduced to a small, thin whisper. Martin looks down at his laced hands. âTim isnât here.â
He takes a long moment to form a second word, licking his dry lips again. âWhere?â
âHeâsâ Jon is⊠teaching him how to sit shiva.â If Martin could lower his head any more, he would. âTheyâre about halfway through.â
Dannyâs eyes glaze over as they drift up to the ceiling. Martin gives him a moment; that might have been a confusing thing to say while heâs still only partially in his head. It was devoid of context, it was a stupid way to answer that question, dammit, heâs going to need to start over.
âWhat, um⊠What do you remember?â
There is another stretch of quiet while Danny seems to think. The sound of hospital machines chews on Martinâs bones. In the end, Danny only comes up with one murmured, deadened word.
âCrack.â
Martinâs stomach solidifies into a brick inside him. He fights the way his leg wants to shake, running his hands over his thighs and pressing down hard. âYou remember that?â
Danny nods minutely. âThe dancer⊠thanked me.â
ââŠBut you didnât do it for her,â Martin suggests. âYou did it for Pharos. Right?â
âRight.â
An empty little echo, barely an exhale. Dannyâs eyes slip shut, finally, and in the bright light from the window, Martin can see the faintest glint of a tear stuck in the corner of just one. It doesnât dislodge to fall when he looks up again, clinging instead to his lashes. Martin aches for him in a way that perhaps no one else has it in them to ache.
âI wonât⊠claim to know what sort of âarrangementâ you and Pharos had, or why, but⊠I know you. I know you wouldnât have done it without an honest reason.â
âHonest,â Danny huffs.
âI know you,â Martin says again. âI know youâd neverââ
âStop. Stop it.â Danny shifts and shock-stops again, a pained sound caught in his throat. He keeps his eyes screwed shut tight. âPlease, donât. Just stop. Stop.â
âOkay,â Martin murmurs. âOkay, Iâm sorry.â
He sits in helplessness as Danny fights the pain of trying to turn away and hide, as he struggles against the wave of grief and regret that Martin can see written plain across his face. Tears build up in Martinâs throat, too; heâs only cried in private since that day, too set on being strong for Danny. No one else could stay in Great Yarmouth just to wait around for Danny to wake up or become a more cooperative patient or explain himself. Tim couldnât stay in the city that rushed to burn Gerryâs bones.
To be so absent from the mourning process back in London makes Martin feel like a terrible friend. He canât cite feeling less than close to Gerry as a reason for it; of course his death makes Martin want to curl up into a hole and stay there, but thereâsâ thereâs another factor in the situation, and if no one else can stomach it, then he will. Why stop now?
âCan I hold your hand?â
Danny makes a disagreeable noise. Martin accepts the rejection as gracefully as he can, sitting back in his chair to diminish the temptation to reach out anyway.
âMaybe I could get you that waterâ?â
âLeave,â Danny spits out on the tail ends of a sharp breath. âJust⊠please, go. Go home.â
âWell, no, I wonât be doing that much. I can leave the room for a while, Iâll go down to the waiting room again, but⊠No, Danny, thereâs no way Iâm just leaving you here. Itâs a three hour drive, and youâre in no shape to be by yourself. You need someone to bring you home when youâre ready.â
It must hurt like hell to cry. Martin can see the tendons in Dannyâs neck standing out with how harshly heâs turned his head away, his body jolting painfully as he tries to keep himself quiet. How could anyone possibly be expected to hold all this in? Martin isnât judging him. He wants to cry, too.
âI love you,â he says, even knowing it might even make things worse. Just on the off chance that it doesnât. âIâll be back in an hour or so.â
He stands up without waiting for a response, grabbing up the magazine from the foot of the bed. The waiting room is a better place to check his texts.
âââââ â ââ âââââ
Every desk in the bullpen filled, but an empty Head Archivistâs office. Sasha glances towards it every now and again, still half-expecting it to creak open and to see Gerry yawning in the doorway. They havenât erased the nap counter from the white board. They havenât been touching the calendar, the last blue dot left behind on the day before they all left for Great Yarmouth. Itâll simply gather dust, she suspects, because what function does it serve now? No more estrogen. No more joy.
There is no joy left in Tim. Itâs been wrung out of him in a way that Sasha has never seen before. Never in his wildest depressions or losses has he ever looked this grim. His eyes sink into shadows when he turns his head the right way in the light. The wet spots on his shirt could almost be mistaken for sweat if he didnât radiate such a coldness that sitting across from him makes her want to tighten her cardigan around herself. She hasnât seen him smile since their meeting in the safehouse, when the corners of his mouth turned up in a halfhearted attempt at saying Iâll see you soon before she hugged him goodbye the second time.
She joined in on Jonâs attempted shiva. They all had, except for Martin. Jon explained the rules; only some of the restrictions, as Gerry was not a Jew, but he said that for the time being, they were to see themselves as Gerryâs immediate family. Who else would mourn him properly? It not being his custom hardly mattered in this case; it was something where he would otherwise have nothing. According to Jon, shiva was meant to contain the grieving process into something manageable. To allow for the full depth of it to sink its teeth in, to truly sit in it, and then when the time came, face the world again with renewed strength. It was the only way he knew how to grieve, and so it was all he could do to share it.
Tim had followed the rules in silence. Sasha watched him from her low cushion and waited for an opportunity to touch him, to console him, but he never gave her one. On the morning of the seventh day, Jon took it upon himself to say play the visitor and recited a blessing in front of Tim, bidding G-d to comfort him among all the mourners in Jerusalem, and reached to help him up off the floor. âArise,â heâd said, and Tim had.
