for anyone else, such a simple declaration would make her cast judgement. that sheâs boring, and doesnât want to play her unintentional games. but from georginaâs lips it just strikes her with the awe sheâs kept from the first day, the romanticized statue of a person, immovable and existing to be gloried over. she doesnât know any of the history, of this school and the extent to what itâs done, but surely, gillianâs sad status would be nothing compared to a memorialized georgina, set in marble with an etched gold plaque. she doesnât know what itâd say, because really, she doesnât actually know georgina all that well, but itâd be something cutting, the shwip of a blade through the air, like the sound effects they use in fruit ninja.
   sometimes, in times, like these, sheâs certain her life is a movie. the song fades in and the camera pulls out, until theyâre two specks along rows of bleachers, the sky an opaque baby blue, white texts contrasting perfectly against it, directed by god, starring lucifer ( then right under, with an asterisk *lucie frear ). it holds artistic merit, because she feels uneasy, and thatâs how all good movies end, with uncertainty as if a happy ending is revolting. thing is, sheâd take the soppy, foot-popping, make-out while the camera rotates ending then the coming-of-age feeling that everythingâs ephemeral. the songâs nice, even if the words are gibberish to her, though incomprehensibilityâs never been a point of critique, canât be, when she loves cocteau twins as much as she does.
    â  i know.  â itâs not that she canât take comfort, but itâs just that she does know. itâs there buried in the muddle of feelings, she knows sheâll be alright, because sheâs never had a cynical disposition, but sheâs impatient. waiting until her body and mind can bounce back is boring at best and soul-crushing at worst. â  why this song ?  â she muses, because if thereâs one thing that sparks genuine curiosity itâs choices of the musical variety. â  no wrong answer. as long as you have one.   â because i like it would suffice plenty, but i donât know would be cause for concern.
   HER QUESTION DEMANDS SUBJECTIVITY â  the very bane of georgina gallagher. thereâs no reason good enough for her to indulge in it, no sufficient experience with feeling thatâd allow her to deign trust. she imagines itâd be like pulling scarves from a magicianâs breast pocket or worse, their mouth. thereâll be one tied to another, a single tug that leads to a string of colors, uncontrollably spilling out from a place they werenât supposed to be in to begin with. besides, she never liked magicians anyway, knocked one out cold in front of le centre pompidou when she was eight.
   â because i know you like fashion, â georgina answers convincingly, quick wits saving her from telling a lie. â and comme des garçons, the label with the red heart and the eyes ? â she adds as if thereâs any doubt luce would know. â the founder got the name of the brand from the lyrics of this song. it means â like boys. â â she doesnât say that itâs because the song is so super not happy, and luce is so super not happy, and now listening to this so super not happy song with the so super not happy girl, georgina is starting to feel something akin to so super not happy. she doesnât say it, because it doesnât matter. it sounds beautiful, so it must be beautiful. luce doesnât seem to understand the words to know any better.
   â so has anything changed ? â head turned to the sky tilts to look at the blonde again, borrowed glasses pushed up so eyes can meet. â with your gallagher bucket list. now that you know the truth and the whereabouts of the hookup passage, is there anything else lucie frear desires ? â eyebrows quirk up and the smile returns. the song ends, moves seamlessly to something with a lot less blahs, so itâs only fitting that the girls do, too.