It just wasnât Timâs custom, either. Itâs been a week since they returned to work, and heâs still a stone gargoyle in his desk chair, empty of light and effort. Jon told her that for spouses, the mourning period will be considerably intense for at least a year.
A year. Two years. Three years, four. Eventually, the years without Gerry will outnumber the ones they had with him, and Tim will feel it like no one else. Sasha looks at him, and she feels moths crawling underneath her clothes, trapped there in her own grief.
Sasha has lost enough sisters. This one is especially cruel.
âSoâŠâ Martin begins, breaking the long silence. âWhat exactly are we going to⊠do now? Here, I mean, at the Institute.â
âThe same thing weâve been doing, I presume.â Jon sets a pile of papers off to the side. âThe Unknowing was only one ritual of many potential rituals. I think itâs only natural that we should keep trying to stop as many as we can.â
âButââ Martin bites his tongue for a moment. âI mean⊠sure. But something has to happen next, right? I mean, Eliasââ
âElias is mine.â
Timâs voice doesnât even sound like his voice anymore. Sasha shifts in her seat.
Theyâve talked about this already. Judith went back into the rubble to find Begging the King and bring it to her father, who studied page 77 with a thoughtful face. There was only so much he could speculate about the incantation, but the long string of words at the end made him surmise that it was an attempt to bring forth all of Smirkeâs Fourteen at once, and that the results could have been catastrophic. None of them knew how far Gerry must have read, or if heâd even been reading it at all by the time Danny swung the hammer, and so itâs difficult to say that the sacrifice was worth it.
But it looks like they wiped the chessboard entirely. Elias canât come back to the Institute and reinstate himself as Head, he canât âpromoteâ anyone to the Archivist position and start over whatever the hell heâd been doing with Gerry the whole time, he canât show his face while itâs still Faradayâs. Whatever game he was playing, heâs lost.
Sasha doesnât know if sheâs allowed to feel triumphant or if she should just settle for being afraid of the retaliation that could creep up on them should he switch bodies again, or send something after them, or pull another gun. She wants to believe he wonât risk it; not with Tim still around to want revenge. Sheâs willing to bet heâs more afraid of Tim than he ever was before.
ââŠOkay, but, after that.â Martinâs skepticism is hesitant, but reasonable. âI just feelââ
âLost,â Jon suggests, sounding far away.
âYeah.â
âYeah,â Sasha repeats, too. Tim has the right idea, in his almost-vow-of-silence. Thereâs not a whole lot else to say.
Another length of quiet sweeps through the Archives. Sasha canât bring herself to touch her laptop, or get up for a box of folders. She canât imagine recording statements onto her phone. She canât imagine moving, paralyzed into her chair by the crawling sensation at the small of her back, the bend of her knees, in her sleeves.
âHellooo?â
Sasha, Jon and Martin all jump in their seats as Divshah elbows her way into the Archives. Sheâs carrying a tray of coffee cups with both hands. Dread drops into Sashaâs stomach like a cement block.
âOh, umââ Jon swallows. âH-Hello, Divshah.â
âHi!â she chirps. âI havenât seen you guys in a while, so I thought Iâd bring something by! Scoot, scoot!â
She hops over to the bullpen and sets the tray down in front of Sasha and Tim. Sasha numbly accepts the biscotti as Divshah passes it to her, watching the cups as she distributes them by memory until thereâs only one left in the very middle. Divshah takes it into her hands and straightens up to look around the room with a smile.
âWhereâs Gerry?â She gasps gently. âIs he asleep?â
Sasha looks up at Tim to find him entirely unmoved. There is a droplet forming at his hairline. One glance at Jon and Martin tells her that sheâs going to have to get up from her chair after all, because this conversation canât happen in here.
âUm⊠Divshah, come with me really quick.â
Confused, Divshah places the last cup down on Sashaâs desk. âWhatâs going on?â
Sasha doesnât respond just yet, shaking out her clothes a bit as she stands. If she doesnât look down and around for the moths, they may just fade away.
Divshah follows her to Basiraâs old room down the hall, her cheerful smile traded for something more apprehensive. Sasha shuts the door and sighs, catching her own face in both hands for a moment before she bites the bullet.
âYou donât have to bring cocoa for Gerry anymore,â she begins.
Divshah wilts. âOh, no! Does he not work here anymore?â
âNo, he doesnât. Because, um.â Sasha swallows roughly. âBecauseâ he died, Divshah. About two weeks ago.â
For a moment, Divshah just stares at her. Sheâs not like them, though, and sheâs quick to blink. âWhat?â
âThere was an accident. He⊠took a bad blow to the head. It happened really fast. There was nothing anyone could do.â
Instant are the tears. Divshah covers her mouth with both hands, shaking her head. âNo, thatâsâ How could that happen? Thatâs not right, I donâtâ He couldnâtââ
âI know,â Sasha interrupts, her own throat stopping up again. âI know, come here.â
Divshah slips into her arms like a river, clinging tight to the back of her cardigan. If there are moths around, she doesnât seem to notice them, or care. Why would she? Sheâs been touched by the Corruption, too, and nothing seems to faze her. This is the first time Sasha has seen her look anything less than simply happy to be alive.
It takes a while for her to stop crying, pulling back to sniff so hard it must hurt. âHowâs Tim doing?â
âNot well,â Sasha admits. âHeâs really not himself right now.â
âOh, I canât imagine,â Divshah says nauseously. âIâm soâ Iâm so sorry, I didnât mean to make it worse with theâ with the cocoa, I just wanted toââ
âI know, sweetheart. You didnât do anything wrong.â Sasha pets her hair; her dark roots have grown out past her ears, the bleach-fried ends freshly lopped off. âJust⊠He needs some space. They all do, they were all there for it.â
âOh, G-d.â Divshah hides her face again, letting out another round of tears. âThatâsâ Thatâs awful.â
âYeah, from what I gather, it⊠it was.â
She could be more comforting, probably. She could be better. Or she could be honest, and cry a little bit, too. Divshah hugs her one more time, and Sasha plucks off her glasses to bend and bury her face in her shoulder. She hasnât done this with Tim yet. She doesnât know how much longer she can take it.
âIâll, um⊠Iâll go.â Divshah wipes her face, stepping away and towards the door. âEnjoy your biscotti.â
Sasha steps out after her, watching as she pauses in front of the Archives doors and looks in through the window with a tearful face before she carries on towards the stairs at a brisk walk. Good that she didnât go back in. She has some tact after all.
That was mean to think. Sasha taps her own cheek in reprimand, to shock the tears back inside, before she goes back into the Archives with a straight face. Tim is still sitting with his back to the door, the cocoa still sitting in front of him. Jon meets her eyes with concern, arms wrapped tight around his stomach. His kurta today is pink.
âWhat else? I told her the truth.â Sasha stares down at the cocoa cooling in front of her. âShe didnât take it very well. Cried a lot.â
Jon and Martin both nod, but only Jon voices his opinion. âGood. Someone ought to. S-Someone other than us, I mean. Anyone, really.â And then he gasps. âOh, G-d, someone has to tell Tazia.â
Sasha winces. âYou do it. I canât. Not after Divshah just now, Iâ I canât.â
He pulls out his phone to scroll through his messages for the large group chat theyâd made back in Venice. The only way that anyone would even have her number. The only other person that Sasha can think of that knew Gerry, really knew him, and will care that heâs gone.
Tim moves, suddenly, to take the cocoa from the desk and swipe it into the bin.
The remainder of the day moves like molasses. The moment the clock strikes 5:00, Sasha stands up and requests that Tim follow her. He rises and does, and the drive home is silent. He waits on the doorstep for her to find her key and use it, perhaps consciously stopping himself from walking straight through. Without another word, he retreats to his bedroom and shuts the door.
Sasha doesnât know what to do with the rest of her evening. She spends most of it on the couch, texting Melanie. Danny got home yesterday, having left the hospital against medical advice, and is largely immobile in bed. He still wonât speak much, either, apparently. Sasha canât wrap her mind around the fact that she currently lives in a world where the Stoker boys â of all people â have gone speechless.
Itâs half past midnight when she hears the crash. It jolts her out of bed and into the hallway, towards Timâs room, before an even scarier noise halts her worried footsteps entirely. A garbled wail, like a scream underwater, interspersed with loud, hacking sobs. She looks down at her feet; thereâs water seeping out from under his door. When she knocks, the only response is another item shattering â the bedside lamp? A picture frame? Sasha reaches for the doorknob to find it locked.
âTim?â she calls out against the door. âTim, can you hear me?â
The drowning noises donât stop for her. Every image her mind conjures up of what he might look like right now only serves to split her heart further apart. She almost doesnât want to see, but it feels like she needs to know. She needs to know in order to fix it. She needs to be able to hold him, to shush him, to simply be with him until the pain eases. She needs him to want her to.
âTim,â she repeats, pleading. âOpen the door, let me help you.â
âNo!â comes the shout, hysterical. Itâs barely intelligible as a word through the slosh of water that must have spewed from his mouth alongside it. âGoâ away!â
Fine, then. If he wants her to do this the hard way, then she will. Sasha leaves the hall to dig through her room for the new lock-picking kit Melanie got her for her most recent birthday. The lock on his door is simple and plain like all the others in the houseâs interior, so it barely resists when she fits the tool inside it. The phantom water is cold under her bare feet as she stands in the growing puddle, until the lock pops open and she ventures inside.
The floor is almost entirely flooded, and thereâs a large wet spot on the center of the bed. She was right, the bedside lamp had been thrown to the ground, pieces of glass scattered in the water. She canât see yet what else had been broken in the dark, but she can see Timâs shape in the moonlight through the window, curled up between his side table and the edge of his mattress on the floor. He grasps at his chest like heâs suffocating all over again, water cascading down his body at an almost threatening speed. Itâs a wonder thereâs any room for him to cry through the outpouring.
There is no splashing sound when she walks through the flood to reach him, the water only as real as they believe it to be. Sasha chooses to believe he could breathe through it if he wanted to. That he will, eventually, when this has run its course. Itâs been such a long time coming.
She sits down on the floor under the window, her dressing gown skimming the top of the puddle. Tim jolts like heâs in the tank again, his head banging against the side table, and Sasha lets herself wince because heâs not even looking at her. He canât yet. Heâs not ready.
So, she waits. She watches as it all comes rushing out of him at once, until heâs reduced to trickles and trembling and softer cries that finally sound more like weeping than a waterfall. He leans against the mattress and she finally sees what heâs been clutching in his fist; Gerryâs padlock on its chain.
Thereâs still nothing to say.
âââââ â ââ âââââ
Melanie zips up her backpack with a sigh. âMartin, come on! Youâre coming with me!â
âNo the hell Iâm not.â
âYou have to! Iâm down an assistant, and you know Callum. You went to his birthday party this year!â
Martin slams his mug down on the counter hard enough that she sees some of his tea splash out of it. âIâm not going to be a part of this video, Melanie. I donât know how many times I have to say it.â
Melanie crosses her arms. âYouâre really not even going to give me a statement for it, either? You donât have anything to say about our dead friend?â
He whirls around with a vengeance. âWhat do you want me to talk about, Melanie! The time I stole his keys and went behind his back and got Leitner all NotThemâd, so he compelled me and made it really clear that heâd never trust me? Or the time I nearly strangled him to death and proved him right? Or maybe for something lighter, how about the time we went to a flesh witchâs house and he hacked up his tonsils in front of me, that was a blast!â
âOkay, I get it!â Melanie cuts him off. âFuck you.â
âJustâ go do your thing, and donât bring this up around me ever again.â
With a scowl, she turns around to snatch up her bag and storm out of the house. She hates this Martin. Heâs worse than punctuation-user Martin, because now he uses punctuation all the time and heâs mean in person. Even when he had that bullet inside of him, he wasnât quite so cutting.
She knows itâs because of Danny leaving, but itâs been three bloody months. He should be starting to level out again. He should be starting toâ well, to get over it would be unrealistic to expect of him. How are any of them supposed to get over any of this?
Maybe sheâs faring better because sheâs the one Danny said goodbye to. The only one, because she was the only one he could trust not to beg him to stay. Sheâs the one who gets pulse check texts now and then, and sometimes the name of whatever continent heâs made it to. When he said he was in South America last weekend, she almost called him a liar.
Melanie doesnât want to be angry at Martin, but itâs hard when heâs angry at her. For harboring something that heâs been deprived of. For persisting in the face of the paralysis thatâs taken over the entire Archives, still, to this day. For being almost relieved by it, because Dannyâs absence gave her enough space to breathe to decide on her next, long overdue project. One that he could never have helped her with.
It starts snowing halfway through her bus ride, speckling against the windows to dissolve into droplets. Melanie watches them trickle away, going over the intro to her video in her head again and again and again.
This is a video Iâve wanted to make for a long time, but itâs also one I never wanted to have to make at all. Iâm going to start this by asking for some basic courtesy, because while I know this is the internet and Iâm broadcasting from a channel about supernatural crap that a lot of skeptics like to make fun of, Iâm going to be telling you about that close friend of mine that passed and I will not tolerate disrespect towards his memory. There will be times where I can only give so much proof, because some of the events Iâm going to outline are from a long time ago, and yeah, have to do with supernatural crap that didnât exactly leave behind a lot of clues. Long time viewers will know that the real stuff canât always be captured digitally, and I want to finally tell you who opened my eyes and changed my entire career path with that knowledge: his name was Gerard Keay.
It was hard to deliver the lines into the camera when she first started recording. Took way too many takes, and sheâs still not sure about the script. She might have to rewrite it a third time, maybe a fourth before this is over. This is going to be a big project. Itâs going to be all the more difficult without Dannyâs help.
One thing that makes it easier are the number of witnesses willing to appear on camera and speak on it.
Divshah wanted to tell her story the very day that Melanie asked her if she would, eager to tell the world the truth about how Gerry saved her from an abusive relationship without even knowing her name, and how he was never unkind to her, or dismissive of her disposition. She knows sheâs a lot to handle, but Gerry never put out the idea that she was too much. He was accepting, and friendly, and he always put something in the tip jar.
Melanie sent Timothy Hodge an email. She plans to put a screenshot of his reply in the video, too, with his permission; he wants to put Jane Prentiss behind him, but he will admit with no hesitation that the only reason heâs alive today is because of Gerry. Gerry noticed, Gerry saw the signs, and Gerry personally saw to it that he was brought to a hospital. Gerry did that.
Next on her list is Caroline Brodie.
The snow is sticking to the grass a little bit as she walks up to the door and knocks. Caroline answers quickly, expecting her at this time. She ushers her inside and to the living room, where she sits on the couch to wring her hands in anxious hesitation.
âThank you for doing this,â Melanie says after sheâs taken out her camera and tripod. âI know itâs⊠out of the blue, after all this time.â
âNo one could have predicted that this would have happened.â
âStill, itâs been⊠what, a little over a year? Sinceââ
Since Basira took the umbra from Callum. Since Gerry scared him to save him. Since the worst time of this familyâs lives finally came to a tentative end.
Caroline nods. âJust about, yes. It feels like so much longer ago, but⊠also like it was only yesterday. Do you ever get that feeling?â
âAll the time.â
Melanie offers a small smile, and then turns on her camera. Caroline shifts to sit up straighter, presentable, nervous.
âSo, youâre making this video as⊠a memorial?â
âSort of. But also⊠thereâs a lot of people out there who have some really wrong beliefs about who he was. And people who did know him only got him in passing, he was like some⊠mythic figure, even to me at first. So, now that heâs not here to have his privacy invaded more, I figured itâs finally time to shed some light on the situation and kind of⊠clear his name.â
Tim had granted his assent, though not in so many words. He knew she wouldnât be exploitative about it, but the real root of his reason was clear: everything is pointless now, so it didnât matter what she did. Jon and Sasha had already given a few accounts each, full of stories and love. Theyâll surely think of more to add as time continues to pass, in the absence of any contribution from Tim. Melanie wonât press him the way she pressed Martin earlier. Itâs different.
Caroline wraps her mind around it, and doesnât pry about what his name needs clearing from. âWhat is it you want me to say?â
âJust⊠the truth of your experience, I suppose? This video is about Gerry, about the person he really was, everything he did to help people⊠So, whatever you remember about him, Iâd really like to hear it.â
Caroline nods again, clearing her throat. Melanie gives her a thumbs up when the camera starts recording, gesturing for Caroline to look at her while she speaks. It takes a long moment and a deep breath, but she does.
âI didnât know Gerry very well. I only met him a few times, and the most prominent of those memories was the scariest moment of my life. Even scarier than losing my child was watching himâ tied to a chair, and afraid. It worked, is the thing; the scary thing worked. I-I couldnât even begin to recount it for you, what the process of⊠freeing him, was like, but it saved his life. It gave me my baby back.
âAnd just before the scary part began, I remember Gerry⊠sitting in front of him, just talking to him. He showed him a scar that I can still see in my mind if I think back on it â a big, black handprint on his leg â and told him that he wasnât alone in what he was going through. That letting people notice that heâs hurt and letting them help him was the only way to heal. I remember him pulling his rucksack into his lap and showing him all these little trinkets heâd gotten from people over time, and one of them wasââ She laughs wetly. âOne of them was from Callum. Theyâd met before on a bus one day, and my son flicked a paper ninja star at him. Something I mightâve scolded him for had I been there, but then⊠maybe Gerry wouldnât have flung it back. Maybe they wouldnât have had their fun, and my son would have one less fond memory of a kind stranger who paid attention to him. Gerry kept that ninja star pinned to his bag that whole time, because he must have been short on fond memories, too. I didnât know him well, but I know thatâs the kind of person he was. The fond sort.
âAnd Callum listened to him. He has friends, now. Good friends who come over and stay the night sometimes, and lightbulbs donât break in our house anymore. Heâs happy. Heâs healthy. Heâs safe. And weâre closer than ever, weâre in a good place. That whole time was⊠very dark for us, so dark, and if youâre asking me about Gerry⊠Iâd say he did his best to shine just a little bit of light on the future he wanted for my son. No one made him do that, no one made him care. He just⊠did. And I wish I had taken the chance to thank him for that.â
After a hesitant hand motion from Caroline, Melanie shuts off the camera and dabs at the corner of her eye. She hadnât been there for Callumâs rescue, or his second saving, but sheâd heard the stories of their respective horrors. She didnât know about the sentimental part of it, but she believes it. She knows it.
âThank you, Caroline,â Melanie says again, and sheâs taken off guard by the swelling of pain in her throat that comes with the words. She turns her face away to roll her eyes up to the ceiling, bouncing a hand on her leg. Sheâs not supposed to cry, not here.
Caroline gets up and rushes back with a box of tissues, handing the whole thing to her. Melanie laughs, and accepts it, letting herself let just a bit of it out before she forces it all back inside. Another mumbled thanks, and an equally quiet youâre welcome.
âAre you done already?â
Melanie jumps, snapping her head back around to see Callum standing at the foot of the stairs. His hair is in need of a trim, his shirt baggy around his arms and hanging low past his waist. He stares at her sullenly, one hand on the banister as he sways with the clear desire to enter the room.
âI donât know,â Caroline says to him, and turns to Melanie. âAre we?â
âI, umâ I think thatâs just about all I needed, yes. We can watch it over and you can tell me if you want to do another take, but I think⊠I always think interviews are best kept organic, you know? We never recall things the same way twice, and we canât⊠replicate the same emotion.â
Caroline agrees, looking down at her folded hands before she glances back up at her son. âWere you listening?â
âUh-huh.â
âDo you want to come and talk with us?â
He gives Melanie a wary look before he slumps over to the couch to sit beside his mother. He doesnât react much when she runs a hand through his hair and rubs his back once, his eyes tracing the camera and Melanieâs belongings.
âWhy canât I do one, too?â
âOh, sweetheart,â Caroline says. âWeâd be telling the same story, wouldnât we? I donât want your face on any more⊠computers, or televisions, or any of that.â
âBut he died.â He says it so plainly. âShouldnât I say something?â
âWhat would you say that she didnât say already?â Melanie prompts.
He looks at the camera again. âTurn that on.â
âWhy?â
âBecause if I have to say it twice, Iâll get it wrong.â
Melanie looks at Caroline for permission. Caroline hesitates a moment longer, petting Callumâs hair again.
âAre you sure, honey?â
He nods. âA lot of people⊠have died, for me. And maybe he didnât die for me, but he died, and I knew him. I want to do this.â
Carolineâs eyes well up again, and after another beat, she relents. She scoots over to the other side of the couch to let Callum take her seat in front of the camera, and Melanie starts to fiddle with her equipment again. Before she hits record, Callum asks her a difficult question.
âWhenâs Danny coming back?â
Melanie swallows. âI donât know yet, kiddo. But Iâm still in touch with him, so when I know, youâll know.â
âOkay.â
She readjusts in her seat and angles the camera a little lower to focus on his face, and starts recording.
âWhenever youâre ready, go ahead.â
âââââ â ââ âââââ
He listens to the rumble of the train around him in place of any sort of music, no headphones on his person since he left. Self-deprivation, perhaps, but that was almost the point. Instead heâs filled his life with the sounds of the world around him, voices to mimic and borrow, the machinery of travel and distance. No nice little daydream to get lost in. He hasnât earned that.
His bag is light on his lap. Heâd only brought enough with him that he could carry on his person at all times, replacing things when he needed to the same way heâd swindled his way onto planes, boats, trains like this one, when he wanted to take his time instead of traveling through mirrors. Excuse me, thatâs my seat. Oh, you already punched my ticket. The same way heâd grifted their way to Greece the first time he left home with Martin andâ
Home. What a lost notion.
Itâd be a lie to say he didnât still daydream. His dreams are different now; no longer limited to the Circus the second time, no longer Watched by that haunting pair of silver eyes. Theyâre broader again, now with new hammersplat sounds and Tim is there, turning away from him. Sometimes theyâre not about anything at all, ordinary dreams that he didnât realize he could still have. Ones that leave him emptier than the ones that wake him up with chills or a shout, because he hasnât earned those, either.
But some mornings, he would wake up in a motel without arms around him and sincerely wonder where they went. Had Martin gotten up to get them coffee? Was he showering, or off finding a vending machine? Will he be back soon?
The illusion never lasted very long. It was always a source of stinging while the rest of him stayed numb and distant, removed from the experiences he could be having in Zimbabwe and Costa Maya and Sydney if this were a vacation. If this were anything but a chance to think. Mostly, he wandered.
Heâs finished, now.
The train comes to a screeching halt, and he rises with his bag to exit. His legs have had eleven months to heal, nearly ten of them spent walking, and still they ache with each step. He doesnât need a taxi for the rest of the way, or a bus. Heâll bide his time now that thereâs so little of it left.
Itâs the first of July. The crickets are loud in patches of grass when he reaches the start of the lawns, and the sun warms the back of his neck. He doesnât count the minutes on a watch, or pull his phone from his pocket. He wouldnât search for a mirror to jump through even if he thought he could land right inside the house. He still doesnât even know if heâll be welcome there.
Try as he might to stay numb, his stomach twirls up into tighter and tighter knots the closer he gets to the street. The more his legs ache for him to stop and rest, just for a little bit more time. The more he wants to turn around and go back to somewhere, anywhere, that no one could ever have the chance to know him.
He canât, though. Itâs been long enough. He canât let the world creep into August; hah. August. The worst time of Timâs life, and death. He must have replaced the losses in his heart by now. Danny keeps coming back, against all odds. Gerry never will.
Danny stops walking to breathe against the memory, the knowledge. The shame that builds and builds heavier and heavier with every day that passes, no matter how long heâs taken to deconstruct it. Maybe that was another one of Gerryâs gifts; all that Weight. Reva told him all about the sink. Whenever they were out instead of him, thatâs where he would be, without fail. That was his home in their head.
So maybe thatâs Dannyâs punishment, too. Every morning, he is lowered back into that tank, and he thrashes all day until someone has their twisted idea of mercy and pulls him out to let him sleep, only to start all over again tomorrow. He never drowns like Tim did. His fault, too.
It doesnât feel like punishment enough.
He leaps away from a speeding car before it has the chance to honk at him for drifting into the road. Adrenaline tingles in his limbs, his lungs, just the barest little taste of something alive. He looks ahead at the street signs and knows he has to keep going, he has to turn left, and to do that, he needs to forget how to feel again. Just until he gets onto the doorstep.
When he does reach it, he stands there for a while. He hasnât earned the right to knock on the door and say hello, certainly not to smile and wish for one back. But heâll be standing here all day if he doesnât, and he canât waste any more time. It feels like taking, but he does it.
Melanie answers the door. Her face falls in an instant, her eyes wide and skipping over his body as if in search of wounds or changes or evidence that heâs only a mirage. He lets her process his presence in silence until she finally finds it in her to speak.
âHoly shit.â
âHi.â
âHi!â She laughs, backing up to usher him inside. âYou didnât tell me you were coming home.â
âSorry.â
âItâsâ Well, I wonât say anything is fine, but Iâm just⊠really glad to see you. You havenât been texting.â
âSorry.â
She makes a piteous face, pausing on her way to the kitchen. He knows sheâs going to offer him tea in the mug with the holographic telly on it and heâll accept it to be gracious, not because he thinks itâs fair. For a moment, they hover in place at a distance from each other, equally at a loss for words, or affection, or mending.
âUmâŠâ she recovers, pointing towards the hallway. âIâm⊠going to go get Marââ
Again, she pauses, this time in a cold startle. Danny turns his head to face the music; Martin is already standing in the mouth of the hallway, staring at the pathetic scene with the flattest expression Danny has ever seen on him. Danny keeps his own face just as empty, careful not to betray the depth of how that expression makes him feel. It wouldnât be fair. He has no right to beg.
ââŠAh.â Melanie clears her throat. âYou know what? Iâm gonnaâ Iâm actually going to head to the store, we donât have⊠milk. Iâm going to go get some milk.â
âSure, Melanie.â Martin doesnât bother to look at her. âGo get some milk.â
His voice is different. Not in tone, but in quality. His hair is different; shorter, in an unfamiliar stage of hopefully-growing back out. It was only a matter of time before Martin cut his hair. Danny remembers stopping him the first time he held scissors down to the scalp, convincing him it wouldnât be worth it to cut it out of anger. Heâs been angry, and Danny wasnât here to stop him.
Of course heâs been angry. That is something Danny deserves.
As Melanie grabs her keys and leaves the house, Danny turns his body to face Martin fully, his bag still on his shoulder â he canât set it down yet, he canât make himself at home. He braces himself for the tirade, the accusation, the hatred. All things heâs earned.
Martin takes a step forward. Danny doesnât realize heâs taken a step back until the look on Martinâs face is more hurt than hollow. This conversation will be held across the room.
âHappy Birthday,â Danny tries.
âWhat were you thinking?â Martin says instead of âthanks.â âYou disappeared.â
âIâm sorry.â
âHow could you do that to me?â
âIâm sorry.â
âStopâ saying youâre sorry, and tell me what was running through your head!â
âI couldnât be here, Martin!â The confession leaps forth without another hesitation, prompted forward by Martinâs demand. âI couldnât justâ exist here, waiting for Tim to be able to look at me again! I couldnât just wait around for him to feel obligated enough to forgive me, and you know my being here would have put that pressure on him. I couldnâtâ I couldnât think here!â
âSo you went to Tanzania?â
âYes! Yes, I did, and I went just about everywhere else, too, and did almost every drug known to man, and I didnât have a lick of fun because I was running! You have to know Elias is probably after me, too, after I fucked up his plans. I couldnât stay anywhere for more than a few days, I had to just keep moving, I barelyâ I barely processed any of what I was seeing, I just needed to think.â
âAbout what?â
âAbout why I did it!â The bag slips from his shoulder, and he hardly notices the sound of it hitting the ground past the blood in his ears. âYou said in the hospital that I did it for Pharos and I agreed with you, but was I just agreeing because you said it? Or did I do it because I knew itâd be the best thing for Nikola?â
âYou wouldnât haveââ
âBut what if I did!â He canât fight the smile as it pulls at his mouth. âWhat if I did, Martin?â
Martin stops arguing. Danny battles to neutralize his face again, and fails. The best he can do is continue to explain himself.
âI had to figure it out on my own, I couldnât justâ let your belief in me influence how I remembered things.â
âNo one reallyâ remembers the whole Unknowing, I mean. It was the Unknowing. You canât try and force yourself to recall every single detail of an event like that, the whole point was to confuse us.â
Danny scoffs. âDonât you think I know that? I soaked in that for years before you people dragged me out of it by the hair. I learned to navigate it, I learned to cause it, and you think I wouldnât have been able to coast on that during the ritual? You think itâs that impossible that I could have just slipped back into my old role? Seriously, Martin? You still love me enough to lie to yourself like that?â
You still love me at all? Danny canât take the words back. Martin crosses his arms, leaning against the wall to look down at the floor.
âAnd what conclusion did you come to?â
âA different one every day.â
He sees the minute shake of Martinâs head, the disbelieving desire to scoff as he turns his eyes back up to the ceiling. âSo, what youâre saying is that this was pointless. You didnât come back with some big epiphany, you didnât have your come to Jesus moment in Cambodia, it was all justâ a waste of time.â
âNo,â Danny says firmly. âI still couldnât just be here. I need you to understand that.â
âWhat I donât understand is why you didnât just tell me.â
âBecause you would have tried to stop me, or asked to come with me, and I wouldnât have been able to say no to you! I needed to be alone, Martin.â
âSince when has âaloneâ gotten anyone anywhere good? You said before you did every drug known to man, h-how is that a good thing? How did that help you?â
âIt helped me forget sometimes.â Danny curls and unfurls his fists. âYou donât know how hard it was to look any of you in the eye before I left. Any of you, even you.â
âI never blamed you forââ
âMaybe you should have. Maybe I wanted you to! Maybe I needed someone to blame me, because it canât just be me blaming myself! I canât trust myself, you know that.â
âBut if no one blames you, then isnât that a signal that it wasnât your fault?â
âI swung the hammer, Martin! I did that. And I still donât know for certain if I did it for Pharos or not, so no, itâs not a signal that it isnât my fault. It just tells me that no one takes my actions seriously, even when theyâre catastrophic.â
âYou saved the world, technically.â
âDonât.â
âYou did, though,â Martin insists. âAdelard said that incantation could have been the end of everythingââ
Danny shakes his head. âWe have no idea how accurate that is.â
âAnd weâll never know! Because itâs over, and because Pharos saw it coming. He trusted you.â
âAnd what about Gerry, then, huh? What about the one all of you actually miss? The one I took away from Tim without a second of hesitation because Pharos decided that the collateral would be worth it?â
âThat sounds like a Pharos problem. And it sure sounds like you put a lot more thought into what Pharos was asking of you than you were probably thinking of Nikola in the moment.â
âG-d, youâre not even listening!â Danny canât control his gestures, arms frenetic and jerking to grab for his own head. âMartin, I murdered the love of my brotherâs life! I killed him, heâs dead because of me! No amount of justification is going to change the result! I donât care about the incantation, I donât care about the end of the world, I care about the world I have to live in now! I always have, thatâs all that matters to me! There needs to be a consequence for what I did!â
âIs that another reason why you left without so much as a note?â Martin asks. âInviting some kind of consequence?â
âMaybe it is! Now, are you going to deliver one or are you just going toâ forgive me?â
For a long time, the adrenaline of raising his voice had kept the tears at bay. He doesnât know precisely when they started to burn in his throat, but all at once, the notion of forgiveness creates such a deep longing in him that he canât help the way it jumps out. He canât retract the way it sounded; like a lie, like bait, like pleading. Danny does his best not to drop his head, muscling through as his eyes water, looking Martin in the face as if he stands a chance of challenging him. He feels like the frenzied bull in the arena, while Martin stands calm and resolute in the distance, daring him to come closer.
Itâs Martin who steps forward again. Danny backs up one more step, instinct over impulse, but thereâs only so far he can go before his back hits the wall. Martin is slow in his approach, reaching out with his hands first to show that theyâre empty, theyâre open, theyâre safe. Danny is powerless to him, then, when Martin pulls him down into his arms.
âIâm going to forgive you, Danny.â
Danny sobs into his shoulder. âWhy?â
âI donâtâ I donât like being angry, it makes me mean. Just ask Melanie, Iâveâ Iâve been awful to her this whole time. I donât see the point in holding a grudge against you for⊠for what happened to Gerry, or for you leaving to sort out your thoughts. I canât punish you any more than youâve punished yourself. I refuse to even try.â
âWhy?â
Martin cradles the back of his head as he shakes. âIt wouldnât do any good. Not like⊠actually trying to fix things might.â
âI donât know where to start.â
âYouâre home. Thatâs a start.â Martin kisses the spot behind his ear. âAnd donât get me wrong, Iâd love to keep you all to myself as long as I can, but Melanieâs going to be back with that milk we donât need, and⊠I think the person you really need to talk to is Tim.â
For a while, the most Danny can do is weep. He hasnât cried much since he left, if at all â hell if he remembers anymore. The wall behind him and Martinâs sturdy frame in front are the only things keeping his legs from giving out underneath him, the Weight still there and still suffocating and still too oppressive to dig himself out from. He lets Martin hold him until it makes more sense to let him lead him to the couch, and then time distorts until heâs lying with his head in Martinâs lap, breathing slower.
He hasnât earned this, but heâs selfish. He needs it.
They decide to text Sasha, not Tim, just to make sure heâs home, and leave it at that. Danny takes a shower before anything else and changes into a fresh set of clothes from his dresser, still full of his things. He looks at himself in the mirror and wills it not to crack. The scar on his forehead. The scar on his lip. His identity in seams. He canât face his collarbones, or his wrists.
Martin offers to go with him, and he finds the strength to say no. The most he can give is leaving his bag in the house, a promise to come back. Today, he thinks he keeps his promises.
Timâs house is too far to walk to, so he takes the bus as close as itâll bring him. He hopes that Sasha doesnât answer the door, too tired for another round of what happened with Melanie and Martin. He wonders if heâs earned the right to want this to be direct. To the point. Not painless, but bearable. He can bear quite a lot before it breaks him. He could take any comeuppance Tim has to offer as long as it isnât forgiveness, too.
It wonât be. It couldnât be. Not this time.
With hands unfeeling, he knocks. He listens for the heaviness of the footsteps that approach the door, for a moment forgetting if Timâs are still audible at all. When he doesnât hear anything, he figures that no, they arenât, and why would they be? Tim is more of a ghost than ever. Danny doesnât know how to prepare himself for what heâll see when the door opens.
Tim is dry, at least. His hair is down, no longer or shorter since the last time Danny saw him. Theyâre the same, in that regard; Dannyâs hair still hasnât grown a centimeter since he first encountered the troupe. Tim canât cut his for anything now because thereâs every chance itâll never grow back.
His eyes are vacant, empty black holes in his head. Frightening to passersby, no doubt, but to Danny, itâs something else. Something words canât describe, so he doesnât try.
âHey,â he starts, because Tim doesnât say it first.
For a long moment, Tim doesnât say anything. He doesnât move to let Danny into the house, or step onto the porch to join him. Simply stands in the doorway like a statue, studying him for change the way that Melanie and Martin had. Studying his eyes for traces of⊠what, guilt? Shame? Heâll find it in abundance.
âI just came by to tell you⊠Iâm done running, now.â
The calm question comes up from inside a deep well. âWhere were you?â
âUm⊠around.â Danny looks down at Timâs shirt and shrugs. âAll over.â
Tim hums, and still he doesnât move. âHave fun?â
âNot especially.â
âAlright.â
Danny thought he could handle the comeuppance. âI just didnât⊠think itâd be right to tell you over the phone.â
âWhen you left, or when you got back?â
âEither.â Danny tucks his hand behind his hip to fidget in private. ââŠTim, Iâm sorââ
Tim holds up a hand.
âWhatâs done is done.â
âWhich part of it?â
âAll of it. You canât take it back. I donât want you to try just to be disappointed that I canât forgive you yet.â
âI donât want you to forgive me yet,â Danny admits. ââŠOr at all, if you really canât. I know Pharos said that Iâm the only one you might be able toââ
âMight.â
âExactly. And I left because⊠I didnât want you to feel obligated to honour that just because he said it. I left so you could have some time to yourself, without me⊠pressuring you to move on.â
âYou left for yourself.â
âThat, too. I needed time, I thought⊠I thought we could both use the time. I didnât expect to walk back into welcoming arms.â
Tim doesnât need to say good for the sentiment to come across. Heâs silent for another long while, unmoving in the doorway. A barricade between the outside world and his private space, so empty now with his loss.
âWhatâs done is done,â Tim repeats. âAnd I donât forgive you yet. But⊠youâre back now. Which means we can start to try and get there someday.â
Dannyâs throat closes up. âYou donât have to.â
âI know. And you didnât have to come back, but you did.â Finally, Timâs eyes shift to look over Dannyâs shoulder at the street. âYou did the one thing I couldnât do for him.â
âIâm sorry,â Danny rushes out before Tim can stop him again. âIf I could go backââ
âYou canât. He wouldnât even want you to. Whatâs done is done.â
Danny drops his head. âWhatâs done is done.â
âYeah.â Tim turns his eyes back to Dannyâs face, his stare so deadened that Danny can feel the blood on his hands. âWe can talk about this some other time.â
âOkay.â
There is a beat of quiet before the door is shut in front of him. Danny swallows the rejection and forces his eyes to stay dry, forces himself to turn around and step off the porch and head for the bus stop. One step at a time, one speculation after another; when will some other time be? What will tomorrow look like?
@gerrydelano so, hey. Remember that little detail in your fic, Two Ships Passing, where Gerry has a jacket full of little trinkets from different people he met? So, Iâve kinda been doing that same thing⊠and I have you to thank for the idea <3
Iâm also the same person who embroidered that quote btw. And this is the same jacket :3